Power Plays 1998 - Articles Page 7

Opened: May 21, 1998
Closing: January 03, 1999

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Power Plays - 1998 - Off-Broadway Articles Page 7

Soho Rep Announces 2018-19 Season
by A.A. Cristi - Sep 11, 2018


Soho Rep. announces its 2018-2019 season, with two world premieres that demonstrate the small but flexible space's 'indispensible' (New York Magazine) presence as 'a 70-seat house filled with big ideas' (Hilton Als, The New Yorker). Through singular and irreverent stylistic approaches, Kate Tarker's Thunderbodies,directed by Lileana Blain-Cruz (October 16-November 18, 2018), and Christopher Chen's Passage, directed by Saheem Ali (April 23-May 26, 2019),interrogate the staggering ramifications of U.S and global imperialism.

Southern Rep Theatre Announces CARE FOR CREATIVES Programming
by Rebecca Russo - Aug 31, 2018


Southern Rep Theatre announces the launch of 'Care for Creatives,' a new program designed to serve the New Orleans creative community with a series of low-cost mental health self-care events. Care for Creatives programming is hosted at the new Southern Rep Theatre venue at 2541 Bayou Road, New Orleans, and is presented in partnership with the New Orleans Musicians' Clinic & Assistance Foundation's 'You Got This' initiative.

FIAF's Crossing The Line Festival 2018 Presents 12 Premieres Transcending Discipline, Nationality, and Language
by A.A. Cristi - Aug 1, 2018


The French Institute Alliance Francaise (FIAF), New York's premier French cultural institution, today announced Crossing The Line Festival 2018, featuring leading international artists in a wide-ranging program of events, performances, and exhibitions from September 18 to October 13, 2018. Tickets are now available at crossingthelinefestival.org.

Victory Gardens Announces Casting And Full Schedule For IGNITION
by Julie Musbach - Jul 25, 2018


Victory Gardens Theater Artistic Director Chay Yew, Managing Director Erica Daniels and Director of New Play Development Skyler Gray announce the lineup for the 10th Anniversary IGNITION Festival of New Plays, including Prosthesis by Robert Askins; Untitled Road Trip Play by Lauren Yee; White History by Dave Harris; How to Defend Yourself by Lily Padilla; Seeing Eye by Nick Malakhow; and The First Deep Breath by Lee Edward Colston II. The 2018 Festival runs August 3 -5, 2018 at Victory Gardens Theater, located at 2433 N Lincoln Avenue.

Arena Stage's THE ORIGINALIST Traveling to Off-Broadway's 59E59 Theaters
by BWW News Desk - Jul 14, 2018


Continuing its cross-country tour, John Strand's critically-acclaimed political drama The Originalist, based on the late Supreme Court Justice Antonin Scalia, will play at 59E59 Theaters under the direction of Artistic Director Molly Smith.

A QUIET PLACE, DAMAGES, THE CLOSER, & More Coming to Amazon Prime Video this July
by Macon Prickett - Jun 18, 2018


July brings three Prime Original series exclusively available for Prime members to stream or download at no additional cost to their membership.

New Titles Coming to Amazon Prime Video and Prime Video Channels July 2018
by Tori Hartshorn - Jun 15, 2018


July brings three Prime Original series exclusively available for Prime members to stream or download at no additional cost to their membership.

Epic Story THE WINTER'S TALE Comes to Shakespeare By The Sea
by Stephi Wild - Jun 14, 2018


"It is required you do awake your faith." In one of Shakespeare's last plays, The Winter's Tale tells the story of a King who banishes his family wrongfully, and is taught the meaning of forgiveness through the inspired plan of a wise, loyal woman. Shakespeare by the Sea's 21st Season continues with this epic and magical story, opening June 21 and directed by Ovation Award-winner Stephanie A. Coltrin.

J. Peter Schwalm's HOW WE FALL on RareNoise Out this June
by Macon Prickett - May 24, 2018


 For years J. Peter Schwalm's compositions and productions have been impressive proof of the power of sound without words. More consistent than ever, on his new album How We Fall, he creates sound sculptures that transcend common categories. Their structures can take on rough or gently curved forms, unfold associative or contemplative effects, and may even make the listener shiver. Schwalm's feel for nuances, tension arcs and individual sounds is based on talent and many years of experience.

BWW Review: Stages Theater Presents the Magic of Humanity in WHOEVER YOU ARE
by Peggy Sue Dunigan - May 21, 2018


Housed on Main Street in Hopkins, Minnesota, Stages Theatre Company (STC) persevered for almost 35 years by producing exceptional, professional theater for young audiences. Believing in the enchantment, images and power of theater, especially for youth, the company produces world premiere productions commissioned especially for their home stage.

