If Love Were All 1998 - Articles Page 6

Emmy Award-winning actress and writer Renée Taylor - known to millions as Fran Fine's food obsessed mother, Sylvia, on 'The Nanny' - opened November 22nd to unanimous rave reviews in her comedy smash MY LIFE ON A DIET at George Street Playhouse. Called 'fascinating, lighthearted and spicy' by The New York Times, MY LIFE ON A DIET, an autobiographical comedy written by Ms. Taylor and her late husband Joseph Bologna, had an enormously successful run last season Off-Broadway under the direction of Mr. Bologna.

The following acts are performing at City Winery Chicago (1200 W. Randolph St) throughout the month. All City Winery Chicago events are open to all ages and start at 8:00 p.m., unless noted.  Tickets can be purchased by calling 312-733-WINE (9463) or by visiting www.citywinery.com/chicago.

Emmy Award-winning actress and writer Renée Taylor - known to millions as Fran Fine's food obsessed mother, Sylvia, on 'The Nanny' - brings her acclaimed comedy smash MY LIFE ON A DIET to George Street Playhouse, with the official Opening Night set for tonight (Friday) at 8 pm. Called 'fascinating, lighthearted and spicy' by The New York Times, MY LIFE ON A DIET, an autobiographical comedy written by Ms. Taylor and her late husband Joseph Bologna, had an enormously successful run last season Off-Broadway under the direction of Mr. Bologna.

Emmy Award-winning actress and writer Renée Taylor a?" known to millions as Fran Fine's food obsessed mother, Sylvia, on a?oeThe Nannya?? a?" is bringing her acclaimed comedy smash MY LIFE ON A DIET to George Street Playhouse beginning tonight (Tuesday) at 8 pm. Opening Night is set for this Friday, November 22nd. Called a?oefascinating, lighthearted and spicya?? by The New York Times, MY LIFE ON A DIET, an autobiographical comedy written by Ms. Taylor and her late husband Joseph Bologna, had an enormously successful run last season Off-Broadway under the direction of Mr. Bologna.

David Hirata is the creator and sole performer of a?oeA Box Without a Bottom (Soko-nashi Bako)a?? currently running at The Marsh Berkeley. Within the context of a magic show, Mr. Hirata connects his own personal story to that of earlier Japanese magicians in a way that explores the illusions of race and identity in America. Talking with him, it's evident that he's a true magic geek as he delights in sharing his extensive knowledge about the history of magic and finding hidden links to his heritage as a Japanese American.

Emmy Award-winning actress and writer Renée Taylor a?" known to millions as Fran Fine's food obsessed mother, Sylvia, on a?oeThe Nannya?? a?" will bring her comedy smash MY LIFE ON A DIET to George Street Playhouse beginning next Tuesday, November 19th. Called a?oefascinating, lighthearted and spicya?? by The New York Times, MY LIFE ON A DIET, an autobiographical comedy written by Ms. Taylor and her late husband Joseph Bologna, had an enormously successful run last season Off-Broadway under the direction of Mr. Bologna.

If what you know about 'Cabaret' is informed by the classic 1972 movie which made Liza Minnelli a superstar, you owe yourself to see the Tony-winning musical stage version like the one at community-based Sherman Playhouse. Director Bradford Blake, inspired by London's Donmar Warehouse 1993 revival which made it to Studio54 in 1998, creates a solid, engaging production that is both faithful to the cautionary theme of the original Broadway production and authentic to the raw and seedy world of the decadent Kit Kat Klub, Berlin 1931.

'Journey On' with Stagecrafters' current production of Ragtime, playing at Royal Oak's Baldwin Theatre until October 6th. Since premiering in Toronto in 1996 and opening on Broadway in 1998, Ragtime has received several worldwide productions, becoming an absolute phenomenon.

Goldie Dver talks and sings of life from tragedy to triumph in a very personal journey, BACK IN MAMA'S ARMS at Don't Tell Mama

By the time you read this, you may have missed your chance to see Disney's BEAUTY AND THE BEAST at the Ralston Community Theatre. You may have thought that it's a 'tale as old as time,' that you've seen several times, both on film and on stage. But this one may be different. This one felt more like home than a quiet village. The performers were familiar, the theater was in a local high school, and the audience...your friends and neighbors...were loving every minute. I especially enjoyed watching the face of a little girl dressed in her Belle costume completely entranced. Sometimes seeing something through the eyes of a child makes it new again.

A group of cabaret newcomers and veterans alike will join Meg Flather on July 14 and September 14 at Don't Tell Mama for MEG FLATHER SONGS: A CABARET SISTERHOOD, performing the work of the MAC and Bistro Award winner.

The University of Washington School of Drama, led by Interim Executive Director Lynn M. Thomas and Associate Director Geoff Korf, is pleased to announce its 2019 - 2020 season.

