The Actors' Gang presents One Act Festival, featuring two contrasting programs performed in repertory. Show one, entitled The Classic, begins performances March 14th (press opening March 23) and features two classic one-act plays -- Jean-Paul Sartre's No Exit, directed by Brian T. Finney, and Samuel Beckett's Krapps's Last Tape, directed by Cynthia Ettinger. Show two, entitled The Original, begins performances March 16 (Press Opening March 29) and features three new one-act plays written, directed, and acted by The Actors Gang ensemble: Tradition, written by James Edward Bane and directed by Tess Vidal, A Perfect World, written by Lynde Houck and directed by Danielle Powell, and Clean Slate, written by Bob Turton and directed by Zoe Hall. Both programs will run Thursdays, Fridays, Saturdays and Sundays, through April 20th.
Over eight million people have lived to tell the tale of one of the most successful theatrical horror events ever staged - and it's coming to shock Seattle next month. In the village of Crythin Gifford, the wind howls across the moors and fog creeps mysteriously around the town spires. At the edge of the village's cemetery, young lawyer Arthur Kipps glimpses the figure of a woman, garbed all in black, and is drawn into Crythin's cursed and haunted history. Susan Hill's gothic ghost story, The Woman In Black, comes to spine- tingling life in this cunning stage adaptation by Stephen Mallatratt that has left London's West End theatre-goers enthralled for more than 30 years. Director Robin Herford recreates Mallatratt's original staging from the London West End for this American premiere of the West End Production, touring the U.S. for the first time.
Commonwealth Shakespeare Company (CSC) has added three performances to its highly anticipated upcoming production of Birdy, adapted by Naomi Wallace from the novel by William Wharton, and directed by Steven Maler. The production now runs February 27 through March 17 at the Carling-Sorenson Theater at Babson College in Wellesley.
Over eight million people have lived to tell the tale of one of the most successful theatrical horror events ever staged - and it's coming to shock Seattle next month. In the village of Crythin Gifford, the wind howls across the moors and fog creeps mysteriously around the town spires. At the edge of the village's cemetery, young lawyer Arthur Kipps glimpses the figure of a woman, garbed all in black, and is drawn into Crythin's cursed and haunted history. Susan Hill's gothic ghost story, The Woman In Black, comes to spine- tingling life in this cunning stage adaptation by Stephen Mallatratt that has left London's West End theatre-goers enthralled for more than 30 years. Director Robin Herford recreates Mallatratt's original staging from the London West End for this American premiere of the West End Production, touring the U.S. for the first time.
The Irving S. Gilmore International Keyboard Festival and the Grand Rapids Symphony announce a new collaboration for the next season of programs.
Watford Palace Theatre today announces full cast for Alan Ayckbourn's Absurd Person Singular. Joining the previously announced Terence Frisch (Sidney) and Jill McAusland (Jane) are Oliver Longstaff (Geoffrey), Emily Tucker (Eva), Sarah Quist (Marion) and Walter van Dyk (Ronald). The production, directed by Artistic Director and Chief Executive of Watford Palace Theatre, Brigid Larmour, opens on 12 March, with previews from 7 March and runs until 30 March.
Just in time for the holiday season, THE WOMAN IN BLACK is inviting guests to try something new this year with a holiday ticket package. For those looking to bond over a spine-tingling live theater performance, THE WOMAN IN BLACK will include a drink from the bar with the purchase of a ticket using the code HOLIDAY through January 6, 2019. An experience surely not to miss, the production has been called "Spectacular" by the Chicago Sun-Times, and "Brilliant" by Chicago Theater Review, receiving rave reviews from critics across the board.
Commonwealth Shakespeare Company and Founding Artistic Director Steven Maler announced the cast of the second production of its 2018-19 Season: Birdy, adapted by Naomi Wallace from the novel by William Wharton, and directed by Steven Maler. The production runs February 27 through March 10 at the Carling-Sorenson Theater at Babson College in Wellesley.
Following rave reviews and audience acclaim at off-Broadway's Atlantic Theater Company this past spring, American Conservatory Theater (A.C.T.) Artistic Director Pam MacKinnon announced today that Tony Award winner and San Francisco native BD Wong will reprise his role as 'Wen Chang' in award-winning Bay Area playwright Lauren Yee's The Great Leap, performing at A.C.T.'s Geary Theater (415 Geary St., San Francisco) from Wednesday, March 6, through Sunday, March 31, 2019. Additional casting will be announced at a later date.
