Based on the film "A Man Of No Importance".
Winner of the 2003 Outer Critics Circle Award for Best Musical and the second work by the Tony Award winners of RAGTIME.
The tender and beautifully woven tale of love, friendship and coming to terms with one’s identity takes place in Dublin in 1964. Alfie Byrne, a middle-aged bachelor living a quiet life with his spinster sister, spends his days as a bus conductor and his nights as a community theater impresario dedicated to the plays of his hero, Oscar Wilde. A modest and quiet man, Alfie has always found his greatest satisfaction as the artistic director of the St. Imelda's Players, an amateur theatrical group housed in the local church. When Alfie declares that, instead of their usual production of The Importance of Being Earnest, the troupe will next present Wilde's provocative Salome, the church authorities balk at the play's "immodest dancing" and his safe little world begins to crumble. At the Victor Jory Theatre at Actors Theatre.
The Barbican today launches Life Rewired, an arts and learning season running throughout 2019 exploring what it means to be human in the face of technological and scientific forces that are dizzying in their speed, scale and complexity.
The Actors' Gang Theater will begin previews of The Madwoman of Chaillot today, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.
The Actors' Gang Theater will begin previews of The Madwoman of Chaillot on Thursday, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.
Transport Group has announced casting for its world premiere musical, Renascence, which begins performances Friday, October 5 at 7:30pm, at the Abrons Arts Center, 466 Grand Street. Renascence has music by Carmel Dean (musical director If/Then, American Idiot), book by Dick Scanlan (Thoroughly Modern Millie, Everyday Rapture), and lyrics from the poems of Edna St. Vincent Millay. The musical is directed by artistic director Jack Cummings III and Dick Scanlan. The opening is set for Thursday, October 25 at 7:30pm.
Daniel Schumann, Lee Dean and Cambridge Arts Theatre in association with Birmingham Repertory Theatre today announce John Stahl (Big Ger Cafferty) and Cathy Tyson (Siobhan Clarke) will join Charles Lawson (John Rebus) in Rebus: Long Shadows, a brand new Rebus story written exclusively for the stage by author of the original novels, Ian Rankin and playwright Rona Munro. Further casting to be announced shortly.
Transport Group has announced its 2018-2019 mainstage season of two productions: Renascence, a world premiere musical about a radical and reckless poet and The Trial of the Catonsville Nine, a play about the trial that sparked a national wave of Vietnam War resistance. Renascence will run October 5 - November 17, 2018 and The Trial of the Catonsville Nine will run January 16 - February 23, 2019. Both productions will be presented at the Abrons Arts Center, 466 Grand Street, New York City. Transport Group season memberships are now on sale on their website: transportgroup.org. Casting and additional staffing announcements and single ticket sales will be available at a later date.
Just last night, Transport Group presented Promises, Promises- its second musical in this season's Anne L. Bernstein Concert Series- featuring John Cariani (The Band's Visit; Tony nominee Fiddler on the Roof), Donna Lynne Champlin (Crazy Ex-Girlfriend; Sweeney Todd; Obie Award for TG's The Dark at the Top of the Stairs), Jessica Fontanta (Cinderella; TG's Once Upon a Mattress), Santino Fontana (Crazy Ex-Girlfriend; Tootsie ; Tony nominee Cinderella), Stanley Bahorek (Amazing Grace, Queen of the Mist), Lauren Blackman (Anastasia), Hannah Corneau (Hedwig and the Angry Inch), Marc Kudisch (Finding Neverland, Hand to God), Sean McLaughlin (Hello Dolly), Bruce Sabath(Cagney), Tally Sessions (War Paint), and Ali Stroker (Spring Awakening).
After a successful run in Central Park, playing to over 4,000 people, performances resume on Wednesday, June 27 in Rockefeller Park/Battery Park City for New York Classical Theatre's critically acclaimed production of Romeo and Juliet, directed by the company's Founding Artistic Director Stephen Burdman. The production will play this week through June 30, before continuing on to The Battery, Carl Schurz Park, and Brooklyn Bridge Park for performances through July 29. There is no ticketing, and all performances are free and open to the public. Performance schedule can be found at newyorkclassical.org.
Pittsburgh CLO's THE FULL MONTY will take it all off at the Benedum Center this summer July 6 - 15. With a book written by Terrence McNally (Ragtime) and the music/ lyric talents of David Yazbek (The Band's Visit, Dirty Rotten Scoundrels, Women On The Verge of a Nervous Breakdown), this duo cooks up an aggressive crowd-pleaser that is both highly-entertaining and charmingly uplifting.
Transport Group has announced that additional casting for Promises, Promises-its second musical in this season's Anne L. Bernstein Concert Series-will include Stanley Bahorek (Amazing Grace, Queen of the Mist), Lauren Blackman (Anastasia), Hannah Corneau (Hedwig and the Angry Inch), Marc Kudisch (Finding Neverland, Hand to God), Sean Mclaughlin (Hello Dolly), Bruce Sabath (Cagney), Tally Sessions (War Paint), and Ali Stroker (Spring Awakening).
The Drilling Company, Hamilton Clancy Artistic Director, will present 'Hamlet,' directed by Karla Hendrick and starring Jane Bradley, for its 2018 Shakespeare in the Parking Lot production. This popular New York summer institution is now in its 24th year. Its concept--presenting Shakespeare plays with a 'poor theater' aesthetic in a working parking lot--is now widely imitated around the US and around the world, with productions as far away as New Zealand.
