Jacob Yeh News

Arena Stage at the Mead Center for American Theater’s latest world premiere film, “The 51st State', is now available to stream. You can watch the film by clicking here.  The hyper-local 60-minute docudrama created by Washington, D.C. artists through the voices of 11 residents was inspired by protests and the reignition of a movement after the murder of George Floyd and the quest for creating the 51st state and sovereignty in Washington, D.C. From a first-time protestor to a fourth-generation Washingtonian political scientist, to artists, an attorney, people of faith, and a retired couple moved to take part in the movement despite the COVID-19 risks, these diverse perspectives and real-life stories are vividly told and transformed into affecting narratives by 10 local playwrights. 

Arena Stage at the Mead Center for American Theater's latest world premiere docudrama, The 51st State, will receive its world premiere through Arena Stage's Supper Club on September 16 at 7 p.m. Following the premiere, viewers can join artists and creatives for a post-film discussion and after-party on Zoom.

After a moment of reverence and reflection after the shooting of Jacob Blake, Adventure Theatre MTC, ArtsCentric, 4615 Theatre Company, and Convergence Theatre have announced that Q-Fest 3.0 has been rescheduled to September 6, 2020 at 2:00PM.

Adventure Theatre MTC, ArtsCentric, 4615 Theatre Company, and Convergence Theatre has announced the artists in Quarantine Festival 3.0. 

Arena Stage at the Mead Center for American Theater has announced its Fall/Winter Looking Forward Season featuring more than 70 virtual events and programs to engage with and respond to audiences in Washington, D.C-metropolitan region and nationally.

Recent Tragic Events, now being staged some 18 years after its premiere, is a piece that has matured beyond its original context. And Prologue Theatre's top-notch production argues convincingly for its endurance on the stage for years to come.

Recent Tragic Events, Craig Wright's quirky and compelling story that follows a succession of bizarre coincidences and explores the spectrum of fate and free will, also examines Prologue Theatre's season question a?oeWhere do we look to find ourselves?a??

Children will thoroughly enjoy the vivid physicality of Alvin Chan's hour long adaptation of The Ballad of Mu Lan, onstage at Bethesda's Imagination Stage through August 11. Chan's use of the stylized movement Jingju (Beijing Opera) suits both the 1500 year old Chinese tale and the requisites of children's theatre: the style is broad and active yet simple to read. Chan's script in up to date English completes a package which also includes gorgeous scenery and props by Joseph D. Dodd, sensational cinematic, animated videos by Chesley Cannon, and colorful costumes, also by Chan.

Constellation Theatre is closing its season of love stories with a big one from the East. Thankfully 'The White Snake' is not about the 80s English metal band. Instead, it's an ancient, oft-told Chinese folk tale, which was breezily interpreted by Mary Zimmerman originally for the Oregon Shakespeare Festival in 2014. It's brought to lyrical life in a production directed by Allison Arkell Stockman that combines puppetry, movement and a beguiling, underlying musical performance.

4615 Theatre Company's 'Separate Rooms' is a great display of how love and loss can affect a group of people - it balances the raw emotions of the moment with the very human need to push on. Despite some story arc issues, it is a touching, intimate, and funny insight into humanity.

It is difficult to think of another work of American literature that has so captured the imagination or has inspired more reincarnations than L. Frank Baum's The Wonderful Wizard of Oz. This summer, Synetic Theater manages to make a mark on this prolific field with their own adaptation.

This evening, the 34th Annual Helen Hayes Awards celebrated Washington's diverse and vital theatre community with a gala event at The Anthem, recognizing 258 Helen Hayes Award nominees and 48 award recipients drawn from 202 eligible productions presented at 64 theatres in 2017. GALA Hispanic Theatre's Spanish-language production of Lin-Manuel Miranda and Quiara Alegria Hudes' In The Heights received nine awards, putting them at the top of a list of 20 theatres receiving Helen Hayes Awards this year.

