Feature: ELEVATOR FRINGE, Part Three: Make Haste! The Fringe is Upon Us!
The trains are packed with line learners and gorgeous clowns and the reviewers are sharpening their pencils.
Bryony Rae Taylor - Page 3
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Feature: ELEVATOR FRINGE, Part One: Performers Pitch Their Shows To You... Quickly!
BroadwayWorld gives performers an opportunity to rep their show.
Interview: Your Aunt Fanny of MUFF SAID Talks Writing, Mansplaining And Getting To The Edinburgh Fringe
BroadwayWorld chats with three members (Katie, Matilda, and Lydia) of the all-womxn sketch group Your Aunt Fanny from the Northeast of England ahead of their Edinburgh Fringe show.
Review: 300 THOUGHTS FOR THEATREMAKERS: A MANIFESTO FOR THE TWENTY-FIRST-CENTURY THEATREMAKER
What did our critic think of 300 Thoughts For Theatremakers: A Manifesto For The Twenty-First Century Theatremaker?
Interview: Richard Katz of CABARET at The Kit Kat Club At The Playhouse Theatre
BroadwayWorld speaks to actor Richard Katz about his entrance into director Rebecca Frecknall’s thrilling version of Kander and Ebb's legendary musical, Cabaret.
Interview: Russell Lucas On His New Book, 300 THOUGHTS FOR THEATREMAKERS: A MANIFESTO FOR THE TWENTY-FIRST-CENTURY THEATREMAKER
Russell Lucas chats to BroadwayWorld about his unique perspective on theatre in the UK, his drive to write his new book, and the future of the term “theatremaker”.
Interview: Daniel Monks Discusses THE SEAGULL, Covid Delays And Disability On Stage
Australian actor Daniel Monks (Pulse, Teenage Dick) discusses opening the long-awaited revival of The Seagull, penned by Anya Reiss and directed by Jamie Lloyd.
BWW Review: GAMBLE, Northern Stage
Gamble is a show about gambling addiction.
BWW Review: GRACE CAMPBELL: WHY I'M NEVER GOING INTO POLITICS, Soho Theatre
Grace Campbell's Why I'm Never Going into Politics is a mash-up of political anecdotes, infused with some MEGA gossip from Grace's childhood spent hanging out with the Blairs, Putins and Corbyns.
BWW Review: KAI SAMRA: UNDERCLASS, Soho Theatre
At the very least, Kai Samra's comedy hits home with how embarrassing the state of things are in Britain right now.
BWW Review: TRANSLATIONS, National Theatre
Brian Friel's Translations, now nearly 40 years old, captures the best of humanity whilst avoiding even a teaspoon of sickly romanticism.
BWW Review: A HISTORY OF WATER IN THE MIDDLE EAST, Royal Court
Sabrina Mahfouz has created a lecture/music gig about the history of water in the Middle East.
BWW Review: SHUCK 'N' JIVE, Soho Theatre
Shuck 'n' Jive, Cassiopeia Berkeley-Agyepong & Simone Ibbett-Brown's debut play, charts the journey through creating a piece of theatre that represents them as individuals, and not solely defined by the colour of their skin.
BWW Interview: Lloyd Owen Talks NOISES OFF at the Garrick Theatre
Lloyd Owen about what it's like to act in something where art, quite literally, imitates life: Noises Off at the Garrick Theatre.
BWW Review: BLOOD WEDDING, Young Vic
Tragedy was Lorca'sdomain, and fabric of his plays are about the darkest parts of collective human behaviour.
BWW Interview: Isobel Waller-Bridge Talks BLOOD WEDDING and FLEABAG
Isobel Waller-Bridge discusses her approach to composition ahead of the opening of a new adaptation of Federico García Lorca's tragedy, Blood Wedding, at Young Vic.
BWW Interview: Anthony Calf Talks HEDDA TESMAN at Chichester Festival Theatre
BroadwayWorld talks to Anthony Calf about his role in Hedda Tesman at Chichester Festival Theatre.
EDINBURGH 2019: BWW Review: ALGORITHMS, Pleasance Courtyard
Algorithms is a feel-good show, comic and gently moving.
EDINBURGH 2019: BWW Review: HOTTER, Underbelly
Mary Higgins and Ell Potter interviewed women and trans people from the age of 11 to 97 about what gets them 'hot', and then made a wonderful verbatim piece of theatre.
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