Mongiwekhaya's I SEE YOU / NGIYAKUBONA / EK SIEN JOU / NDIYAKUBONA places the issue of reconciliation within and between black communities within the wider context of South Africa's fractured rainbow nation - an image that was perhaps more idealistic than true.
Penny Youngleson's new play accomplishes its enlightenment through a domestic scenario without ever becoming didactic or patronising; that it does so by using a powerful, unique and pliable central metaphor makes SILLAGE all the more remarkable.
Cape Town City Ballet is nothing if not ambitious.
Rob van Vuuren's LIFE is a side-splitting observation of the way we live today.
YOU SUCK (AND OTHER INESCAPABLE TRUTHS) is hilariously biting comedy from playwright-performer Klara van Wyk, keeping the audiences in stitches of laughter from start to finish as she delves into the depths what it means to be a school pupil in our turbulent times.
In FROM THE HEART, the focus on and celebration of June Carter Cash as an individual is long past due, a welcome realignment of her story from her own perspective rather than as a supporting player in the narrative of her husband, the man in black, Johnny Cash.
The director of ASSITEJ SA, Yvette Hardie, responds to the BroadwayWorld South Africa article, 'On the Meaningful Recognition of Theatre for Young Audiences at South African Theatre Awards Ceremonies'.
How meaningful is the recognition of Theatre for Young Audiences at major South African theatre awards ceremonies such as the Fleur du Cap Theatre Awards and the Naledi Theatre Awards>
The 51st Fleur du Cap Theatre Awards were presented at the Baxter Theatre Centre in Cape Town on Sunday night in a ceremony that highlighted the theme of 'new beginnings'.
Words are perhaps inadequate repositories to record the visceral emotional experience of watching I TURNED AWAY AND SHE WAS GONE.
CANNIBAL COUNTRY, a new physical theatre drama written by Alex McCarthy, made its bow at the Alexander Bar and Cafe's Upstairs Theatre this week.
The latest entry in the tradition of FRANKENSTEIN parody and satrire is local theatre-maker Callum Tilbury's DOCTOR GODENSTEIN'S MAN, starring Wessel Pretorius and Ameera Conrad in a production directed by Byron Bure at the Galloway Theatre.
A revival of the iconic South African children's television show, BANGALORY TIME, adults are able to bring their children and grandchildren to enjoy fondly BANGALORY'S BACK and create some new fans at the same time.
Theatre criticism, they say, is in crisis.
EVERY BEAUTIFUL THING is a bittersweet microcosm of the human experience.
Some three decades after its first premiere, LITTLE SHOP OF HORRORS still delivers on its promise to be an enjoyable romp for its audiences.
The Fugard Theatre's production of CABARET begins with a perfectly realised moment of theatre.
The Fleur du Cap nominations are out! Here are some thoughts about the nominees in each of the categories.
ORPHEUS IN AFRICA is all set to be a grand, old-fashioned classic musical in the Rodgers and Hammerstein tradition.
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