Get ready to blast off as Rubicon Theatre Company presents the hilarious, out-of-this-world musical RETURN TO THE FORBIDDEN PLANET, returning to Ventura after its acclaimed run in 2016. Winner of the Olivier Award for Best Musical, this fabulously campy send-up of "Forbidden Planet" and other sci-fi films and TV shows of the 1950s and 1960's melds plot elements from The Tempestwith language from multiple plays by Shakespeare. Set on a spaceship sometime in the future, the show features a galaxy of rock-and-roll classics, including "Wipeout," "Good Vibrations," "Great Balls of Fire," "All Shook Up, and "Monster Mash." The jukebox musical spoof rockets into orbit just in time for Halloween - with a gala costume party on Saturday, October 20 at 7:00 p.m. followed by an after-party at Rhumb Line on the Harbor. Low-priced previews are October 17-19. The show runs Wednesdays through Sundays through November 4.
Independent Shakespeare Co.(ISC), presenters of the Griffith Park Free Shakespeare Festival announce the world premiere of interdisciplinary artist Kalean Ung's original solo work, LETTERS FROM HOME, directed by Marina McClure, with music by Chinary Ung. LETTERS FROM HOME will play October 26 - November 18 at Independent Studio in the Atwater Crossing Arts + Innovation Complex, 3191 Casitas Ave., #130 in Atwater Village.
Artistic Director of Watford Palace Theatre, Brigid Larmour, today announces full casting for Watford Palace Theatre's all-female production of Much Ado About Nothing. Larmour directs Joanna Brookes (Dogberry/ Antonio), Elly Condron (Don Pedro), Rebekah Hinds (Borachio/ Margaret), Emma Lane (Conrade/ Ursula/ Friar), Juliet Leighton-Jones (Musician), Nyla Levy (Hero/ Sexton), Pepter Lunkuse (Claudio), Anna O'Grady (Benedick), Emily Tucker (Beatrice), Tripti Tripuraneni (Don John/ Verges) and Julia Watson (Leonato).
New York Theatre Workshop (NYTW) will present Mandy Patinkin in Concert: Diaries 2018. The concerts will take place at the Connelly Theater (220 East 4th Street) Wednesday, October 10 through Sunday, October 28, 2018. Tickets will be available to NYTW members and donors beginning at Noon EST on Wednesday, September 5 at NYTW.org. Limited tickets will go on sale to the general public on Thursday, September 20.
Cleveland Play House (CPH) kicks off its 2018-2019 Season with the spine tingling tale of Susan Hill's The Woman in Black. Hill's gothic ghost story, adapted for the stage by Stephen Mallatratt, will star Bradley Armacost as Arthur Kipps and Adam Wesley Brown as the Actor in the show that Daily Mail called, "A nerve-shredding experience." Director Robin Herford will recreate his original staging from the London West End. The American premiere of the West End Production is produced by PW Productions and Pemberley Productions. Previews begin on September 15th, with press opening on September 21st at the Allen Theatre in Playhouse Square.
The BLUEBARN Theatre, founded in 1989 by graduates of the SUNY Purchase Acting Conservatory, proudly announces a creative partnership with STRANGEMEN THEATRE COMPANY, a New York-based non-profit, originally founded in 2010 by graduates of that same conservatory. In celebration of BLUEBARN's 30th Anniversary and the shared origins of the two companies, we are honored to welcome STRANGEMEN to Omaha for the first time. Members of the original creative team of THE WOODSMAN will again bring this award-winning production to life here at the BLUEBARN, enlisting Omaha's incredible local talent. Based on the forgotten writings of L. Frank Baum, Strangemen Theatre Company's THE WOODSMAN gives this darkly beautiful, haunting, and heart-breaking story new life through original music, physical storytelling, and innovative puppetry. A re-imagined tale of the origin of Baum's 'The Tin Woodman of Oz' that is not to be missed this season!
Dandelion Productions is proud to announce the return of Connecticut Free Shakespeare to the outdoor stages of Connecticut's summer theater programming. This year, CFS stages a re-telling of William Shakespeare's The Tempest for four performances only from Thursday July 19 through Sunday July 22 at 6:30 PM on the grounds of the University of Bridgeport, on the patio of the Arnold Bernhard Arts & Humanities Center, 84 Iranistan Ave. On Friday evening, immediately following the performance there will be a special question and answer (Q&A) program with the cast and staff. Admission to all showings is free, but a donation of $10 per person would fund future programming and be greatly appreciated. Patrons are encouraged to come early and bring a picnic! Seating will open at 5:30pm for those who choose to arrive early. Please bring your own blankets, lawn chairs, and picnics. Note: To respect our guests on blankets, our house management staff will ask patrons in lawn chairs to set up behind a blanket area in the front of the house. In the event of rain, covered seating is limited. The production is adapted and directed by Dandelion Artistic Director, Ellen Lieberman and is appropriate for all ages. For more information: www.ctfreeshakespeare.org or info@dandelionproductions.org.
