Brighton Fringe Review: WHOA MAMA!, Spiegeltent, Bosco Theatre
The strapline for Stephanie Ware’s WHOA MAMA! had me intrigued – a one woman comedy about a 40-something woman and her choice to remain childfree.
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Review: COOL RIDER, London Palladium
Producers Christopher D Clegg and James Drury have had a remarkable journey with Cool Rider, the much-lauded Grease 2 stage adaption.
Review: CLUEDO 2, Theatre Royal Brighton
Written by BAFTA Award winners Laurence Marks and Maurice Gran, this play can be viewed as a standalone.
Review: EVERYBODY'S TALKING ABOUT JAMIE, Theatre Royal Brighton
This is a gold standard production in every sense of the phrase.
Review: 2:22 A GHOST STORY, Theatre Royal Brighton
2:22 A Ghost Story has made a bit of a mark for itself in its regularly rotating cast – often well-established actors known more widely for their off-stage work.
Review: BLOOD BROTHERS, Theatre Royal Brighton
Whether you're a lifelong mega-fan of Blood Brothers, or have never heard of it, this particular production is so finely curated with accomplished performances that I can't imagine anyone being disappointed.
Review: MRS. DOUBTFIRE, Shaftesbury Theatre
Creating a stage musical of Mrs.
Review: NOTFLIX THE IMPROVISED MUSICAL, Luna Park, Caravanserai, Brighton Fringe
Touting themselves as 'The Spice Girls of improv', the team behind Notflix the Improvised Musical certainly knew how to inject some zig-a-zig-ah into the Brighton Fringe as they took the stage in Luna Park at the Caravanserai site this week.
Review: BRIGHTON FRINGE: MY FIRST TIME WAS IN A CAR PARK at The Quadrant, Brighton
A compelling and reflective one-woman play, My First Time was in a Car Park invites us inside the mind of protagonist Mira, a young woman that tells her story of losing her virginity through fragmented time-hopping anecdotes.
Review: WISH YOU WERE DEAD (UK Tour), Theatre Royal Brighton
Aptly kicking off its UK Tour in James’ hometown – and that of his protagonist detective Roy Grace – this stage adaptation by Shaun McKenna is capably performed and authentically menacing in its simplicity, but a problem with pacing prevents it from fulfilling its full potential.
Review: HEATHERS, Theatre Royal Brighton
Heathers the Musical is touring the UK after a successful premiere at The Other Palace in 2018, which was followed by several revivals, all of which have contributed to its cult status as a musical in its own right, not just the 1988 movie on which it is based.
Review: STEEL MAGNOLIAS, Theatre Royal Brighton
If you’re looking for a wholesome yet hilarious evening out supporting your local theatre, look no further than the UK Tour of Steel Magnolias, which this week hit the Theatre Royal Brighton for its latest stop on tour.
Review: THE ROCKY HORROR SHOW UK TOUR, Theatre Royal Brighton
What have I just witnessed? That was my overriding thought as I wandered out of the Theatre Royal Brighton, dumbstruck, baffled, fascinated and charmed by this extraordinary production of The Rocky Horror Show.
Review: MOTHER GOOSE, Theatre Royal Brighton
As a self-professed panto enthusiast, Mother Goose has never been a favourite of mine.
BWW Review: ZORRO THE MUSICAL, Charing Cross Theatre
Zorro the Musical has lived many lives before its latest engagement at the Charing Cross Theatre.
BWW Review: BROKEN WINGS, Charing Cross Theatre
I’m not sure I was prepared for what I witnessed as I sat in the round of the Charing Cross Theatre, awaiting the overture for Broken Wings which I’d heard so much buzz about.
BWW Interview: Gerard Carey and Josefina Gabrielle Talk LES MISERABLES
Having joined the cast of Les Misérables at the newly refurbished Sondheim Theatre back in December 2019, Gerard Carey and Josefina Gabrielle have had quite the rollercoaster experience as everyone's favourite rogues, the Thénardiers.
BWW Review: THE NATIONAL LOTTERY'S BIG NIGHT OF MUSICALS, BBC1
Finally – a major theatrical event in a prime-time slot on a Saturday night.
BWW Review: HEATHERS THE MUSICAL, The Other Palace
As the first show out of the gate at The Other Palace since the pandemic, and the first show housed there since the venue was bought by Bill Kenwright, Heathers the Musical has a lot of attention to shoulder.
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre
What must it feel like to perform to a socially distanced auditorium of masked audience members? Well, if the other night’s 1000th performance of Everybody’s Talking About Jamie is to be used as a benchmark, nothing could possibly mask the sense of joy and unity felt in the room for those 2.
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