Broadway Show Reviews & Critics' Ratings

A delightful comedy murder mystery musical that expertly blends humour, intrigue, and heartfelt friendship.

With its live singers, superb clowning and disappointing vaudeville acts, The Entertainers’ Cirque: The Greatest Show is bringing its dazzling show around the country.

Did I mention that this all takes place in 1726? No? Well, if it weren’t for the popinjays, you would initially think this is a medieval morality play. 

What did our critic think of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Seacoast Repertory Theatre?

The audience I saw DIAL M FOR MURDER with roared to their feet after all was said and done. This is a charming production with plenty of technical eye candy and sublime campy takes on characters. These kinds of shows fit what THE ALLEY THEATRE does best: entertain and thrill us with a summer mystery. Everyone is set to have a marvelously good time.

What did our critic think of NEXT TO NORMAL at Central Square Theater?

Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion”  metaphor ---that plays into “double entendres” on family, the role of the mother and the individual evolving in the womb. This extremely quixotic and subversive play by ultra-creative performer and writer John Jarboe celebrates queerness while “riffing -off” on themes of memory, trying to connect to identity and breaking through dissonance into a celebration of the autonomous self.

Falsettos, a primarily sung-through musical was written by William Finn and James Lapine and features two one-act installments March of the Falsettos and Falsettoland. The aforementioned are the last two additions to a trio of one-act musicals by Finn and Lapine, the other being called In Trousers.

La Mirada Theatre for the Performing Arts' mesmerizing, visually-stunning 2016 production of Disney's stage adaptation of THE LITTLE MERMAID has returned for a limited engagement continuing through June 23, 2024. Filled with colorful costumes and sets and soaring mermaids, this spectacular show will enchant both new and repeat audiences alike.

Now playing in the Grand Theater at Crown Center is Music Theater Heritage’s production of Gershwin’s “PORGY AND BESS.”  This is an example of MTH going “all in” on a very challenging show and producing an extremely credible final product. 

Giorgia Picano, an Italian dancer and choreographer from Formia (a small city between Rome and Naples), is much more than a performer; she is a messenger who uses her art to convey powerful, world-changing messages. Known for her exceptional talent as a lead dancer and solo performer, Giorgia has enchanted audiences globally with her expressive performances. Her journey from Italy to the heart of New York’s vibrant dance scene exemplifies her dedication to her craft and her mission to promote multiculturalism, environmental awareness, and global unity through the arts.

Let the tributes begin, and there will be many. The enduring legacy of Stephen Sondheim’s music is ours forever and his works ensure he’s one of Broadway’s greatest composers. He is Theatreworks’ most produced composer and Founding Artistic Director Robert Kelly collaborates with Resident Musical Director William Liberatore to celebrate the joyous and complicated human relationships prevalent throughout Sondheim’s musicals and plays.

TexArts production of Anything Goes sails onto the stage with all the exuberance and charm of a luxury cruise liner, delivering a whirlwind of romance, comedy, and toe-tapping tunes #MusicalTheatre #BroadwayWorld

How can Newport World Resorts top its biggest original Pinoy musical hit, ''Ang Huling El Bimbo'? Work around the music catalog of another beloved OPM band, Parokya ni Edgar.

I will be the first to admit that I am NOT a big fan of this show, so BOO! HISS! if you like...BUT I will admit this cast has SO much fun and energy and talent. I won't argue with a cheering SOLD OUT Show.

Reggie Barton’s debut production of Bridge at The Belmont Theatre cleverly employs the backdrop of a charming card game in order to seamlessly blend thought-provoking contemporary themes with witty repartee. The show has garnered an enthusiastic response from audiences, who have lauded its impeccable casting and sharp dialogue.

Chin Wang: Wang’s Republic begins with Wang filling out an online form, the site projected onto a screen behind her. The first question? “What’s your country or region?” It’s a strange question, and anyone who has lived in a different country can definitely relate to Wang’s confusion.

Walking into Ben Goldsmith: Crimelandtown, you are greeted by Goldsmith putting on a character you’d find in The Godfather, thanking you for coming to visit Crimelandtown Casino on “the day of my daughter’s wedding” and handing each audience member a poker chip.

Entering the Rotunda Theatre Brighton: Squeak for Richard Pulsford: Get Rich Quick, you are greeted by a screen with Tweets by Pulsford flashing by every few seconds. Each Tweet has a different joke on it, leading to a few chuckles from the audience as each new one appears on the screen.

It Just So Happened: An Alternative History Show has a simple concept, as shown in the show’s description - “Three guest comedians/history buffs perform short stand-up sets based ‘on this day’ in history before exploring some possible alternative histories of Brighton people and events.