Barry Lenny

They are dedicated to bringing Adelaide performances of the cantatas.

I really need to see this production again.

Charles Gounod took Shakespeare’s tale of the star-crossed lovers and adapted it to create the 1867 opera, Roméo et Juliette, with an overture and Shakespeare’s explanatory prologue, delivered by the chorus, followed by a five-act opera, with a libretto by Jules Barbier and Michel Carré.

Another huge success for T.H.E. and a wonderful, spiritual experience writes BroadwayWorld's critic about the OzAsia Festival.

The hills are alive with the sound of music and the Arts Theatre is alive with The Sound of Music, in this most enjoyable production from the Gilbert and Sullivan Society. Now, this is not the film. All your old familiar songs are there, but sometimes in a slightly different context. There’s a new duet for two of the supporting cast, and a lot more of the singing nuns.

Almost forty years ago, in 1987, I happened to be sent on a training course in Melbourne, when Andrew Lloyd Webber’s musical, Cats, had its run in Sydney and been transferred to Melbourne’s Her Majesty’s Theatre, and I took advantage of the opportunity to buy a ticket to see the performance.

Singer/songwriters who play guitar a bit were disappointing in a guitar festival.

We heard three remarkable musicians.

A thought-provoking reworking of Mozart's popular opera.

Ah, memories. Where would we be without them?

I have not laughed so much at the theatre in God knows how long.

You will leave the theatre enlightened and uplifted.

Be quick to book if you need a good laugh.

Every sketch is applauded heartily.

You only have until next weekend to see this sensational production.

A mesmerising eighty minutes of theatre.

Mr. Entertainment was a fitting title.

An hilarious cabaret show that deserves repeating at a later date.

One of the most joyous experiences of my life.