Review: MANUAL CINEMA'S CHRISTMAS CAROL at Writers Theatre
by Zac Thriffiley
- Nov 26, 2023
Few dramatic adaptations of A Christmas Carol manage to convey the magic, the emotional power, and—yes—the terror of Dickens’s original as effectively and impactfully as Manual Cinema’s version, now playing at Writers Theatre in Glencoe through December 24th.
Review: THE LIFESPAN OF A FACT at TimeLine Theatre
by Rachel Weinberg
- Nov 16, 2023
These days, truth is elusive — and Timeline Theatre’s THE LIFESPAN OF A FACT plays with that idea. It’s the age of endless fact-checking resources on the internet, but also the age of misinformation spread across TikTok, Reddit, and other social media. Wherein lies the truth? And what is accurate? Sometimes, it’s hard to say. THE LIFESPAN OF A FACT meditates on that theme.
LOOKINGGLASS ALICE Musical to Broadcast on PBS This December
by Michael Major
- Nov 2, 2023
Lookingglass Alice is adapted and directed by founding member of Lookingglass Theatre Company, David Catlin. Lindsey Noel Whiting, a Lookingglass Alice cast member herself, hosts the PBS program, and the cast includes Molly Hernandez as Alice, along with Kareem Bandealy, Samuel Taylor, Michel Rodriguez Cintra and Daniel Johnson.
Review: THE LEHMAN TRILOGY at TimeLine Theatre Company/Broadway In Chicago
by Rachel Weinberg
- Sep 29, 2023
THE LEHMAN TRILOGY is a sweeping play that covers 164 years of history as it weaves together fact and fiction to chart the rise and fall of Lehman Brothers. The play’s title mirrors the ambition of the piece: It has a run-time of over three hours that unfolds in three acts — all performed by only three actors. The trilogy in the title is thus a literal reflection of the play’s structure and the roles, but it’s also suggestive of the piece’s mythical nature. Likewise, playwright Stefano Massani’s script (adapted by Ben Power) has a rhythmic storytelling style; the actors often narrate their own stories and actions in a chamber theater type of presentation. Although the run time is long, the fact that THE LEHMAN TRILOGY covers so much ground means it remains interesting throughout — although I found I was ultimately more intellectually than emotionally stimulated.
Review: THE NACIREMA SOCIETY at Goodman Theatre
by Rachel Weinberg
- Sep 27, 2023
It seems fitting that Goodman Theatre opens new Artistic Director Susan V. Booth’s inaugural season with THE NACIREMA SOCIETY, a play that’s about coming out to society. This Chicago premiere marks a continuation of Booth’s long-standing relationship with celebrated Black playwright Pearl Cleage. THE NACIREMA SOCIETY takes the form of an extended farce, following the incredibly wealthy Dunbar family in 1964 Montgomery, Alabama. In this light-hearted (if not always legitimately laugh-out-loud) comedic play, Cleage draws heavily from classic farce conventions. As the centennial event of matriarch Grace Dubose Dunbar’s beloved Nacirema Society, Montgomery’s organization for Black young women, dawns — and she awaits her own granddaughter Grace’s coming out — the antics become more and more heightened as family secrets come to light.
Photos: First Look At BEAUTY AND THE BEAST At Chicago Shakespeare Theater
by A.A. Cristi
- Jul 18, 2023
Chicago Shakespeare Theater presents a 75-minute family musical production of Disney’s Beauty and the Beast, directed and choreographed by Amber Mak. Dazzling production numbers, including the title song and the showstopping 'Be Our Guest,' fill the Courtyard Theater, introducing young audiences to the magic of live theater. See first look photos of the production!
Review: ERNEST SHACKLETON LOVES ME at Porchlight Music Theatre
by Rachel Weinberg
- May 17, 2023
I didn't think I'd ever see a singing Antarctic explorer in a musical, but that's exactly what ERNEST SHACKLETON LOVES ME delivers. This quirky but conventionally structured two-hander introduces audiences to Kat, a struggling experimental musician with a newborn baby and a deadbeat, absent boyfriend who's on tour with a Journey cover band, and the eponymous Ernest Shackleton.
Review: ANTONIO'S SONG/I WAS DREAMING OF A SON at Goodman Theatre
by Rachel Weinberg
- May 11, 2023
“Stop trying to be what everyone else wants you to be, man. Just be you.” Antonio Edwards Suarez recounts that his childhood best friend, Curtis, said to him growing up. This sentiment becomes in many ways the mantra for ANTONIO’S SONG: It’s a deeply human exploration of identity — and specifically Suarez’s identity — and all the elements that make us who we are. In ANTONIO’S SONG, Suarez and co-playwright Dael Orlandersmith share vignettes from Suarez’s upbringing that reflect the complexities of his identity. This is a touching, if not groundbreaking, solo show. Ultimately, theater reflects our humanity, and ANTONIO’S SONG reinforces that we turn to art to better understand ourselves. Structurally and thematically, this is well-trod territory.
« prev 2 … next »
|
|