Transport Group has announced initial casting for Promises, Promises-its second musical in this season's Anne L. Bernstein Concert Series. The concert stars John Cariani, Donna Lynne Champlin, Jessica Fontanta and Santino Fontana.
New York Classical Theatre (Stephen Burdman, Artistic Director), New York City's only all-free professional Off-Broadway theatre company, is pleased to announce a new production of William Shakespeare's Romeo and Juliet to celebrate its 19th Anniversary Season. The production, directed by Mr. Burdman, is the company's first staging of Shakespeare's tale of star-crossed lovers, and will be presented in five New York City parks - Central Park, Rockefeller Park/Battery Park City, The Battery, Carl Schurz Park and Brooklyn Bridge Park - with performances from June 5 through July 29 at 7:00 PM. There is no ticketing, and all performances are free and open to the public. New York Classical Theatre also invites audiences to experience unique behind-the-scenes access to open rehearsals on selected dates for each of the five park stagings.
Born and raised in Rome, Roberto Campanella trained at the Scuola Italiana di Danza Contemporanea. In 1985, Roberto joined the Compagnia Italiana di Danza Contemporanea and later joined the prestigious Aterballetto. In 1993 he joined The National Ballet of Canada, where he was soon promoted to soloist and was cast in many classical and contemporary roles.
Australian Director Gary Young has reinterpreted MAMMA MIA! for Australian audiences, delivering a fresh new take on the work, 19 years after it debuted on the West End.
Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.
The Garifuna people and culture were created by one of the most dramatic ethnic mixings in history: two ships with enslaved Africans were shipwrecked off the coast of what is now St. Vincent and the Grenadines toward the end of the 18th Century, and with the help of the indigenous Carib-Indian population, overpowered the Spanish crew and escaped. Later, due to their continued resistance and rebellions against the British, their mixed progeny would then be exiled to the islands off the coast of Honduras. Instead of being isolated and dying off, their culture and oral language prospered and expanded into the Central American countries of Honduras, Belize, Guatemala, and Nicaragua, where they still live.
Artists Rep presents the World Premiere of Magellanica, by E.M. Lewis, directed by Damaso Rodriguez from January 20 through February 18 on the theatre's Morrison Stage. Magellanica is a five-part epic play written by Oregon playwright E.M. Lewis. This production is made possible through major funding from the Oregon Community Foundation (OCF) Creative Heights Initiative and the Edgerton Foundation New Play Award. Magellanica is a part of Portland's Fertile Ground Festival of New Works.
Peter Groom is an actor, dancer and choreographer, originally from Newcastle. Since graduating from Guildford School of Acting in 2013 he has gone on to work both in the UK and internationally, with credits including Schaubuhne, Berlin and Aquilla Theatre, New York. Alongside this he began to create his own devised work, and then in 2016 started working as a drag performer, with performances at Battersea Arts Centre, The Glory and Royal Vauxhall Tavern. His new show Dietrich: Natural Duty has its world premiere at the VAULT Festival later this month. I had the pleasure of meeting up with Peter. We talked about inspirations, politics, queer history, visibility and so much more. Here's how it went.
In March, New Conservatory Theatre Center presents the regional premiere of Terrence McNally's It's Only a Play, in a newly revised version which marks McNally's eleventh production at NCTC. It's opening night of Peter Austin's new Broadway play, and while at the producer's penthouse for a lavish party, he anxiously awaits the play's reviews. With his career on the line and celebrities pouring in downstairs, he huddles upstairs with the producer, director and star of the show. This gleefully bitchy and affectionate (Entertainment Weekly) love letter to the theatre is the perfect setup for backstabbing comedy.
Artists Rep presents the World Premiere of Magellanica, by E.M. Lewis, directed by D maso Rodr guez from January 20 through February 18 on the theatre's Morrison Stage. Magellanica is a five-part epic play written by Oregon playwright E.M. Lewis. This production is made possible through major funding from the Oregon Community Foundation (OCF) Creative Heights Initiative and the Edgerton Foundation New Play Award. Magellanica is a part of Portland's Fertile Ground Festival of New Works.
The French Institute Alliance Fran aise (FIAF), New York's premiere French cultural center, and Da Camera of Houston Productions present the New York Premiere of A Proust Sonata, Wednesday through Friday, January 10 12 at 7:30pm in FIAF's Florence Gould Hall.
The York Theatre Company, dedicated to the development of new musicals and the preservation of musical gems from the past, as part of its acclaimed Developmental Reading Series, will present the staged reading of the new musical The Apprenticeship of Duddy Kravitz, with book and lyrics by David Spencer (The Fabulist), music Alan Menken (Little Shop of Horrors), and based on the novel by Mordecai Richler, for two performances only Monday, December 11 at 2:00 p.m. and 7:00 p.m. at The York Theatre Company at Saint Peter's (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).
Transport Group has announced initial casting for Man of La Mancha - its first musical in this season's Anne L. Bernstein Concert Series.
Transport Group has announced that its Anne L. Bernstein Concert Series of one-night-only musical events will continue with two Broadway classics for the 2017-18 season Man of La Mancha, on Monday, December 18, 2017, and Promises, Promises, on Monday, June 25, both at 8pm at the Merkin Concert Hall at Kaufman Music Center, 129 West 67 Street. Both concerts will be directed by Transport Group artistic director Jack Cummings III and will feature original orchestrations. Casting will be announced at a later date.
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