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André Böke

Theatre Journalist André Böke has written 27 articles for BroadwayWorld since 2026, covering Germany Theatre.

André Böke

André has an academic background that moves easily between cultures, art forms and languages. With a strong foundation in cultural and area studies, his interests range from literature and history to intercultural perspectives, but his true passion lies in the performing arts—especially musical theatre. A musical fan since childhood, he has gathered experience as a singer and performer himself: In Japan, he was the runner-up on the television singing competition "Nodojiman The World", and in Germany, he has performed in leading roles in local productions such as "Sister Act", "Mary Poppins", "Catch Me If You Can", and "Shrek". Beyond the stage, he continuously reviews productions for established German-language publications and interviews prominent stars of the German musical theatre scene. He travels widely in search of great shows, from Germany, Austria, and Switzerland as his homebase to the Netherlands, France, and London’s West End. Trips to Broadway and Japan’s musical theatre scene are among his personal highlights. His favorite musical composers are Alan Menken, Frank Wildhorn and Stephen Schwartz. Whether it’s biographical musicals like "End of the Rainbow", jukebox shows like "& Juliet", chamber pieces like "The Last 5 Years", dramatic classics such as "The Phantom of the Opera", Disney-style productions like "The Hunchback of Notre Dame", early musical-operetta hybrids like "Ball at the Savoy" or completely over-the-top comedy hits like "Titanique", André finds something appealing in all forms and colors of the musical theatre genre.

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First Show
The Lion King
Favorite Show
Disney's The Hunchback of Notre-Dame


Most Popular Articles

Latest Articles

Review: GIRL FROM THE NORTH COUNTRY at Stadttheater Fürth

Review: GIRL FROM THE NORTH COUNTRY at Stadttheater Fürth

October 20, 2026

In a hauntingly atmospheric production, Girl from the North Country transforms Bob Dylan’s songs into a deeply moving portrait of human fragility, shattered dreams and the desperate search for hope in Depression-era America.

Review: & JULIA at Stage Palladium Theater, Stuttgart

Review: & JULIA at Stage Palladium Theater, Stuttgart

October 12, 2026

What if Juliet chose herself over Romeo? Packed with Max Martin’s biggest pop hits, “& Julia” reimagines Shakespeare’s tragedy as a vibrant, witty celebration of self-discovery, queer visibility and female empowerment.

Review: DIE WEISSE ROSE at Theaterhaus Stuttgart

Review: DIE WEISSE ROSE at Theaterhaus Stuttgart

July 24, 2026

The multi-award-winning German musical „Die Weisse Rose“ is a powerful, courageous and deeply affecting work of remembrance that speaks to contemporary audiences with striking immediacy.

Review: RUDOLF - DER LETZTE KUSS at Festspielhaus Neuschwanstein

Review: RUDOLF - DER LETZTE KUSS at Festspielhaus Neuschwanstein

May 14, 2026

With “Rudolf – The Last Kiss,” the Festspielhaus Neuschwanstein, in collaboration with Vereinigte Bühnen Wien, has achieved a masterstroke: the beloved musical, long absent from German-speaking stages, has been so thoroughly overhauled that it emerges stronger than ever before.

Review: SISTER ACT - National Tour, Germany

Review: SISTER ACT - National Tour, Germany

May 10, 2026

“Sister Act” owes its status as a global phenomenon to the iconic Whoopi Goldberg film, but Alan Menken’s stage version of the beloved Hollywood comedy has long since conquered stages all over the world.

Review: DA VINCI CODE - SAKRILEG (National Tour, Germany)

Review: DA VINCI CODE - SAKRILEG (National Tour, Germany)

March 13, 2026

The touring company Showslot—best known for its high-end musical productions—has now brought Dan Brown’s thriller “The Da Vinci Code” (published in Germany as “Sakrileg”) to the travelling stage, following its adaptation of “Murder on the Orient Express”.




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