Nandita Shenoy's one-act plays Marrying Nandini, By Popular Demand, and Rules of Engagement have received full productions in New York City, and her full-length Lyme Park: An Austonian Romance of an Indian Nature received a workshop production in Silver Spring, MD. She is a member of the Ma-Yi Writers' Lab and holds a BA from Yale University.
Angela Hanks' plays include Big Tex (EST/ Youngblood), High Five (New York International Fringe Festival), breathe into this bag, Heloise Sails the Boat, and Myrna in Transit. Her plays have had readings and productions in New York, Chicago, Philadelphia, and Santa Fe. She is a very proud member of Youngblood, a Lincoln Center Directors Lab alum, and a member of the Dramatists Guild. M.F.A. in Playwriting from the New School for Drama.
Leah Nanako Winkler is a founding member of Everywhere Theatre Group, and her work has been seen at Ontological Hysteric Theater/Incubator Arts Project, The Brick Theater, HERE Arts Center, 3LD Technology Center, Dixon Place, Ars Nova, Ensemble Studio Theatre, Magic Futurebox, New Georges, New York Theatre Workshop as well as venues in Philly, Florida and Indianapolis. Terra Nova Groundbreakers alum, current member of Youngblood. www.leahwinkler.org
Daniel Ho was born and raised in a small town in upstate New York. Out of sheer boredom, he began writing. His writing habit has since been enabled by Stageworks Theater, Capital Rep, and others. Most recently, he worked with Second Generation Theater, who staged a reading of his one act Don Quixote at Tiananmen Square, which is currently being developed as a full length by the Anthropologists.
Donaldo Prescod received an award for his original play The Commoners from the Fringe Festival in Marin. Other works include Patterns, which premiered at the SRO Theater in Monterey, CA and the collaboration piece God In The Machine. NY Credits: Currently running in the late night episodic, #serials@theFLEA, The 1's and 2's (now a full length).
Kitty Chen has been working in the theater since 1975 as actor and writer—and she's still here! She won an NEA playwriting fellowship for Eating Chicken Feet, her first play, and two New York Foundation for the Arts awards (Rosa Loses Her Face, 1989, and Blessings of Chairman Moo, 1998). She is still trying to complete Chairman Moo to her satisfaction, and is working on a new play, Missus Mustard. She has recently returned to acting and is very happy doing Linklater voice study and Shakespeare study.