The Wolf at the End of the Block by Ike Holter at Theatrical Outfit

Matt Mercurio

[HE/HIM] is a proud son of immigrants and a classically trained actor/writer who recently put down roots in Atlanta. He is known for playing Miguel Cordosa in the World War II miniseries “The Liberator” (Netflix), Asher in the horror film Hellfest (Lionsgate) and as the unpredictable Colby on the final 2 seasons of “Tyler Perry’s The Have and the Have Nots.” He was last on stage as Mace Guerra in the Atlanta premiere of The Elaborate Entrance of Chad Deity (Theater Emory). Other favorite roles include Jesus Hopped the A Train (Angel Cruz), In the Blood (Jabber), and The Foreigner (Charlie). Matt trained at the University of Florida’s School of Theatre + Dance, Florida State College Jacksonville’s Theatre Performance program, and he was a company member and Acting Apprentice at the Tony Award winning Williamstown Theatre Festival. Matt is thrilled to be working at a place like Theatrical Outfit where such a true commitment to inclusion, equity, and diverse storytelling lives. Infinite love to his wife Christina, who makes the journey worthwhile. Ever grateful to his family and friends for their support and their belief. Matt is repped by Alexander White Agency and studies with Peter Frechette. Next up Matt is working on a film with Paul Schrader (Taxi Driver, Raging Bull) and on “FBI: Most Wanted” (CBS). Check out more about Matt at actormattmercurio.com, or IG: @yomattymerc. “Thanks for supporting live theatre and the arts. For my grandmother Josephina and my grandfather Raymundo.”

Anthony S. Goolsby

[HE/HIM] is an actor, writer, improviser, comedian, son, brother, friend, and most proudly a father. He is absolutely ecstatic about his inaugural debut with Theatrical Outfit. He’s a Decatur native with a flair for the stage and screen. Some of his Theatre credits include: East Texas Hotlinks (True Colors Theatre), Electric Baby (Synchronicity Theatre), A Thousand Circlets (Essential Theatre), Brothers of Affliction (Rising Sage). TV credits: “First Wives Club”, “Sleepy Hollow”, “American Soul", “California Dreaming”, “Vampire Diaries”, and an upcoming Marvel project. He thanks his agents/manager for giving him opportunities, his friends for making fun of him, his parents for making him, his brothers for always being there, his ex-wife for creating their daughter, his mate (Corean) for growing with him, and his daughter, Trinity, for teaching him what love truly is!

Erika Miranda

[SHE/HER] received her BFA in Acting from The Theater School at DePaul University. She was one of the few selected for DePaul’s competitive Talent Scholarship every year. Her curiosity for a deeper understanding of language and movement brought her to London to study Shakespeare at The London Academy of Dramatic Arts. Upon returning to Chicago, Erika discovered her love for new play development and has since acted in several world premieres from Chicago to LA and in Atlanta. Erika made her Atlanta debut at Horizon Theatre in The Wolves, where she and her cast mates won a Suzi Bass Award for Best Ensemble in 2019. Other Atlanta credits include performances with Horizon Theatre, Theatrical Outfit, Synchronicity Theatre and Found Stages. Erika is the Founder of Cafecito Productions whose short film, Mi Casa, will be available for streaming on all HBO platforms this spring. Erika spends her summers as Executive Producer for SheATL, an offshoot of the SheNYC Arts Initiative, championing, and mentoring playwrights from page to production.

Maria Rodriguez-Sager

[SHE/HER] is delighted she gets to play on Theatrical Outfit’s stage again where she’s had the privilege to explore Our Town / The Laramie Project, In the Heights (co-pro with Aurora Theatre), My Children! My Africa! and Dividing the Estate. Select credits include: Darlin’ Cory and Winnie The Pooh (Alliance Theatre) & George S. Clinton’s and Sherry Landrum’s That Other Woman’s Child (Baryshnikov Arts Center, NYMF). You can catch her recurring on The CW/HBO Max in DC’s “Stargirl” and Christopher Landon’s film Freaky (2020). An abundance of gratitude to Addae and Matt for the invitation to play. And she thanks YOU for purchasing a ticket and sustaining local professional theater. She hopes you will continue to participate in supporting this live art form for generations to come. There is noUs without You. mariasager.com

