Don't Tell 1920 - Articles Page 3

After a forty-year absence, and to celebrate one hundred years since the birth of Guido Cantelli - the great conductor from Novara - the Conducting Competition that was created in his memory comes to life again and takes on a strong international connotation while focusing on the younger generations. The competition has its natural home in the Teatro Coccia of Novara in Italy. Registrations for the Competition will open from 1 March to 30 April 2020: conductors of all nationalities, between the age of 18 and 35 will be eligible to participate. Candidates will undergo a preselection based on their CVs and video recordings. From 9 to 12 September the finalists will fulfill the competition's assignments from the podium of the Orchestra del Teatro Regio in Turin and will be examined by a jury made of internationally renowned artists and cultural personalities. The second and last round of the finals will take place in Novara on 13 September. 

My Marlene is coming to HERE for a limited engagement as part of HERE's Winter SubletSeries: Co-Op performing February 12 and 13 at 8.30pm.

Check out Joe's Pub lineup for the Under the Radar festival featuring new and experimental work from Rizo (fka Lady Rizo), Lucy McComick, Daniel J. Watts, and Ryan J. Haddad. Rounding out the week is Kittel & Co, Ethan Lipton & His Orchestra, Jean-Michel Blais, Rev Billy, a very fun showcase from DANCE NOW, Nellie McKay, Aditya Prakash, Damien Sneed, William Prince, Xenia França, Luis Enrique and, as always, a ton more.

25 Shows & Performances in the Tampa Bay Area That Rocked Our World from 2010 to 2019!

The cabaret sensation will help the patrons of 54 Below ring in the New Year with a brand new show... and this time he's doing something he has never done before.

David Hirata is the creator and sole performer of a?oeA Box Without a Bottom (Soko-nashi Bako)a?? currently running at The Marsh Berkeley. Within the context of a magic show, Mr. Hirata connects his own personal story to that of earlier Japanese magicians in a way that explores the illusions of race and identity in America. Talking with him, it's evident that he's a true magic geek as he delights in sharing his extensive knowledge about the history of magic and finding hidden links to his heritage as a Japanese American.

There's a reason that Frank Loesser's a?oeGuys & Dollsa?? has endured all these years and keeps coming back, it's a near perfect musical. It's fun and frothy with that rare breed of songs that all move the story along and tell a story of their own. But with these songs, and because of them, you need a love story that reads true, connections with everyone on stage, and storytelling in the staging and choreography as well as in the dialog and lyrics. And while the current production at Village Theatre has some numbers that worked and some wonderful performers, it lacked those three elements making the show a nice collection of performances with no spark or cohesion.

The F. Scott Fitzgerald classic 'The Great Gatsby' is almost 100 years old, but the story still resonates.

Chanticleers Theatre ('Chanticleers') presents Cabaret, Book by Joe Masteroff, Based on the play by John Van Druten and Stories by Christopher Isherwood, Music by John Kander, and Lyrics by Fred Ebb

Aurin, David, and Ben come together to talk about shows New York coming up in the next few months. Productions discussed include HALFWAY BITCHES GO STRAIGHT TO HEAVEN, FIRES IN THE MIRROR, IS THIS A ROOM, SOFT POWER, SCOTLAND, PA, THE UNDERLYING CHRIS, and more.

Chanticleers Theatre (a?oeChanticleersa??) presents Cabaret, Book by Joe Masteroff, Based on the play by John Van Druten and Stories by Christopher Isherwood, Music by John Kander, and Lyrics by Fred Ebb

Chanticleers Theatre (a?oeChanticleersa??) is proud to present Cabaret, Book by Joe Masteroff, Based on the play by John Van Druten and Stories by Christopher Isherwood, Music by John Kander, and Lyrics by Fred Ebb.

Wilkommen to Cabaret, playing at Teatr Rozrywki Sept. 26 through Oct. 6.

Wilkommen to Connecticut Repertory Theatre's production of Cabaret, running now through July 21 at the Harriet S. Jorgensen Theatre on the campus of the University of Connecticut.

