The Canadian Opera Company closes its 2016/2017 season with Puccini's beloved Tosca. A tense drama of passion and betrayal, Tosca returns in a COC production performed with two of today's great divas in the title role: internationally renowned Canadian soprano Adrianne Pieczonka and critically acclaimed American soprano Keri Alkema. Tosca runs for 12 performances at the Four Seasons Centre for the Performing Arts on April 30, May 4, 6, 7, 9, 11, 12, 14, 17, 18, 19, 20, 2017.
Set in Rome amid the turbulence of the Napoleonic Wars, Tosca's story is a melodramatic tale of love, lust, corruption and betrayal as opera singer Floria Tosca fights to save her lover from a blood-thirsty chief of police. The COC revives its lavish production by award-winning Scottish director Paul Curran, with sumptuous costumes and stunning sets of chapels, palaces and fortresses of 19th-century Rome by designer KeVin Knight, and atmospheric lighting design by David Martin Jacques. Conducting the COC Orchestra, COC Chorus and cast through some of Puccini's most deeply felt and dramatic melodies is Canadian Keri-Lynn Wilson. A regular guest conductor at leading international opera companies and orchestras, Wilson makes her COC debut with one of the most popular and performed operas in the world. The title role is one of Puccini's most complex and fascinating heroines and an unforgettable theatrical showcase for a great dramatic soprano, shared in the COC's production by Adrianne Pieczonka and Keri Alkema. Celebrated on the leading opera and concert stages of Europe, North America and Asia, Pieczonka has been described as "simply magnificent" (The Independent) and "a revelation, with a lavishly creamy voice" (The Financial Times). She returns to the role of Floria Tosca at the COC after delivering a "luminous performance" (Globe and Mail) with the company in 2012. Alkema returns to the COC after sharing her "rich, full vocal presence that caresses the score to perfection" (Toronto Star) in 2013's La clemenza di Tito and bringing a "sensuality and a strong presence" (NOW) to 2012's The Tales of Hoffmann. Her engagement at the COC comes on the heels of her Tosca debut with English National Opera last fall where she was met with lavish praise: "compelling.... Passionate, teasing, vulnerable, full of love, stirred to vengeful rage and desperate measures, Alkema gets to the heart of Tosca, giving us a poised 'Vissi d'arte' on the way" (The Times).Videos