Barry Lenny - Page 44

Barry Lenny Born in London, Barry was introduced to theatre as a small boy, through being taken to see traditional Christmas pantomimes, as well as discovering jazz and fine music at a very young age. High school found him loving the works of Shakespeare, as well as many other great playwrights, poets and novelists. Moving to Australia, he became a jazz musician, playing with big bands and his own small groups, then attended the Elder Conservatorium of Music at the University of Adelaide, playing with several orchestras. This led to playing in theatre pits, joining the chorus, playing character roles, playing lead roles (after moving into drama), then directing, set and lighting design, administrative roles on theatre boards and, finally, becoming a critic. After twenty years of writing he has now joined the Broadway World team to represent Adelaide, in South Australia. Barry is also a long time member of the prestigious Adelaide Critics Circle.




BWW Review: ADELAIDE FRINGE 2016: DAVID TROISI ISN'T GAY Hilariously Confirms That
BWW Review: ADELAIDE FRINGE 2016: DAVID TROISI ISN'T GAY Hilariously Confirms That
February 13, 2016

Nate Charles Troisi is a very clever and funny story teller, with a string of hilarious anecdotes.

BWW Review: ADELAIDE FRINGE 2016: A GAMBLER'S GUIDE TO DYING Explores An Unusual Philosophy
BWW Review: ADELAIDE FRINGE 2016: A GAMBLER'S GUIDE TO DYING Explores An Unusual Philosophy
February 13, 2016

Cheering when England won, in a pub full of English hating Scots, was not a good move by Archie Campbell.

BWW Review: ADELAIDE FRINGE 2016: LABELS Points Out The Stupidity Of The Us/Them Divide
BWW Review: ADELAIDE FRINGE 2016: LABELS Points Out The Stupidity Of The Us/Them Divide
February 12, 2016

Joe Sellman-Leava makes us laugh, makes us angry, and makes us very glad to have met him, albeit far too briefly.

BWW Review: ADELAIDE FRINGE 2016: SWING Superbly Recreates The Big Band Era
BWW Review: ADELAIDE FRINGE 2016: SWING Superbly Recreates The Big Band Era
February 10, 2016

Two hours of some of the greatest dance music ever written, played brilliantly.

BWW Review: THE TIGER WHO CAME TO TEA Thrilled Young Fans Of The Book
BWW Review: THE TIGER WHO CAME TO TEA Thrilled Young Fans Of The Book
January 24, 2016

Based on the children's book, by Judith Kerr, this drew plenty of young people.

BWW Review: DEADLY 60 LIVE Sells Out In Adelaide
BWW Review: DEADLY 60 LIVE Sells Out In Adelaide
January 12, 2016

Steve Backshall walks on stage at Her Majesty's Theatre to a howl of applause.

BWW Review: GHOST THE MUSICAL Thrilled The Opening Night Adelaide Audience
BWW Review: GHOST THE MUSICAL Thrilled The Opening Night Adelaide Audience
January 10, 2016

Jemma Rix as Molly and Rob Mills as Sam are an ideal duo.

BWW Reviews: HEY PRESTO! Is A Rarity Not To Be Missed
BWW Reviews: HEY PRESTO! Is A Rarity Not To Be Missed
January 8, 2016

There are three fine performances and a lot of emotion crammed into this one-act play.

BWW Review: CLUB SWIZZLE Sparkles And Delights
BWW Review: CLUB SWIZZLE Sparkles And Delights
January 1, 2016

Make sure that you get a ticket before the season sells out.

BWW Review: CHRISTMAS PROMS 2015 Is A Seasonal Treat For Adelaide
BWW Review: CHRISTMAS PROMS 2015 Is A Seasonal Treat For Adelaide
December 19, 2015

It would be hard to find a better family event to help with getting into the festive spirit.

BWW Review: GRADUATE SINGERS – NATIVITY Points The Way Towards Christmas
BWW Review: GRADUATE SINGERS – NATIVITY Points The Way Towards Christmas
December 15, 2015

Sixty singers under the direction of Karl Geiger, made a suitably strong and joyful noise in Nativity.

BWW Review: SPICY GIRLZ IN TOWN Follows A Group Of Party Girls To A Nightclub
BWW Review: SPICY GIRLZ IN TOWN Follows A Group Of Party Girls To A Nightclub
December 14, 2015

BMG films and Manpreet Gill are leading the way into a new era.

BWW Review: FEAST FESTIVAL 2015: QUEERLESQUE Takes A Different Look At Sexuality
BWW Review: FEAST FESTIVAL 2015: QUEERLESQUE Takes A Different Look At Sexuality
November 30, 2015

Taken as a whole, the events explored a wide range of topics in a very personal way.

BWW Review: FEAST FESTIVAL 2015: STORM IN A D-CUP Is First Class Cabaret
BWW Review: FEAST FESTIVAL 2015: STORM IN A D-CUP Is First Class Cabaret
November 29, 2015

This is a highly polished production from a total professional.

BWW Review: FEAST FESTIVAL 2015: HEAVIER THAN AIR Takes The Classroom Into The Theatre
BWW Review: FEAST FESTIVAL 2015: HEAVIER THAN AIR Takes The Classroom Into The Theatre
November 28, 2015

Two years in development, the work is based on interviews with numerous Australian LGBTIQ teachers.

BWW Review: PIECE FOR PERSON AND GHETTO BLASTER Spellbound The Audience
BWW Review: PIECE FOR PERSON AND GHETTO BLASTER Spellbound The Audience
November 26, 2015

Take advantage of this opportunity to discover what the best of 21st Century performance has to offer.

BWW Review: RUMOURS Can Get You Into A Lot Of Very Funny Trouble
BWW Review: RUMOURS Can Get You Into A Lot Of Very Funny Trouble
November 23, 2015

If you need a laugh to take your mind off of the silly season, this could be just what you are looking for.

BWW Review: RED VELVET Is An Important Piece Of History That Is Very Relevant To This Company
BWW Review: RED VELVET Is An Important Piece Of History That Is Very Relevant To This Company
November 22, 2015

It is the complete package that we have come to expect from this group.

BWW Review: ONLY AN ORPHAN GIRL Brings Laughter Galore
BWW Review: ONLY AN ORPHAN GIRL Brings Laughter Galore
November 21, 2015

If you have never seen a melodrama or a recreation of the music hall, now is your chance to remedy that omission.

GALLEON THEATRE GROUP PRESENTS NEIL SIMON'S RUMOURS
GALLEON THEATRE GROUP PRESENTS NEIL SIMON'S RUMOURS
November 17, 2015

Galleon is presenting the BRITISH version of the play for the first time in Adelaide!



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