Mark Kincaid

[HE/HIM] has been a professional actor for over 40 years. His work has been seen locally on the stages of The Alliance Theatre, Theatrical Outfit, Georgia Shakespeare, Actor’s Express, Horizon Theatre, Georgia Ensemble Theatre, Theater Emory, and Serenbe Playhouse; and nationally at The Old Globe Theatre, The McCarter Theatre, People’s Light and Theatre, Hope Summer Rep, among others. He was a company member at The North Carolina Shakespeare Festival for six seasons and has twice toured the nation with John Houseman’s The Acting Company. In 2011, he was awarded a Suzi Award for his performance as Louis de Rougemont in Shipwrecked. He is married to the beautiful and talented actress Tess Malis Kincaid, and they are the very proud parents of Barbara Rose Kincaid.

Addae Moon

[HE/HIM] is an Atlanta based playwright, dramaturg, director, and cultural worker. He is the Associate Artistic Director at Theatrical Outfit; an Artistic Associate with Found Stages Theatre and a co-founder of the performance collective Hush Harbor Lab. Addae has served as a resident dramaturg with Working Title Playwright’s Ethel Woolson Lab. He was the recipient of the 2015 International Ibsen Award for his dramaturgical work on the project Master Comic and the 2014 John Lipsky Award from the International Museum Theatre Alliance (IMTAL) for his immersive play Four Days of Fury: Atlanta 1906. Addae was also a member of Alliance Theatre’s 2015-2016 Reiser Artists’ Lab as co-writer on the immersive project Third Council of Lyons with Found Stages. His recent immersive co-collaborations include Frankenstein’s Ball (2019/2020) and Frankenstein’s Funeral (2019) both with Found Stages. As the former Literary Manager at Horizon Theatre Company, he served as dramaturg on the early development projects for Marcus Gardley, Lauren M. Gunderson, Tanya Barfield and Janece Shaffer. Addae received his BA in Theatre Arts from Clark Atlanta University and an MFA in Playwriting from the Professional Playwright’s Program at Ohio University. He is also a member of Literary Managers and Dramaturgs of America (LMDA) and The Fence Network.

Ike Holter

is a 2017 winner of the Windham-Campbell Prize, one of the highest awards for playwriting in the world. Holter is a resident playwright at Victory Gardens Theater, and has been commissioned by The Kennedy Center, South Coast Rep and The Playwrights’ Center. His work has been produced across the country from Goodman and Steppenwolf in Chicago to the Lily Tomlin Center in LA to Primary Stages off-Broadway.

Seamus Bourne

[HE/HIM] returns to Theatrical Outfit after designing both Christmas at Pemberley’s (Miss Bennet & The Wickhams) and Five Guys Named Moe. Selected Atlanta Credits: Skintight, Reykjavik (World Premiere), Wolves (World Premiere), Company, Spring Awakening (Suzi Bass Award nomination) (Actor’s Express); Charley’s Aunt, One Slight Hitch (Georgia Ensemble Theatre); The 39 Steps (Theatre in the Square). Regional: Damn Yankees, Noises Off, The Drowsy Chaperone, Gypsy, Avenue Q, Hello Dolly!, and The Liar. He is a proud member of United Scenic Artists, the labor union representing professional designers and craftspeople. When he’s not designing scenery, Seamus is the Production Manager at Actor’s Express and Dad to Madeleine & Holden. smbourne.com.

April Andrew Carswell

[SHE/HER] is a freelance costume designer and technician with an MFA in Costume Design/Technology from U of SC. She joined Alliance Theatre’s costume staff in 2014, working there for 7 years as a design assistant and assistant shop manager before recently relocating to Florida. Freelance costume design work includes: Belleville (FSU Asolo Conservatory); Ana Isabelle & Friends (Asolo Repertory Theatre); A Very Terry Christmas, Courtenay’s Cabaret, Knead (Alliance Theatre); Downstairs, Head Over Heels, An Octoroon (Actor’s Express); The Servant of Two Masters, Much Ado About Nothing (Oglethorpe University); Hey Willy, See the Pyramids, Gimme Please! (Alliance Theatre for the Very Young); Bring It On: The Musical (Kennesaw State University); The Play That Goes Wrong (Florida Studio Theatre). Upcoming projects include Twelfth Night (FSU Asolo Conservatory).

