Mark Ravenhill News

Orlando officially opened last night at London's Garrick Theatre. Check out photos from the opening night red carpet here!

Pitlochry Festival Theatre and Stockroom in Association with Naked Productions present the Sound Stage audio premiere of Blaccine First Dose,  three new monologues which investigate the Black British community's relationship with the Covid-19 vaccine in January 2023.

Nouveau Riche and Paines Plough have announced We Rise, a free five-part series of short films shining a light on how to manoeuvre, cope and self-care against racism in the theatre sector. The films will be released weekly and readily available to everyone on Youtube, Instagram and Facebook with the first episode airing on Wednesday 16 November. 

Actress Lucy Speed is set to make her directorial debut with a new play about first time motherhood at Mark Ravenhill's Kings Head Theatre in Islington.

What are we willing to sacrifice in the name of art and success? PERSEPHONE PRODUCTIONS mark their return to theatre with POOL NO WATER, a contemporary reframing of the one-act dark comedy written by Mark Ravenhill. The play presents a diverse cast and crew.

Artistic Director Mark Ravenhill and the whole team at the King’s Head Theatre have announced details of BOYS! BOYS! BOYS!, the summer season of writer/performer plays running in rep from 2 August to 10 September.

Freud's Last Session returns to the King's Head Theatre after a sell-out run in January and February 2022.

Mark Ravenhill is a playwright, director and the new artistic director and joint CEO of the King’s Head Theatre, London’s oldest pub theatre, which is currently celebrating its 50th year. We spoke with Ravenhill about the theatre’s anniversary programming.

It’s been a while since Mark Ravenhill’s had a show on in London. After The Cane premiered to stellar reviews at the Royal Court in 2018 and the musical adaptation of The Boy in the Dress (for which Ravenhill wrote the book) opened in Stratford-upon-Avon the year after, The Haunting of Susan A is somewhat of a comeback for the playwright.

Director Cressida Brown believes we'll never find the classics if we don't find new writers. Writer Ed Edwards' The Political History of Smack and Crack – a funny love song to a lost generation crushed by the 80s heroin epidemic under Thatcher – is on its way to becoming a modern classic. heroin epidemic – is on its way to becoming a modern classic.

June signals the start of a fantastic summer of theatre in London. From Amy Adam's West End debut to a sequel to Ibsen, to a revival of one of Matthew Bourne's most exciting works, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Mark Ravenhill and the whole team at the King’s Head Theatre have announced details of the exciting new generation of theatre makers attached to the world premiere of his new play The Haunting of Susan A, which will run at the venue - London’s oldest pub theatre - from 1 – 26 June 2022 (Press Night: 6 June).

Mark Ravenhill directs a new version of La bohème with an LGBT spin that does not do enough to engage in its themes.

The King's Head Theatre have today announced the world premiere of Mark Ravenhill's new play The Haunting of Susan A, which will run at the venue - London's oldest pub theatre - from 1 – 26 June 2022 (Press Night: 6 June).

Mark Ravenhill, Co-Artistic Director of The King's Head Theatre, will direct the new production, opening at the world-renowned Islington pub theatre's stage from 26 April and playing until 28 May, with a press night on Tuesday 3 May. 

Paines Plough have announced a limited digital release for their family show REALLY BIG AND REALLY LOUD, written by Phoebe Eclair-Powell and directed by Paines Plough’s Joint Artistic Director Katie Posner. After touring the UK as part of Paines Plough's 2021 Roundabout season to critical acclaim, the production will now be available to watch online from the comfort of your home this Easter.

Mark Ravenhill, Co-Artistic Director of The King's Head Theatre, will direct a contemporary queer reinvention of Puccini's classic opera LA BOHÈME, opening at the world-renowned Islington pub theatre's stage from 26 April and playing until 28 May, with a press night on Tuesday 3 May. 

WGGB presented its annual awards for the encouragement of new writing on Friday 4 March 2022 at the Almeida Theatre in London.

Co-Artistic Directors Mark Ravenhill and Hannah Price, Producer Sofi Berenger and the whole team at the King's Head Theatre, have announced the first details of SPRINGBOARD: a festival for shows that lost a performance slot after the cancellation of VAULT Festival, and for companies that were impacted due to the pandemic.

Mark Ravenhill’s Blackmail, a new version of the classic thriller originally written by Charles Bennett, opens at Mercury Theatre on 9 March, with previews from 4 March, and runs until 19 March.