AstonRep Presents THE LARAMIE PROJECT
by Julie Musbach - May 8, 2018


AstonRep Theatre Company is pleased to conclude its 2017-18 season with THE LARAMIE PROJECT, a community's deeply-moving response to the 1998 murder of gay University of Wyoming student Matthew Shepard, written by Moises Kaufman and the Members of Tectonic Theater Project and directed by Associate Artistic Director Derek Bertelsen. THE LARAMIE PROJECT will play June 7 - July 8, 2018 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago.

Shakespeare By The Sea Announces Intriguing 2018 Season: THE MERRY WIVES OF WINDSOR And THE WINTER'S TALE
by Julie Musbach - May 8, 2018


Shakespeare by the Sea announces productions, cast and creatives for its 21st Season. Beginning at the seaside Pt. Fermin Park in San Pedro, and continuing on to tour at twenty-two parks throughout Southern California, Shakespeare by the Sea continues its notable mission to create enduring theatrical experiences for audiences in culturally diverse communities, making quality theatre accessible to all. For 2018, SBTS has chosen two of William Shakespeare's most intriguing plays, The Merry Wives of Windsor and The Winter's Tale.

Photo Flash: First Look at Rubicon Theatre Company's THE BABY DANCE: MIXED
by Stephi Wild - May 6, 2018


Casting has been announced for the World Premiere of THE BABY DANCE: MIXED, a new adaptation by Emmy Award-winner JANE ANDERSON ("Olive Kitteridge") of her acclaimed 2004 play The Baby Dance. A drama delicately laced with comic overtones, THE BABY DANCE: MIXED is a compelling and urgent play about race, class, and wanting the perfect child. In the story, Regina and Richard, an affluent mixed-race couple in Los Angeles, have everything except a baby. Wanda and Al, an African-American couple living in an overcrowded trailer in modern-day Louisiana, are too poor to keep their soon-to-be-born child. Through an adoption attorney, the two couples broker a deal. However, circumstances arise that affect their decision and the situation spins out of control. The Wall Street Journal described The Baby Dance as "filled with emotional power and nimble humor." The L.A. Times called it "a stunner…funny as well as perceptive."

The Artistic Home's THE MAIDS To Be Performed With Drag Artists In Title Roles
by Julie Musbach - Apr 27, 2018


The Artistic Home has announced a summer production of Jean Genet's THE MAIDS. Genet's subversive drama in which two maids fantasize killing their mistress was inspired by a real-life murder committed by two sisters working as maids who killed their employer and her daughter.  In the play, the maids construct elaborate sadomasochistic rituals when their mistress (Madame) is away. The focus of their role-playing is the murder of Madame and they take turns portraying both sides of the power divide.

The Goodman to Examine the Ferguson Unrest and Aftermath in Two Plays
by Julie Musbach - Apr 18, 2018


A collective of perspectives. A public outcry. The establishment of a movement. This month, two new plays- Until the Flood by Dael Orlandersmith, directed by Neel Keller and florissant & canfield by Kristiana Rae Colon, directed by Derrick Sanders-bring a national dialogue to the stage.

Single Tickets Now Available for the Bay Area Premiere of SOFT POWER at the Curran
by Julie Musbach - Apr 5, 2018


Today, Carole Shorenstein Hays announced that single tickets are now available for SOFT POWER, the play featuring a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco's Curran (445 Geary Street) June 20 - July 8, 2018. SOFT POWER is a Center Theatre Group co-commission with The Public Theater and will perform at the Curran following its world premiere at the Ahmanson Theatre in Los Angeles

Arje Shaw's MOOLAH Will Make Its New York Premiere at the Roy Arias Stage II
by Danielle Gutierrez - Mar 26, 2018


Jones Street Productions presents the New York premiere of Moolah, a new comedy by Arje Shaw (The Gathering, Magic Hands Freddie). Directed by Charles Messina (A Room of My Own), the limited engagement plays 16 performances only, April 5 - 29 at Roy Arias Stage II (777 Eight Avenue, between 47th - 48th Streets). The official opening night is April 12 at 7:30PM. Tickets are currently on sale at Ovationtix.com.