The preshow speech of VIETGONE is spoken by the playwright, in which we learn that the play is a love story of how Mom and Dad got together. We also learn that the Vietnamese characters will speak like action heroes/Joss Whedon archetypes and that the Americans will speak... Well, some of it will be words. As Marc de la Cruz, who plays Quang, the playwright's father, says, 'The characters speak and relate to each other as many young Americans today despite the fact that they are Vietnamese and it's 1975... Also, the play is hilarious in an 'omigosh I can't believe they went there' kind of way.' Instantly, we are aware that the universe of VIETGONE is a one of a kind place. Director, Natsu Onoda Power, elaborates: '...it allows audience to perceive 'Vietnamese' characters NOT as the 'other'; it is so rare. (In this play, 'American' is the other).' Regina Aquino, who plays Tong, the playwright's mother, adds, 'From the very first page I was immediately impressed by Qui's flipping of the stereotype script... doing to the Americans what is done to Asian characters in film/tv/theatre all the time. It was shocking and I was totally in love with how subversively clever the writing was throughout the entire play.'

A musical/play about Vietnamese refugees you will always remember.

Studio Theatre is serving up a spectacle of a show that mashes satire and high emotion. VIETGONE, directed by Natsu Onoda Power, presents a truly diverse story with the potential to challenge entrenched ideas about the Vietnam War and the immigrant experience. Playwright Qui Nguyen's fresh voice bounces off the rafters and finds its fullest embodiment in the company's impressive and expressive physicality.

Vietgone by Qui Nguyen is the Vietnamese-American playwright's own creation story-a telling of his parents' 1975 refugee camp romance in a "geek theater" spectacle that's at turns affecting, sage, raucous, and fantastical. A screenwriter for Marvel Studios and founder of Obie Award-winning company Vampire Cowboys, Nguyen's work champions representation and diversity on stage while dripping with pop culture nods, contemporary music, and action-adventure narrative. The production pairs this Studio-commissioned playwright with director and Studio Cabinet member Natsu Onoda Power. Drawing on Vietgone's comic book aesthetics, Studio's Stage 4 is transformed into a garage concert with a live band and original funk-rock-punk-n-roll score, giving audiences a front row seat to this anything-but-typical story of boy meets girl.

The 34th Annual Helen Hayes Awards will take place on Monday, May 14, 2018 at The Anthem, the cultural center of Southwest D.C.'s new District Wharf, with a celebratory party to follow.

The 34th Annual Helen Hayes Awards will take place on Monday, May 14, 2018 at The Anthem, the cultural center of Southwest D.C.'s new District Wharf, with a celebratory party to follow. Esteemed Washington theatre artists Michael J. Bobbitt, five-time Helen Hayes Award nominee, choreographer and Artistic Director of Adventure Theatre MTC, and Alyssa Wilmoth Keegan, recipient of last year's Outstanding Lead Actress in a Play-Hayes Production for Cat on a Hot Tin Roof, will host an evening showcasing the vibrant and diverse community of professional theatre artists in the Washington region. There are 258 Helen Hayes Award nominations-selected from 202 eligible productions from 64 theatres in 2017. Tickets for the event are $100 for reserved seating and $275 for VIP premium seating. Reduced-priced tickets will be available to artists and administrators in the community at an industry rate, subsidized by Artist Supporter tickets. All tickets are now available for purchase through the theatreWashington website.

It seemed unlikely to me that a play set in a fantastical arcade, complete with the old favorite Dance Dance Revolution, would be able to stir deep emotions in an audience. But Rorschach Theatre's impactful production of Frances Ya-Chu Cowhig's 410[GONE], directed by Gregory Keng Strasser, does just that. It uses unlikely imagery to tell a highly personal but universal story of trauma and recovery.

As directed by Alex Levy, THE FARNSWORTH INVENTION is theatrically inventive and mostly compelling recounting of of Farnsworth and Sarnoff's parallel stories. The production is also performed by a skillful company of actors who take the audience on this little known historical journey.