30 Days of NYMF on BroadwayWorld Day 11: YANK by David Zelnik

By: Sep. 12, 2005
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YANK! Journal, 4pm, Saturday Sept 10, 2005

It's rehearsal 3 days before we open. The men have just gotten out of their
uniforms and – for the first time – put on hoopskirts for the dream ballet.

What an image. It's all feels so surreal...

How did I get here? Where to start... 4 years ago my brother Joe suggested – almost on a whim – that our next project should be a gay WWII musical. "Why not?" I replied… which sent me into a year of research and bookwriting – which led me to read histories, archival letters, and journals of gay and lesbian soldiers from during WWII. And led me to a servicemen's magazine I'd never heard of called "Yank" providing an architecture for our show.

Somehow I kinda thought "gays in the military" was a recent issue. Important during the Clinton years, sure, but not something that stretched back through every war America has fought. I found out WWII was the first war they explicitly asked soldiers' sexuality and discharged gay soldiers (dishonorably) or disclosing it. Before then "sodomy" was a crime (that is: the act of gay sex) but when WWII started that changed: it was in the army that generation of young men and women discovered that "gay" wasn't just an act, but an identity that could define you. Out of those witch hunts a movement was born. And out of the mobilization of 16 million Americans came the beginnings of a shared secret culture, came newsletters and journals, and of course countless romances and sexual relationships.

How many of those stories are lost? With that generation passing away and the "Greatest Generation" stories almost uniformly straight, how much history is passing through our fingertips? Though YANK! is completely fictional, everything in our musical comes from some anecdote, some story I read…

Anyway so years fly by. Joe and I are busy writing other musicals, or I'm writing plays and Joe's writing novels…. and then finally 2 years ago we get the time to work on the score. Joe and I finally immerse ourselves in our shared love of 40s music: the sounds of Artie Shaw and Benny Goodman, the Andrews Sisters, Johnny Mercer, Frank Loesser… and the open-hearted idealism of Rodgers and Hammerstein.

By June 2005 we finally have a draft we're excited about, and we get a festival production in Philadelphia. Then come rewrites and casting and the crush of getting it all together for NYMF. But what a cast we have! What a creative team! Tomorrow Rob brings in the band and we get to hear the orchestrations... Then we run it and run it some more. Then load in, tech and then on to our sold out (!) opening…

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