Review: KIM'S CONVENIENCE, Park Theatre
What did our critic think of KIM'S CONVENIENCE at Park TheatreIn July 2018, a little series titled Kim’s Convenience was released internationally on Netflix.
Cindy Marcolina - Page 11
Review: THE GOOD JOHN PROCTOR, Jermyn Street Theatre
Betty Parris and Abigail Williams’ lives are ruled by suspicion and spiritual insulation, where even playing is considered a sin.
Review: THE ENFIELD HAUNTING, Ambassadors Theatre
Now, we’re not here to tell you how to spend your money, so, by all means, if you want to see some people off the telly in real life, they’re discounting ticket prices left and right.
Review: ALAN TURING - A MUSICAL BIOGRAPHY, Riverside Studios
This self-identified “musical biography” doesn’t dig much further than the introduction paragraph of Turing’s Wikipedia entry.
Review: LA LA LAND IN CONCERT, Royal Albert Hall
Featuring music by Justin Hurwitz and elegant lyrics by Broadway babies Benj Pasek and Justin Paul, it stars Ryan Gosling and Emma Stone as its star-crossed lovers.
Book Review: RUNNING THE ROOM: CONVERSATIONS WITH WOMEN THEATRE DIRECTORS
Running the Room isn’t a bible nor a manifesto.
Review: THE MOTIVE AND THE CUE, Noël Coward Theatre
Jack Thorne gives his audience a backstage pass in his new play, which has now transferred to the West End after a stellar run at the National Theatre.
Review: MACBETH, Donmar Warehouse
It would be interesting to see the show free from all the fancy listening gear so we can bask in the thrill of seeing Tennant and Jumbo grapple with their actions without a middleman.
Review: ELF IN CONCERT, Royal Albert Hall
The Hall knew what they were doing when choosing their festive programming.
Review: THE TIME MACHINE, Park Theatre
Michael Dylan, Dave Hearn, and Amy Revelle share the comic timing of long-time friends.
Review: PACIFIC OVERTURES, Menier Chocolate Factory
Matthew White’s latest creation is stunning and Sondheim’s score remains beautiful.
Review: SONGS FROM THE SHOWS WITH CLARE TEAL AND THE BBC SINGERS, Milton Court Concert Hall
It’s finally December, and there’s nothing British theatre does better than one-off festive entertainment.
Book Review: SHAKESPEARE'S HOUSE: A WINDOW ONTO HIS LIFE AND LEGACY by Richard Schoch
Richard Schoch explores what daily life would have been like in the Shakespeare household and how the buildings that surrounded him have become hotspots.
Review: TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK), Kiln Theatre
All in all, Two Strangers is a pleasant night out for the rom-com lovers: it romanticises The City That Never Sleeps and leaves the audience with a delightful ending that solves very little of the plot.
Review: NINETEEN GARDENS, Hampstead Theatre
Nineteen Gardens is one of those layered pieces.
Review: BRENDA'S GOT A BABY, New Diorama Theatre
Nouveau Riche and Jessica Hagan reunite after Queens of Sheba for a new comedy that explores the absurd pressures thrust upon women by society.
Review: IRVINE WELSH'S PORNO, Arts Theatre
An alleged hit at the Fringe in 2022, it disappears on a bigger stage and sadly becomes a steady trudge.
Review: BOY PARTS, Soho Theatre
While this version of the bestseller isn’t as consistently shocking as its original material, it’s sharp, entertaining, vicious, thrilling, morbid, uncomfortable, and alarmingly irresistible.
Review: I, DANIEL BLAKE, Stratford East
I, Daniel Blake was the film on everybody’s lips in 2016.
Review: ELEPHANT, Bush Theatre
An accomplished, evocative solo project, the piece sits between a play with songs and a straight drama infused with socio-politics: much like its creator, it’s impossible to pigeonhole it.
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