The King and I Revival 1968 - Articles Page 8

Walking into the Fort Wayne Civic Theatre's production of CHITTY CHITTY BANG BANG, I had absolutely no idea what to expect. I watched the 1968 movie exactly once in my childhood, and all that I remembered was having nightmares about the Childcatcher. That said, I was pleasantly surprised with how much I enjoyed the show. Whether people decide to see it out of a love of old-fashioned musicals or whether they're looking for a fun afternoon or evening with their kids, chances are high that audience members will delight in this whimsical production.

As a very young man, Dedrick Weathersby a Longview TX native learned early on about the magic of the genre called 'soul music.'

The new Autumn Winter season at Omnibus Theatre sees nine productions featuring new writing, four of which are returning companies.

The Menier Chocolate Factory today announces the full company for the UK premiere of the musical of Robert James Waller's bestselling novel The Bridges of Madison County in a new staging by Trevor Nunn.

I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!

Live Arts at the Morris Museum, a bold new performance series, introduces cultural climate change to Morris County's Morris Museum in historic Morristown, New Jersey. Innovative artists from around the world and around the area will dominate the season with world and regional premieres of the most interesting new work being created in music, dance and theater. Live Arts at the Morris Museum is the brainchild of the new Curatorial Director of Live Arts, Brett Wellman Messenger who comes to The Morris Museum by way of The Santa Fe Opera and Peak Performances.

Actor rehearsal, band rehearsals, re-writes, guest artist appearances to confirm, it looks a lot like theater in the lower level of the Governor Bradford Restaurant as Oversoul Theatre Collective gears up for it's summer run of 'The Soul Session' a musical theater piece written and directed by award-winning playwright and GroovaLottos keyboardist, Mwalim.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

n the realm of jukebox bio-musicals, BEAUTIFUL: THE CAROLE KING MUSICAL is probably better than most. And a lot of that has to do with King's rich repertoire of music, not to mention the fact that her story runs parallel to the story of the songwriting team of Barry Mann and Cynthia Weil. Their collective mark on pop music is undeniable. King began her songwriting career at the age of 16 in the hallowed halls of an office building located at 1650 Broadway, a music warehouse of sorts located just blocks away from the infamous Brill Building. In 2013, Weil told The New Yorker that the rents were cheaper at 1650 Broadway than in the Brill Building and newer publishers, like Aldon Music, had their offices there. Weil describes the Aldon Music office as having four cubicles wherein she and her writing/life partner Mann, along with King and her writing partner and husband at the time Jerry Goffin, all worked. The foursome became friends and even vacationed together. But in 1968, King moved from New York to Los Angeles, divorced Goffin, and began her solo career. Her solo album Tapestry sold over 25-million copies worldwide, won four Grammy Awards, and has been hailed as one of top albums of all time. Shortly after Tapestry was released in 1971, King played Carnegie Hall, which is where the musical BEAUTIFUL begins and ends.

BroadwayWorld has learned the casting for TUTS' Jerome Robbins' Broadway - the final show in the company's 201819 Season.

'The Mountaintop' breaks that tired old piggy bank of the homogenized perception of Martin Luther King, Jr. Katori Hall's wonderful writing reveals the extent of how complex and troubled he was; enlightening the audience to want to know more. The incredible performances by Robert Burgins, Jr. and Kenya Stewart are woven with intense emotion and commitment.

The Center for the Arts at George Mason University announced today the 2019/2020 season of Great Performances at Mason, its annual series featuring leading national and international artists in the disciplines of classical music, opera, jazz, ballet, modern dance, theater, and global music and dance. The Center also announced the return of the Family Series, offering its second season of affordable programming for young audiences.

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.' This intensive examination of the life and times of Erich Wolfgang Korngold

Garry Marshall Theatre presents the West End and Broadway play The Mountaintop by Katori Hall.  The Mountaintop is directed by Gregg T. Daniel, who recently staged A Raisin in the Sun at A Noise Within (Ovation Award nomination for Best Director) and Her Portmanteau at Boston Court.