Toni Sterling

[SHE/HER] is a freelance lighting designer in Atlanta. This is her debut collaboration with Theatrical Outfit. Some of her recent works in Feeding Beatrice (Aurora Theatre), Marie and Rosetta (True Colors Theatre), Red Speedo (Actor’s Express), and The Bluest Eye (Synchronicity Theatre). A few of her favorite designs were for The Nether, The Cherry Orchard, Good Children, Dido and Aeneas, and Once on This Island. She loves to go wherever light takes her. tonisterling.com

Chris Lane

[HE/HIM] is a Baltimore native, Atlanta-based sound designer, DJ, composer, and mixing engineer. Previous Atlanta credits include: Bright Half Life (Theatrical Outfit); DATA, Ghost, A Very Terry Christmas, Sounds of the West End, Knock Knock, In My Granny’s Garden (Alliance Theatre); Four Women, Skeleton Crew, Paradise Blue (Kenny Leon’s True Colors Theatre Company); Intimate Apparel, An Octoroon, Downstairs, The Brother’s Size, Heathers (Actor’s Express); Feeding Beatrice, The Curious Incident of the Dog in the Nighttime (Aurora Theatre); Pipeline, Sweet Water Taste (Horizon Theatre Company); The 39 Steps, A Christmas Carol, Footloose (Theatre Buford); Hands of Color (Synchronicity Theatre). Regional: Shutter Sisters (The Old Globe, CA); Skeleton Crew (Westport Country Playhouse, CT); Too Heavy for Your Pocket (George Street Playhouse, NJ); Four Little Girls, Ruby (Alabama Shakespeare Festival, AL); The Royale (Geva Theatre Center, NY); The Children, SHAPE, A Boy and His Soul (The Kitchen Theatre Company, NY); Detroit 67’ (Virginia Stage Company, VA), Incendiary (The Kennedy Center, DC). Executive Director & CoFounder at Multiband Studios. multibandstudios.com

Nick Battaglia

[HE/HIM] is beyond thrilled to return to Theatrical Outfit for The Wolf at the End of the Block. Nick’s prop design and set decoration work can be seen all over town in Atlanta theatre. Previous Theatrical Outfit shows: Bright Half Life, An Iliad, Fires in the Mirror, The Wickhams, Our Town / The Laramie Project in rep, I Love to Eat, and The Pitmen Painters. Actor’s Express: Intimate Apparel, Heathers, Fun Home, Head Over Heels. Horizon: The Light. Atlanta Lyric: Jekyll and Hyde, Always Patsy Cline. Pinch N Ouch: Who’s Afraid of Virginia Woolf. Upcoming: Sunset Baby, Lizzie, and Desire Under The Elms.

Joan Foster Mccarthy

[SHE/HER] has an extensive background in stage management and teaching in higher education. She has worked as a stage manager at several Atlanta professional theatres including Horizon Theatre, Theatre in the Square, Kenny Leon’s True Colors Theatre Company, and Jomandi Productions. She is delighted to return to Theatrical Outfit on this production. A native of Chicago, she has also stage managed at Victory Gardens Theatre, Immediate Theatre, The Black Ensemble, Goodman, and at Milwaukee Repertory. She is a proud member of Actors’ Equity Association and served on the Central Advisory Board in Chicago for five years. Joan has taught in the theatre and performance departments of Spelman College and Clark Atlanta University for over twenty years.

Genesis Perez

[SHE/HER] is thrilled to be the Assistant Stage Manager for Theatrical Outfit’s The Wolf at the End of the Block. Her credits as a stage manager include Island Song, Next to normal, and Murder Ballad at Measure for Measure Theatre in Fort Lauderdale, Florida as well as Nine with The Abyss Theatre. Génesis, a recent Florida International University graduate, will be making her debut in the Atlanta theatre scene with this production and is very excited to be part of such an amazing community.