MCC Theater Announces New Duncan Sheik Musical, MOSCOW MOSCOW..., and More
by Julie Musbach - Mar 21, 2018


MCC Theater is thrilled to announce four new productions for its 32nd Season in the Theater's new, permanent home. The season includes an exciting mix of world and New York premieres from artists both familiar and new to MCC audiences-each fulfilling MCC's longtime commitment to bold, risk-taking works from the most vital voices working in theater today.

Matt Bogart, Christiane Noll, and More Lead Cast of SNOW CHILD
by Julie Musbach - Mar 7, 2018


Arena Stage at the Mead Center for American Theater announces the full cast and creative team for the world-premiere musical Snow Child, based on Eowyn Ivey's Pulitzer Prize-nominated novel. Infused with a score that combines Alaskan string band-traditions with contemporary musical theater, Snow Child follows a couple rebuilding their lives in the Alaskan wilderness when they meet a magical and mysterious snow child who transforms them.

Curran San Francisco Announces Cast for the Bay Area Premiere of SOFT POWER
by Julie Musbach - Mar 6, 2018


Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco's Curran theater (445 Geary Street), June 20 - July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date.

BWW Review: FROZEN, Theatre Royal Haymarket
by Marianka Swain - Feb 21, 2018


No, it's not that Frozen - although the immortal words 'Let it go' do appear in the second half. Otherwise this is a far cry from the Disney juggernaut. Bryony Lavery's 1998 play deals with the abduction of a child, and asks whether evil can be easily defined - or forgiven.

THE MADRES By Stephanie Alison Walker Announced as The 77th NNPN Rolling World Premiere
by Julie Musbach - Feb 13, 2018


National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces its 74th Rolling World Premiere (RWP): The Madres by Stephanie Alison Walker. The Roll will run through Skylight Theatre Company (March 10-April 29 in Los Angeles, CA) and Teatro Vista (April 21-May 27 in Chicago, IL), MOXIE Theatre (May 13-June 10, in San Diego, CA), and Shrewd Productions (August 24-September 15 in Austin, TX). The Madres was presented at NNPN's 2016 National Showcase of New Plays, hosted by the Department of Theatre and Dance at the University of Texas-Austin.

RELATIVELY CONSCIOUS Opens In February at Hudson Guild Theater
by A.A. Cristi - Jan 30, 2018


Veteran Broadway actor, Richard Waits, is bringing Jon-Marc McDonald's anticipated play, Relatively Conscious, to the stage in February at the New York Theater Festival. The play, which centers around the murder of James Byrd Jr in 1998, will run February 6, 7, and 10th at the Hudson Guild Theater in New York City.  

The Artistic Home's Announces Cast for HOW I LEARNED HOW TO DRIVE
by A.A. Cristi - Jan 30, 2018


Elizabeth Birnkrant, known for her roles in JESUS HOPPED THE A TRAIN for Eclipse Theatre, 1984 at Steppenwolf, VICES AND VIRTUES: THE GREAT WAR at Profiles Theatre and other roles with Sideshow, First Floor and Roadworks theatre companies, has been cast in the leading role of L'il Bit in The Artistic Home's production of Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE. The Artistic Home co-founder John Mossman will play Uncle Peck, the family member who has a sexual relationship with his niece Li'l Bit during her pre-teen and teenage years. Mossman, who directed The Artistic Home's BY THE BOG OF CATS last year, as an actor has most recently appeared as Leontes in THE WINTERS TALE and O'Trigger in THE RIVALS at Lakeside Shakespeare Theatre.  He has also appeared with The Artistic Home as MACBETH and as Shannon in NIGHT OF THE IGUANA. He played Atticus Finch in Oak Park Festival Theatre's TO KILL A MOCKINGBIRD and performed in the Steppenwolf production of THE MARCH.

Artistic Home to Stage Paula Vogel's HOW I LEARNED TO DRIVE
by Julie Musbach - Jan 16, 2018


The Artistic Home will continue its 2017-18 season with Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE, to be directed by The Artistic Home's Associate Artistic Director Kayla Adams. It will open to the press Sunday, March 25 at 7:00 pm, following previews from March 21-24. HOW I LEARNED TO DRIVE, which premiered in 1997, was a Pulitzer Prize winner and a pioneering drama for its examination of pedophilia and sexual abuse of women. It follows a young woman, named L'il Bit, from age 11 to age 18 and her friendship and sexual affair with her uncle. Director Adams says, this courageous and surprising script reminds me again and again of the healing power of storytelling. In reviewing the 2017 production by the Cleveland Playhouse, the Cleveland PLAIN DEALER said, We can rejoice that 'How I Learned to Drive' feels as fresh and fearless as it did two decades ago - and mourn for the same reason.

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