My Man 1910

Written by O. Henry (William Sydney Porter 1862-1910) and adapted for stage by Ann Ciccolella, Austin Shakespeare’s O. HENRY STORIES is an evening of delight, laughter, and surprise.

The Argyle Theatre, Long Island's largest year-round professional theatrical venue, will present Disney's Mary Poppins. See photos from the production.

The Argyle Theatre officially opened its production of Disney's Mary Poppins on November 11. Check out photos from opening night here!

The Argyle Theatre is currently presenting Disney's Mary Poppins, directed by Evan Pappas, associate director and choreographer Debbie Roshe, with musical direction by Jonathan Brenner, through December 31, 2023. The opening night was celebrated on Saturday, November 11, 2023, at 7:30 PM, and BroadwayWorld was there to capture the festivities. Check out the photos here!

The West Coast premiere of Howard L. Craft’s Freight: The Five Incarnations of Abel Green begins November 12, 2023, at the Fountain Theatre. Joseph Megel directs this one-man outing starring J. Alphonse Nicholson. J. Alphonse made some time out of his rehearsals to answer a few of my queries.

AXIS Theatre Company will present 'SEVEN IN ONE BLOW, OR THE BRAVE LITTLE KID,' an interactive play adapted from a Brothers Grimm fairy tale.

The Argyle Theatre will present Disney's Mary Poppins, directed by Evan Pappas, associate director and choreographer Debbie Roshe, with musical direction by Jonathan Brenner.

A unique rediscovery marking the first professional UK production in more than 90 years of Birthright, the classic 1910 rural Irish tragedy by T. C. Murray, opening at the Finborough Theatre for a four week limited season on Tuesday, 5 September 2023.

The first London productions in more than 100 years of MAKESHIFTS AND REALITIES has revealed its cast at the Finborough Theatre. A triple bill of Makeshifts and Realities by Gertrude Robins, and Honour Thy Father by H. M. Harwood.

STAR+CROSSED follows the interwoven tale of Billy and Bess. Bess, who is based on Elizabeth Klarer, meets Billy one evening on Flying Saucer Hill in the Natal Midlands. The two children form a connection that spans nine decades, from 1910 until 1994. Billy and Bess' stories are intertwined but also juxtaposed by one another.

Performance Space New York has announced the Spring 2023 season of its Healing Series, the second part of its year-long reflection on the political potency of healing and the role performance plays in it, in the midst of what feels like a momentous shift in art-making to foreground modes and practices of care.

Much in the same way most students know about the Salem Witch Trials through the dramatization found in Arthur Miller’s The Crucible, it’s safe to assume virtually every student of U.S. history from 2015 onward may better know the intimate details of this Founding Father through Lin-Manuel Miranda’s HAMILTON.

Celebrated singer and songwriter Peabo Bryson, two time Rock and Roll inductee Graham Nash, dance companies Pilobolus and Flamenco Vivo, and Broadway stars Megan Hilty, Mandy Gonzalez and Javier Muñoz are just a few of the artists set to appear at the Lisa Smith Wengler Center for the Arts at Pepperdine University during its 2022–2023 season. 

The 2022-23 Season will mark Creative Cauldron’s twenty year-anniversary and its first season of producing entirely original works.

On March 11th 2020 Mint Theater Company completed casting for their next production, the long delayed American premiere of Chains by Elizabeth Baker, scheduled to open that May.  

Read all the reviews for FUNNY GIRL on Broadway. The show stars Beanie Feldstein as Fanny Brice, Ramin Karimloo as Nick Arnstein, Jared Grimes as Eddie Ryan and Jane Lynch as Mrs. Rose Brice. See what all the critics had to say!

​Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.  ​

Bard SummerScape will celebrate the uplifting spirit of Black music with Black Roots Summer, presented in association with Electric Root and organized and led by the rousing vocalist, bandleader, cultural commentator, and anti-racism educator Michael Mwenso and his longtime collaborator Jono Gasparro, former curator of Ginny’s Supper Club in Harlem.

In honor of Women's History Month, we're taking a look at some iconic real-life women who have been portrayed on stage in musicals!

The Marsh announces the line-up for its first-ever digital global festival, MarshStream International Solo Fest, presenting performers aged 16 to 79 from across the nation and around the world, including Russia, Scotland, Israel, Canada, and Australia, as well as some of The Marsh's fan-favorites in a four day online marathon of 51 global works.

Chandos Records will release the world premiere recording of composer Dame Ethel Smyth's 1930 masterwork, The Prison, on August 7, 2020.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

State Theatre New Jersey and WillJam Productions present the Golden Oldies Spectacular on Saturday, March 21, 2020, 7pm. The Golden Oldies features Jay and the Americans, BJ Thomas, Lou Christie, Dennis Tufano, and the 1910 Fruitgum Company. Tickets range from $35-$85. 

Playwright Marco Ramirez's The Royale at 1st Stage is a rare and thought-provoking theatre experience.

'What could be better than a play that asks you to shout? Well, one that asks you to sing. All this fun is part of an updated version of 'The Brave Little Tailor...' My son also thought of another reason that Seven in One Blow is the greatest play ever: the actors pass out candy at the end.'-The New York Times