Barry Lenny - Page 47

Phil Scott is simply marvellous as Lionel Bart.

From the heights of hilarity, to deeply meaningful ballads, Jessel captivated the audience.

Close your eyes and it could have been the original orchestra.

Congratulations must go to the Rep for stepping out of their comfort zone.

Lady Rizo, as any of her fans will tell you, has a magnificent voice.

The standard of performances this year was as high as we have come to expect from these marvellous young artists.

If the Narelles hadn't existed, it would have been necessary to invent them.

I, for one, will be keeping an eye open in the near future, eager to see the next moves that these five will make.

Three guest soloists were invited by Alastair Kerr, musical director Panorama do Brasil.

Tex Perkins And The Dark Horses neatly and casually led their audience through some laid back and understated songs.

Harper Clements looks back over her forty years, working in the White House.

Frisky and Mannish are no strangers to Adelaide audiences, and their many fans turned out in force.

Meow Meow, once again, had the audience in the palm of her hand from first to last.

Jacqui Dark and Kanen Breen, accompanied, or perhaps that should be aided and abetted, by their musical director, Daryl Wallis, at the piano are the Strange Bedfellows.

Every concert has new aspects, new joys, and new stories, and so did this one.

Rooted in Weimar era German Kabarett, with touches of Dadaism evident, My Vagabond Boat is about loss, enforced travel, and seeking new lives.

It is nigh on impossible to resist a tap show, and so The Tap Pack just had to be on my list.

The packed audience showed their appreciation with continuous bursts of applause and laughter.

The Goodbye Girl, is the 1993 musical based on the film from 1977, with a book by Neil Simon, music by Marvin Hamlish, and lyrics by David Zippel

The performance spanned the decades, with so many landmark songs marking the way.