It's 1968. Dr. Martin Luther King Jr. has just delivered a speech that is now known as "I've Been to the Mountaintop."  When he returns to his room at the Lorraine Motel, King is visited by Camae, a mysterious maid whose charm disarms the civil rights leader. He doesn't know it, but this will be the last night of his life. This is the setup of The Mountaintop. Throughout the play, writer Katori Hall's witty and intelligent dialogue exposes the man behind the movement.

Garry Marshall Theatre presents the West End and Broadway play The Mountaintop by Katori Hall.  The Mountaintop is directed by Gregg T. Daniel, who recently staged A Raisin in the Sun at A Noise Within (Ovation Award nomination for Best Director) and Her Portmanteau at Boston Court.

The world premiere of Little Girl Blue - The Nina Simone Musical-a powerful new show exploring the life of American icon Nina Simone, as told through her own words and groundbreaking music-will kick off 2019 at George Street Playhouse in New Brunswick, NJ.

The Cleveland Orchestra's 39th annual free concert in celebration of the life and legacy of Dr. Martin Luther King Jr. takes place at Severance Hall on Sunday, January 20, 2019, at 7:00 p.m. conducted by Assistant Conductor Vinay Parameswaran. The concert is free; however, tickets are required. Information on how to request tickets via the lottery drawing system is included below. This concert is sponsored by KeyBank and supported by a grant from the Paul M. Angell Family Foundation, with production support from ideastream.

Joni Mitchell, master songsmith and storyteller, eight-time Grammy winner and folk music pioneer is the inspiration for JONI, Morrison Hotel Gallery's upcoming photography exhibit and sale opening on Friday, November 16th at both the Sunset Marquis Hotel location in Los Angeles, at the New York City gallery on Prince Street in SoHo and the gallery in Maui at Mick Fleetwood's General Store and restaurant. 

Good morning BroadwayWorld! Today's top stories: Ain't Too Proud opens its pre-Broadway run in Toronto tonight, and more!

Amas Musical Theatre (Donna Trinkoff, Artistic Producer) in celebration of its 50thseason, will present The Algonquin Kid, a musical revue about growing up in the Algonquin Hotel, written by Michael Colby.

Birdland will kick-off their exciting month of programming with Dee Dee Bridgewater with the Theo Croker Quintet, Kevin Eubanks Quartet, Anita Gillette, Ron Carter's Great Big Band, Quartet and Golden Striker Trio, Alan Broadbent Trio, Capathia Jenkins & Louis Rosen, Jay Leonhart, Pasquale Grasso Trio, Ken Peplowski with Special Guest Sinne Eeg, Jim Caruso's Cast Party, and more!

On August 26, 1968, two weeks after releasing his civil rights anthem, 'Say It Loud - I'm Black And I'm Proud,' James Brown recorded his concert at Dallas, Texas' Memorial Auditorium. First released on CD in 1998, Brown's Say It Live and Loud: Live in Dallas 08.26.68 album will make its vinyl debut in an expanded 2LP 50 th Anniversary Edition, to be released October 12 by Republic/UMe. The album's new, expanded digital edition will be released on the same date.

The Apollo Theater today announced special guests and additional programming for Say It Loud - I'm Black and I'm Proud at 50, a one-night-only concert produced by the Apollo Theater and curated by musical director and multi-Grammy Award winner Christian McBride.

The 3rd annual Hip Hop Film Festival was held, fittingly, at the historic National Black Theatre founded by Dr. Barbara Ann Teer who moved to Harlem in 1968 and saw that the once vibrant neighborhood was suffering from a sense of hopelessness after the losses of African American leaders Dr. Martin Luther King Jr. and Malcolm X and desperately needed a community space and cultural arts institution that would 'be reflective of the power, grace and excellence of a people' (according to her daughter and current CEO Sade Lythcott).