BWW Review: MY COUSIN RACHEL, Richmond Theatre
Daphne du Maurier's 1951 novel My Cousin Rachel is a dark, psychological thriller that focuses on jealousy, female sexual power and control over men.
Aliya Al-Hassan - Page 91
Latest Articles
BWW Review: LA BOHEME, ROH Live
On paper, the story of Puccini's La bohème veers towards sentimentality, but witnessing a live production rarely fails to stir deep emotion.
BWW Review: THE SUGAR SYNDROME, Orange Tree Theatre
Back in 2003, before writing the superb Enron, A Very Expensive Poison and the Emmy Award-winning TV series Succession, Lucy Prebble's first play The Sugar Syndrome made its debut at London's Royal Court.
BWW Review: KINKY BOOTS, Cinema Screening
The West End has missed the wit, cheek and high-kicks of Kinky Boots since it strutted off on a nationwide tour last year.
BWW Review: THE SLEEPING BEAUTY, ROH Live
The Royal Opera House is on a mission to show that ballet and opera are accessible to everyone.
BWW Review: LUZIA, Royal Albert Hall
It's that time of year again; Cirque du Soleil have returned to London's Royal Albert Hall, bringing their show LUZIA to Europe for the first time.
BWW Review: LE CORSAIRE, London Coliseum
On paper, Le Corsaire emphatically should not work.
2019 Year in Review: Aliya Al-Hassan's Best of 2019
As the decade comes to a close, many of us are all left feeling a little more bruised by the world than we felt in 2010.
BWW Review: HANDEL'S MESSIAH, Royal Albert Hall
'Messiah' is probably Handel's best-known piece; written in 1741, the oratorio was originally composed for Easter time, but you don't have to travel far to find a performance of it at this time of year.
BWW Review: THE SNOW QUEEN, Rose Theatre
Kingston's Rose Theatre always goes all-out for their Christmas production.
BWW Review: SNOW WHITE AND THE SEVEN DWARFS, Richmond Theatre
The annual pantomime at Richmond is always an entertaining affair.
BWW Review: NUTCRACKER, London Coliseum
For many, it simply cannot be Christmas without Nutcracker.
BWW Review: THE FAIRYTALE REVOLUTION: WENDY'S AWFULLY BIG ADVENTURE, Theatre503
Billed as the only all-female panto in the world, The Fairytale Revolution: Wendy's Awfully Big Adventure is the latest pantomime offering from Battersea's Theatre503.
BWW Review: CYRANO DE BERGERAC, Playhouse Theatre
When you enter a theatre to a soundtrack of Stormzy and open the programme to see a Beatboxer listed on the credits, you know that this is probably not a traditional staging of a nineteenth century play.
BWW Review: CANDIDA, Orange Tree Theatre
Among the new writing and nurturing of talent during a season at Richmond's Orange Tree Theatre, there is always a revival of a more classic piece.
BWW Review: THE WOLF OF WALL STREET, Central London
It has been a rocky start to The Wolf Of Wall Street immersive theatre experience.
BWW Review: FRANKENSTEIN, Richmond Theatre
Mary Shelley's literary masterpiece, Frankenstein, is a cautionary tale of the consequences when a man decides to play God.
BWW Review: WHAT'S IN A NAME?, Richmond Theatre
In a world where it is now normal to name your baby Bear, Apple and Denim, it is interesting for a play to explore if a person's name reflect who they really are.
BWW Review: ANNIE, New Wimbledon Theatre
Set in 1933 New York, Annie is the well-known and well-loved story of Annie, an orphan living under the guardianship of the hideous Miss Hannigan.
BWW Review: ALADDIN AND THE FEAST OF WONDERS, The Vaults
It's very much that time of year again; high street shops are already tormenting staff and shoppers alike with 'festive' songs, mince pies have been on sale for months and pantomimes are starting to surface.
Tickets From $59
Tickets From $70
Tickets From $72
Tickets From $106
