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Jo Williamson's one-woman show, 'Mary,' is by turns a desultory affair, a tale of a high school English teacher with a varied career pattern, and a variety of relationships with men.
Inspired by Jordan Peele's blockbuster horror film 'Get Out,' Hutchinson has crafted a Dickensian morality play with 'Whitelisted,' set in a predictably bland, hoity-toity, newly-renovated white lady's apartment in Bedford-Stuyvesant.
With Victor Lesniewski's cyber-drama 'The Fifth Domain,' CATF steps boldly into a genre that is in its relative infancy.
Sarah Ellen Stephens delivers a passionate, nuanced performance as Amina, a black Cleveland police officer whose relationship with a fellow, white officer is dealt a huge blow when a late-night confrontation with a suspect leads to a shooting, under murky circumstances.
Jacqueline Goldfinger's 'Babel' was written in, and for, a different time and a different nation.
Terence Anthony's offering at this year's Contemporary American Theater Festival, 'The House of the Negro Insane,' will sweep you up in a tornado of emotions and deliver a few gut-punches as well, with riveting characters whose challenges make our own problems look as trivial as that fly landing on
'The Joy that Carries You' is a touching and touchingly thoughtful journey, one which many might recognize in their own.
The Washington Stage Guild has finally had the opportunity to stage D.
Recently, CATF supporters gathered to hear one of playwright Chisa Hutchinson's latest pieces, a radio drama that was co-produced with the Vermont's Dorset Theatre Festival.
Last night, the Sidney Harman Theatre was just sitting there, minding its own business.
If there were any doubt in your mind that theatre is back, as thrilling and death-defying as ever, make your plans now to see Synetic Theatre’s take on the old Italian classic “Servant of Two Masters.
It's a new day in Shepherdstown, indeed; after a 2-year hiatus from live theatre, the Contemporary American Theater Festival is returning with a panoply of performances to choose from: six fascinating plays, workshops and coffees with the artists, and a cabaret or two to complement the mainstage eve
Any time you can spend with a master storyteller is time well spent; and when the storyteller is Psalmayene 24, you know you're in for a rewarding, though-provoking evening.
When we first enter the Mulitz-Gedelsky Theater Lab at Olney, we see a thrust stage decked out with a wide variety of Victorian-style bric-a-brac, strategically tossed about by Scenic Designer Jacob A.
The scenes in Birds unfold over a decade in the life of father and daughter, marked by accumulating leaves and, of course, accumulating tensions, as each of them face moments of crushing disappointment, binoculars in hand, alternately consoling and infuriating each other.
'The Picnics: A Nitwit Dyptich,' makes a perfect dessert to an evening of binge-watching your favorite historical drama, a perfect hors-d'oeuvre before diving into that meaty documentary series.
It’s time to get out, people.
Bethesda's own Quotidian Theatre, which has been a true labor of love and art, after nearly 25 years on the D.
How He Lied to Her Husband is a charming, 40-minute diversion which will enliven any home, and should be at the top of your to-watch list for this weekend.
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