Over eight million people have lived to tell the tale of one of the most successful - and terrifying - theatre events ever staged, and it's coming to shock audiences in Chicago this fall. The Woman in Black - London's long-running West End play - will open at Chicago's Royal George Theatre in November with all the stage thrills that have led audiences in London to shriek in fear for 30 years.
After a successful run in Central Park, playing to over 4,000 people, performances resume on Wednesday, June 27 in Rockefeller Park/Battery Park City for New York Classical Theatre's critically acclaimed production of Romeo and Juliet, directed by the company's Founding Artistic Director Stephen Burdman. The production will play this week through June 30, before continuing on to The Battery, Carl Schurz Park, and Brooklyn Bridge Park for performances through July 29. There is no ticketing, and all performances are free and open to the public. Performance schedule can be found at newyorkclassical.org.
Corkscrew Theater Festival presents Field, Awakening, written by Melis Aker and directed by Tatiana Pandiani. Running July 14-22, Field, Awakening is a political drama set in Turkey in 2016, where a group of high school friends reunites at a soccer field on the evening of an attempted military coup. As the night progresses, the friends unexpectedly find themselves at the center of international strife, and they begin to realize that the Turkey they called home may be rapidly disappearing. Performed by Kieron Anthony, Ayse Babahan, Jamar Brathwaite, Sinan Eczacibasi*, Fahim Hamid*, and Nazli Sarpkaya, Field, Awakening is the second production in the second annual season of Corkscrew Theater Festival, a new summer theater festival that provides early-career artists with a high level of production support.
Previews begin this Friday, June 1 for the Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) world premiere production of LOG CABIN, a new play by Pulitzer Prize finalist Jordan Harrison (Marjorie Prime, Maple and Vine, Doris to Darlene at Playwrights; "Orange Is the New Black"). Directed by Tony Award and Obie Award winner Pam MacKinnon (Clybourne Park, The Qualms at Playwrights; Who's Afraid of Virginia Woolf?, The Parisian Woman), LOG CABIN is the sixth and final production of the theater company's current 2017/2018 Season.
New York Classical Theatre (Stephen Burdman, Artistic Director), New York City's only all-free professional Off-Broadway theatre company, is pleased to announce a new production of William Shakespeare's Romeo and Juliet to celebrate its 19th Anniversary Season. The production, directed by Mr. Burdman, is the company's first staging of Shakespeare's tale of star-crossed lovers, and will be presented in five New York City parks - Central Park, Rockefeller Park/Battery Park City, The Battery, Carl Schurz Park and Brooklyn Bridge Park - with performances from June 5 through July 29 at 7:00 PM. There is no ticketing, and all performances are free and open to the public. New York Classical Theatre also invites audiences to experience unique behind-the-scenes access to open rehearsals on selected dates for each of the five park stagings.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director), an award-winning company presenting Shakespeare alongside other classic and contemporary drama at Polonsky Shakespeare Center, Downtown Brooklyn, is pleased to announce its 2018-19 season-the 39th since its founding in 1979.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the 2018 Free Shakespeare in the Park production of OTHELLO beginning Tuesday, May 29 at the Delacorte Theater, continuing a 56-year tradition of free theater in Central Park. Directed by Tony Award winner Ruben Santiago-Hudson, OTHELLO will officially open on Monday, June 18 and will run through Sunday, June 24.
Red Hen Press is thrilled to announce, as an encore to last year's triumphant Red Hen produced sold-out LA premiere at the Broad Stage in Santa Monica, that Imagination Dead Imagine, a music/theatre piece for string quartet, recorded voices, and laptop, will come to Pasadena for an exclusive two-day event, the first musical presentation in the new Red Hen performance space, the Hen House!
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces four TFANA Talks in connection with its new, critically lauded production of William Shakespeare's tragicomedy The Winter's Tale, directed by OBIE Award-winner Arin Arbus. These free post-performance discussions take placeat Polonsky Shakespeare Center (262 Ashland Place), TFANA's home in the Brooklyn Cultural District, where The Winter's Tale runs through April 15
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