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Angela Kabasan

Angela Kabasan

When she was quite small, Angela Kabasan’s mother decided to enroll her in Pioneer Theatre, a youth theatre program that taught technical aspects of theatre as well as performing. She credits this program for kickstarting her love of all things theatrical. Following her involvement in that program, Angela took part in several productions with professional companies around Ohio. She still fondly remembers becoming Young Evita (Evita), General Cartwright (Guys and Dolls), and Sheila (A Chorus Line) to name a few.

She has taken a few interesting hiatuses from theatre (fronting a blues band in Ohio, moving to Arizona, and completing college) but she could never stay away for long. After she received her degrees in English Literature and Psychology from Barrett Honors College at ASU, she returned to the stage. Her favorite roles performed in the valley were: Golde (Fiddler on the Roof), Ilona Ritter (She Loves Me), Truvy Jones (Steel Magnolias), Josephine Strong (Urinetown), and Karen Nash (Plaza Suite).

As a makeup artist, Angela first became fascinated with the art of transformation during her time at Pioneer Theatre. She still remembers applying her first stage makeup (Madam Thénardier’s Act II finale makeup in Les Misérables). Angela eventually was asked to teach the class and also became the Assistant Technical Director for the company. She continued her love of makeup by studying at Kreider’s School of Makeup and Special F/X in Ohio. It was there she was introduced to John and Mary Walsh, who ran the Legion of Terror, a special F/X group that did makeup and performed at the award-winning Bloodview Haunted House. There, she learned to further her skills in lifecasting, molding, and various other makeup techniques. From there she answered an ad to become an assistant makeup director for M.O.B. Inc, a traveling murder mystery company. She eventually took over as their makeup director.

She picked her makeup brushes back up in Arizona for the first time in 2016 for Mesa Encore Theatre’s production of Footloose; that show began her foray into hair design as well. In 2017, she won an AriZoni award for her work in Urinetown. Since 2016 she has consistently worked, either with theatres or freelance/commission, on makeup and hair design. The designs gave her much joy were: FootlooseUrinetownBeauty and the BeastPirates of Penzance, and Mary Poppins (MET); Plaza Suite (DST); She Loves Me (DBFRT); and Scar, Lion King Jr. commission (Center Stage Academy).

In 2019, she was recruited to join Southwest Shakespeare Company (SWSC) as a costume designer for As You Like It (having previously assisted in shows such as La Cage, She Loves Me, and Mary Poppins)but also as makeup and hair designer for that and their subsequent shows. Her designs for that show were featured in the 2019 Fall/Winter edition of Shakespeare Theatre Association’s magazine Quarto. Since joining SWSC, she has worked on Taming of the Shrew, As You Like It, MacBeth, Irma Vep, Midsummer Night’s Dream, and Richard II. She also maintains costume/makeup/props as the company’s Shop Manager.

Last year, Angela made her debut into film, where she played Sarah Burch in the movie NRI. She is currently working on another film set to be released either the end of this year or the beginning of next. Also in the works are a few different writing projects in addition to developing a podcast. When she is not doing anything else, she enjoys cooking, entertaining, karaoke, and drawing. She currently studies theatre at MCC. 




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BWW Review: THE PLAYBOY OF THE WESTERN WORLD at Ronin Theatre
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Ronin Theatre company to present The Playboy of the Western World May 12-29 at the Irish Cultural Center.

BWW Review: SHALL I COMPARE THEE: THE SONNETS at The Southwest Shakespeare Company
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This passion project of Executive Director of Southwest Shakespeare, Mary Way, and written by Dathan B. Williams, offers a different take on the man, the myth, the legend - William Shakespeare - through the words of his sonnets.

BWW Review: SUNSET BABY at Black Theatre Troupe
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A lot is written about the effect of an absent father on sons. The phrase 'A boy needs his father' is often bandied about in conversation but not really heard concerning daughters. Scores of scholarly papers about this have been written with experiments and scientific data that reinforce the importance of a father in their daughter's life. Sunset Baby by Dominique Morisseau explores that very theme in this production by the Black Theatre Troupe (BTT).

BWW Review: CARRIE, THE MUSICAL at Desert Stages Theatre
October 31, 2021

In 2020, it felt like the world had gone sideways and there was nothing but bullying everywhere you turned; it only seems fitting that many shows in the Valley are now performing shows dealing with the subject.

BWW Review: CHARLEY'S AUNT at Hale Centre Theatre
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BWW Review: CHARLEY'S AUNT at Hale Centre Theatre (Gold Cast)

BWW Interview: Patrick Page of ALL THE DEVILS ARE HERE at The Southwest Shakespeare Company
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Southwest Shakespeare Core Company member and StoryTime Classics LIVE! Associate Artist, Beau Heckman, and Grammy Award Winner and star of Broadway's Hadestown, Patrick Page talk about his upcoming show -- All the Devils Are Here: How Shakespeare Invented the Villian.

BWW Interview: Trezana Beverly of MABEL MADNESS: THE STORY OF MABEL MERCER at Southwest Shakespeare Company
November 14, 2020

Southwest Shakespeare Core Company member and StoryTime Classics LIVE! Associate Artist, Beau Heckman, and Tony Award Winner Trezana Beverly talk about her upcoming show -- Mabel Madness: The Story of Mabel Mercer.

BWW Interview: Debra Ann Byrd from BECOMING OTHELLO: A BLACK GIRL'S JOURNEY at The Southwest Shakespeare Company
November 5, 2020

Southwest Shakespeare Core Company member and StoryTime Classics LIVE! Associate Artist, Beau Heckman, and Debra Ann Byrd, founder of Harlem Shakespeare and Artist-in-Residence talk about her upcoming show -- Becoming Othello: A Black Girl's Journey.

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BWW Interview: Quarantining with Molly Lajoie
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