Review: KING JAMES, Hampstead Theatre
We all know that sport is easily the most straightforward gateway for male friendships.
Cindy Marcolina - Page 11
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Review: [TITLE OF SHOW], Southwark Playhouse
Director Christopher D.
Review: SWEETMEAT, Old Red Lion
A failed engagement and extended repression are a deadly concoction in Ivo de Jager’s new play Sweetmeat.
Review: THE FOOD BANK SHOW, Camden People’s Theatre
Sam Rees’s The Food Bank Show is very aware of all the limitations of his viewership.
Review: SLAVE: A QUESTION OF FREEDOM, Riverside Studios
When we talk about slavery, our minds immediately land to the olden days of colonies and plantations; perhaps we think of the much discussed reparations provided to the victims or their descendants, or we draw back to those tedious corporate trainings that address a problem that seemingly doesn't be
Review: WISH YOU WERE HERE, Gate Theatre @ Theatro Technis
The start of Sanaz Toossi’s Wish You Were Here sees girlies being girlies in 1978 Iran.
Review: THE UNGODLY, Southwark Playhouse
There’s a number of compelling sides to Carrick’s script, but it ultimately feels over-written, under-directed, and over-performed.
Review: OEDIPUS, Wyndham's Theatre
Flashback to a dreary Thursday evening in mid-January.
Review: EURYDICE, Jermyn Street Theatre
Greek mythology has always had a hold on pop culture, but it seems like it’s taken a place of honour in recent times - especially on stage.
Review: BELLRINGERS, Hampstead Theatre
Daisy Hall’s debut is already a decorated piece of writing, having been a finalist for the Women’s Prize for Playwriting last year and a huge success at the latest edition of the Edinburgh Fringe.
Review: NOWHERE, Battersea Arts Centre
The world is a dark place.
Review: FOREVERLAND, Southwark Playhouse
Would you undergo a procedure that would easily and painlessly grant you to live eternally? Writer Emma Hemingford theorises a future where the extension of life has become as normal as getting Botox.
Review: ONE OF THE BOYS, The Playground Theatre
Tim Edge’s sophomore project is described as a nail-biting show that uncovers the dark truths of vicious competition and ferocious career moves.
Review: THE CABINET MINISTER, Menier Chocolate Factory
Sir Julian Twombley is in hot water when it’s discovered that his family has been living way beyond his House of Commons’ wages.
Review: A FACE IN THE CROWD, Young Vic
“I love you like Mary Shelley loved her monster.
Review: WAITING FOR GODOT, Theatre Royal Haymarket
A country road.
Review: ABIGAIL'S PARTY, Stratford East
The Seventies were a time for cheesy pineapple, bellbottom jeans, Elton John, and ABBA.
Review: 23.5 HOURS, Park Theatre
Leigh’s husband was arrested for inappropriate sexual conduct with a minor.
Review: VITAMIN D, Soho Theatre
Having to move back with your parents after a failed marriage is raising all types of questions that Larki can’t or doesn’t want to answer.
Film Review: THE CRITIC
The Irish writer Brendan Behan described critics as “eunuchs in a harem; they know how it’s done, they’ve seen it done every day, but they’re unable to do it themselves”.
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