Review: HAEMOSPORIDIAN, Lyric Hammersmith
Haemosporidian is a critique of the destructive force of new developments clad in dark tragicomedy.
Cindy Marcolina - Page 10
Review: IN CLAY, Upstairs At The Gatehouse
After an outstanding run at the last VAULT Festival, Rebecca Simmonds and Jack Miles’ project has been garnering a steady foundation of favourable reviews.
Review: INSTRUCTIONS FOR A TEENAGE ARMAGEDDON, Garrick Theatre
Girlhood comes to the Garrick.
Review: BLUE, Seven Dials Playhouse
It’s easy to understand why Blue garnered excellent reviews and a Fringe First Award for their run in Edinburgh last year.
Review: CASSEROLE, Arcola Theatre
All in all, this iteration of the production is a springboard.
Review: NACHTLAND, Young Vic
Nachtland is a nervous, difficult play whose purpose is decisively blurry.
Review: GOOD-BYE, The Coronet Theatre
It’s a piece of existential gig-theatre moulded with a cynical celebration of one of Japan’s most renowned authors and what he stood for.
Book Review: HERE IN THE DARK by Alexis Soloski
A highly intelligent and slightly arrogant cynic as a main character helms the investigative noir set against a bleak view of the business.
Review: THE HUMAN BODY, Donmar Warehouse
The departing artistic director of the Donmar Warehouse is going out in a blaze of glory.
Review: COWBOYS AND LESBIANS, Park Theatre
Nothing ever happens in Nina and Noa’s lives.
Review: JURY DUTY, Theatre Deli
In an anonymous room in the City, a group of people is summoned to discuss the crimes of a man who swears his innocence.
Review: HADESTOWN, Lyric Theatre
Created with director Rachel Chavkin, it’s a story of tragic love and politics, defeat and defiance.
Review: DOUBLE FEATURE, Hampstead Theatre
The glamour of Old Hollywood loses its shine in John Logan’s newest labour of love.
Review: TURNING THE SCREW, King's Head Theatre
English composer Benjamin Britten is writing The Turn of the Screw.
Review: DEAR OCTOPUS, National Theatre
Dodie Smith’s comedy is revived in a desaturated production that crackles with deliciously sly humour.
Review: TWO ROUNDS, Jermyn Street Theatre
Jermyn Street’s Footprints Festival continues with the UK debut of an Italian modern classic.
Review: THIS MIGHT NOT BE IT, Bush Theatre
The local NHS Child and Adolescent Mental Health Service facility has a new temp, but Jay’s bright eyes and hopeful attitude grate against Angela’s 30 years’ worth of experience.
Review: BROKEN WATER, Arcola Theatre
Three women live parallel lives on the same London street.
Review: BLOOD ON YOUR HANDS, Southwark Playhouse
Directed by Anastasia Bunce, it’s knotty in parts and it partially loses its visual identity halfway through.
Review: COWBOIS, Royal Court Theatre
All in all, Cowbois isn’t a bad play.
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