Broadway and TV actor Frances Jue is currently starring in TheatreWorks' production of Julia Cho's 'The Language Archive.' Mr. Jue recently talked to BroadwayWorld about his lengthy and surprising career path, from his formative experiences with Stephen Sondheim and TheatreWorks to working with Tony winners David Henry Hwang and Jeanine Tesori, and of course his continuing role on the CBS television series 'Madam Secretary.' His fascinating story serves as an inspiring example for anyone who doesn't see a clear path to success or struggles to find a place to fit in.

When the world outside is challenging, political tensions are escalating, uncertainty is in the air and pressures are building to the breaking point, what can you do? If you lived in Berlin in the early 1930's you might have found yourself escaping from the rise of Nazism by visiting an avant-garde performance at one of many cabarets in the city. If, instead, it is 2019 and you are also looking for a bit of escapism of your own, you might head to the University of Connecticut to take in the latest production in the CT Repertory Theatre's 2019 Nutmeg Summer Series, CABARET.

When you enter the downstairs space at La Mama, multi-colored fluorescent lights illuminate a multi-level stage.  Asked to enter the theater in twos, your first stop is a few steps up to a level.  If you so choose, you can go inside the curtain to speak with the great ancestors.  The play Messiah has big ambitions, a title which promises significance and a downtown sensibility right from the start.

The Franklin Performing Arts Company (FPAC) will conclude its musical season with Kander and Ebb's Cabaret June 14 and 15 at THE BLACK BOX.

The June 2020 release of the filmed production of Jeamarie Simpson's HERETIC, timed for the 350th Anniversary of Mary Dyer's execution, has just been announced. Although the premiere is a year away, it seems fitting that, coinciding with Mother's Day and the abiding relevance of issues related to free speech, we offer an exclusive interview with the author about the work and the person ('the mother of the First Amendment), conducted by her associate, Shannon Cain.

Ford Theatres presents an immersive experience: Last Whispers - Oratorio for Vanishing Voices, Collapsing Universes and a Falling Tree, on Friday, June 14 at 8:00pm. Last Whispers is simultaneously a spatially-designed sound composition and a film -- an invocation of languages that have gone extinct and an incantation of those that are endangered.

Cincinnati Shakespeare Company (CSC) announced the titles for its 2019-2020 Season at The Otto M. Budig Theater in an event on March 6.  This season will feature Women, on stage and off, in The Season of the Woman.  CSC's 2018-2019 Season is generously sponsored by The Otto M. Budig Family Foundation, The Carol Ann and Ralph V. Haile Jr. Foundation, The Shubert Foundation, Ohio Arts Council, and ArtsWave and all productions will feature Cincinnati Shakespeare Company's Resident Company of Actors. 

A Blank stage is set to adorn a combination of a house on one side and what will soon become the work stations of the women in this production. On the projection behind the set were words written to strike a chord with incoming audience members, "If one woman were to tell the truth about her life, the world would split open." These wise words from Muriel Rukyster were the only thing standing between the audience and the works to be portrayed on the stage this night. In the program, Founder and Director Fran Powers wrote, "Directing These Shining Lives has been a project of the heart. "It is vitally important to keep honoring courageous women who sacrificed so much for others." This is the foundation of the Powerstories Theatre mission."With that the scene is set and a whirlwind 90 minutes set to no intermission was about to unfold in front of us.

'19: The Musical' is the brainchild of Through the 4th Wall co-founders, Jennifer Schwed and Doug Bradshaw. Both DC natives, Schwed and Bradshaw conceived the idea of a musical about the passage of the 19th Amendment back in 2016, and have been overseeing workshops and concert performances for a little over a year, with an eye toward a full production in time for the Amendment's centennial in 2020.

Rebecca Northan and Bruce Horak are two thirds of the creative team (including Christian Goutsis) who have come together for projects such as Slipper: A Distinctly Calgarian Christmas Story, Undercover, and An Undiscovered Shakespeare. Now, they're taking you back to the age of swashbuckling adventures for a story of what happens after Zorro's happily ever after.