Born in London, Barry was introduced to theatre as a small boy, through being taken to see traditional Christmas pantomimes, as well as discovering jazz and fine music at a very young age. High school found him loving the works of Shakespeare, as well as many other great playwrights, poets and novelists. Moving to Australia, he became a jazz musician, playing with big bands and his own small groups, then attended the Elder Conservatorium of Music at the University of Adelaide, playing with several orchestras. This led to playing in theatre pits, joining the chorus, playing character roles, playing lead roles (after moving into drama), then directing, set and lighting design, administrative roles on theatre boards and, finally, becoming a critic. After twenty years of writing he has now joined the Broadway World team to represent Adelaide, in South Australia. Barry is also a long time member of the prestigious Adelaide Critics Circle.
BWW Review: ADELAIDE FRINGE 2017: RADELAIDE! at The Balcony Room At The Griffins Hotel
February 24, 2017
February 24, 2017
This Show Is 'Heaps Good'.
BWW Review: ADELAIDE FRINGE 2017: PROHIBITION at The Speakeasy, Gluttony
February 24, 2017
February 24, 2017
Be sure to catch a performance while you can.
BWW Review: ADELAIDE FRINGE 2017: ON ONE CONDITION at Tandanya
February 23, 2017
February 23, 2017
This powerful performance is immeasurably personal.
BWW Review: ADELAIDE FRINGE 2017: BARKING MAD at Bakehouse Theatre
February 22, 2017
February 22, 2017
Masterson has done it again!
BWW Review: ADELAIDE FRINGE 2017: MONEYPENNY: A JAMES BOND CABARET at Upstairs At La Boehme
February 19, 2017
February 19, 2017
Sexy music with class in a martini glass, shaken not stirred.
BWW Review: ADELAIDE FRINGE 2017: WINTER WITCHES at The Black Forest At The Royal Croquet Club
February 19, 2017
February 19, 2017
A live electronic music experience.
BWW Review: ADELAIDE FRINGE 2017: PARADISE LOST at Henrietta's At The Henry Austin
February 18, 2017
February 18, 2017
A Mesmerising Poetic Performance.
BWW Review: ADELAIDE FRINGE 2017: STOP STOPPING THE UNSTOPPABLE: ACHIEVE YOUR DREAMS SO HARD at Producers Niche, The Producers Hotel
February 18, 2017
February 18, 2017
Self-help meets comedy
BWW Review: ADELAIDE FRINGE 2017: GILLIAN ENGLISH IS A BITTER SHREW at Producers Niche, The Producers Hotel
February 18, 2017
February 18, 2017
English's intense energy and breathtakingly fast delivery catches the mood of today's life.
BWW Review: BUTTERFLY LADIES BAND – CHINESE NEW YEAR CONCERT 2017 at Dunstan Playhouse
January 23, 2017
January 23, 2017
It was a privilege to hear such venerable instruments played so extremely well.
BWW Review: BEER THEATRE - AUTOBAHN at Wheatsheaf Hotel
January 20, 2017
January 20, 2017
Four of the short plays from Neil LaBute's Autobahn
BWW Review: WHY HIM? at Event Cinemas - Marion
December 27, 2016
December 27, 2016
Why Him? is basically another version of Meet the Parents, only more crude, less funny, and less interesting.
BWW Review: RAY SMITH'S TROUT AND TOOLBOX at CD Review
December 23, 2016
December 23, 2016
Many fine songs, each with a strong story line and great arrangements.
BWW Review: CHICA CHICA ELECTRICA'S IN THE DUST CD Review
December 21, 2016
December 21, 2016
This album was a year in the making and the result is a well-rehearsed and exciting new collection of music from a great band with an ever growing following of enthusiastic fans.
BWW Review: CHRISTMAS PROMS 2016 at Her Majesty's Theatre
December 17, 2016
December 17, 2016
This is an essential Christmas event for so many people, so make sure that you are amongst them.
BWW Review: SINGIN' IN THE RAIN at Adelaide Festival Theatre
December 5, 2016
December 5, 2016
This is a highly exuberant and top quality production.
BWW Review: EXTREMITIES at Space Theatre
November 24, 2016
November 24, 2016
Mystique Productions & Tony Knight Acting are presenting Extremities, to coincide with White Ribbon Day, 25th November.
BWW Review: DON'T DRESS FOR DINNER at ARTS Theatre
November 18, 2016
November 18, 2016
The Adelaide Repertory Theatre are ending the year with a French farce, Don't Dress For Dinner.
BWW Review: TOSCA at Adelaide Festival Theatre
November 15, 2016
November 15, 2016
Tosca is a 'must see' for any lover of opera
BWW Review: EQUUS at Bakehouse Theatre
November 14, 2016
November 14, 2016
The play is so perfectly written that it is almost impossible to get wrong.
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