Everyone has a 9/11 story. Where were you? Megan McGinnis and the touring cast of COME FROM AWAY are bringing their story to New Orleans this week and you can bet I will be there! Keep reading to hear from Megan about her journey in show business and what makes COME FROM AWAY so special.

The stars were on their feet (toes, taps and standing ovations) on a warm Sunday night, May 19th, for the Chita Rivera Awards a?" an annual ceremony recognizing the very best in dance on Broadway, Off-Broadway and in film that honors icons and trailblazers while also nurturing future generations simultaneously. It could have been dubbed a?oeChita Rivera's Dance Salona?? for the presenters, attendees and honorees read like a Who's Who of Chita's friends, fans and fellow Fosse favorites, including hosts Ben Vereen and Anne Reinking.

Atticus Finch might be the voice we remember from To Kill a Mockingbird- the classic story that Aaron Sorkin brought to Broadway this season- but Adam Guettel is the man who made Mockingbird sing. The Broadway composer traded musical theatre for drama this season as he created the score for the critically-praised hit. Below, Guettel tells us all about how he found the sound of the play, and shares an exclusive clip from the To Kill a Mockingbird score.

Oh, those wacky Brits: They love their comedy dry, broad and often rather lowbrow, they adore mistaken identities, hijinks in the bedchamber and a bit with a dog. And that, gentle readers, is exactly what is delivered in the deliciously irreverent, surprisingly heartfelt Shakespeare in Love - Lee Hall's stage adaptation of the 1999 Oscar-winning best film of the same name - now onstage at Tennessee Performing Arts Center's Andrew Johnson Theatre in a sparkling new production from Nashville Repertory Theatre.

In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.

“Ahora Sigo Yo” literally translates to “It's my turn now.” And the title fits when it comes to Stevie D being the next big Chicano singing sensation. However, the lyrics to the title song of his latest compact disc album are about going from being scorned to finding love.

The idea of two companies in one community doing the same show within a few months of each other poses many questions. Sometimes the rights to a popular musical become available and there is something of a feeding frenzy - a dedicated theatergoer could have availed themselves of no less than four productions of Mamma Mia! in this area in the last year. Perhaps they were all stellar productions. I certainly didn't hear any complaints about poor attendance, which indicates either an insatiable appetite for an ABBA jukebox musical or the payoff of careful cultivation of core audience support by each company. In any case, nobody appeared to suffer any ill effects from the repetition.

At the elegant Soroya Theatre in Northridge, CA, Martha Graham's Dance Company, under Artistic Director Janet Eilber's seasoned guidance, performed a most incredible group of works.  Some were originally created approximately 80 years ago, by Martha Graham, a true icon in the Dance world.  The EVE Project, as this evening, March 2nd, 2019 was entitled, gave us a wide variety of themes within a theme, that being Women and their significance, their power, their passion and their strength.  It was polished to perfection, and each piece carried many meanings and concepts and was just so beautifully performed and articulated. The Martha Graham Dance Company is the oldest contemporary dance company in the United States, founded in 1926.  Since it's inception it has explored and encompassed political and humanitarian issues, as well as affairs of the heart and human interactions, while creating a prolific dance technique that is unequaled in it's scope.  Graham created a total of 181 ballets during her long career, and is recognized as a primal artistic force of the 20th century, being named in 1998 as 'Dancer of the Century' in Time magazine, and labeled one of the female 'Icons of the Century' by People Magazine.

There's enough excitement in Atlanta this month to fill a fleet of pumpkin-carriages as Alliance Theatre mounts the highly-anticipated regional premiere of Ever After, a musical adaptation of the popular 1998 film of the same name which made its premiere at Paper Mill Playhouse in 2015. Ever After, loosely based on the Cinderella fairy tale, tells the story of Danielle de Barbarac, the Cinderella-esque young daughter of a 16th-century landowner who's forced into slavery by her stepmother after the unexpected death of her father. When a chance encounter with a prince stirs up considerable excitement for the young servant girl, Danielle finds that she might have the strength to take on her stepmother…and the world. Broadway diva Sierra Boggess, most known for her acclaimed turns as Ariel in The Little Mermaid and Christine Daae in Phantom of the Opera, will take on the role of the vibrant Danielle. BroadwayWorld caught up with Boggess to talk about the show.

2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

Last month, All That Remains suffered a tragic and incredibly painful loss when their globally renowned, highly respected, and immeasurably talented lead guitarist and founding member Oli Herbert, who played on all nine albums in the band's discography, unexpectedly passed away.

Ragtime, the modern Broadway classic which debuted in 1998, will be making its way to the Maier Performance Hall at the Clay Center for the Arts and Sciences in early November courtesy of the Charleston Light Opera Guild (CLOG). CLOG is no stranger to Ragtime, as they previously performed this production in 2007. With a previous production under their belt and many actors reprising their roles, CLOG's rendition of Ragtime is sure to thrill audiences while showing them why this show is widely heralded as a new classic.