David Burdick News

Everyman Theatre kicks off 2022 with Behold, A Negress, a World Premiere play by playwright and self-described boundary-pusher Jacqueline E. Lawton.

Everyman Theatre is gearing up for one of the most produced plays from the American canon, and the third offering in its LIVE 31st season, Thornton Wilder's romp through the ages, THE SKIN OF OUR TEETH. The production at Everyman Theatre is directed by Associate Artistic Director Noah Himmelstein and runs from December 7, 2021 through January 2, 2022.

Everyman Theatre continues to welcome audiences back to LIVE THEATRE with the second offering in its 31st season, Pearl Cleage’s groundbreaking play FLYIN’ WEST.

Everyman Theatre is celebrateing the return to live theatre with the first offering in its 2021/2022 season with the iconic family favorite from stage and screen, Steel Magnolias by Robert Harling. The production at Everyman is directed by Casey Stangl and runs from August 10 through September 5.

From July 12 through August 22, An Almost Holy Picture, written by Heather McDonald and directed by Everyman Associate Artistic Director Noah Himmelstein, will be available for patrons to access digitally in their homes for $30.

Today, Baltimore Center Stage announced the dates for The Bridge Series, a new series of virtual gatherings from Baltimore Center Stage. The Bridge Series explores the interconnectedness of classic and contemporary theater through virtual play readings and conversations between artists and scholars. With discussions with leading theatermakers in Baltimore and around the country, Baltimore Center Stage will explore classic texts, reflect on the rich production history of BCS, and dive deeper into the elusive artistic process.  

Everyman Theatre's Founding Artistic Director Vincent M. Lancisi is thrilled to announce that actors Felicia Curry and Helen Hedman have joined the organization as members of the Everyman Theatre Resident Company of Artists. Everyman Theatre is one of only a handful of Regional Theatres that has a resident company of professional artists as part of its mission.

If I said one should come to the Everyman Theatre and see a play that deals with Geschwind Syndrome you may want to pass or even google it. But do not be put off by this. Just relax and see a play that deals with it. I never heard of this Syndrome and it truly does not make a difference if you know about it beforehand or after you see it. What you will see is an individual who has fainting spells due to temporal lobe epilepsy which results in sexual behavioral disorders.

Escape into the luxe world of Agatha Christie's Murder on the Orient Express st the Everyman Theatre, a murder mystery for all seasons.

Everyman Theatre continues its 2019/2020 season with Agatha Christie's famous whodunit-the literary, cinematic, and now theatrical classic, Agatha Christie's Murder on the Orient Express. Everyman's production, directed by Founding Artistic Director Vincent M. Lancisi and adapted by noted playwright Ken Ludwig (Lend Me A Tenor, Crazy For You), runs December 3, 2019, through January 5, 2020.

2019 marks the fifth year of Everyman Theatre's innovative and exciting Salon Series. These play parties showcase emerging female playwrights and are directed by women from Everyman's Resident Company over select Monday nights this fall.

Friday's opening performance of DINNER WITH FRIENDS was a family affair at Everyman, attended by many of the resident company, as well as season-ticket holders and friends of the theatre. The production of the Pulitzer prize winner is stellar; as one comes to expect from the talented team at Everyman. The play, by playwright Donald Margulies, tells the story of two married couples in the wake of divorce.

Everyman Theatre presents Donald Margulies' Dinner with Friends from March 12 April 7, 2019. Founding Artistic Director Vincent M. Lancisi transfers his passion for cooking and food into the direction of Dinner with Friends, which portrays the discovery and eventual acceptance of how our most intimate bonds ripen or rot over time. This re-examination of unrealistic mid-life expectations offers substantive insight into friendship, marriage, and divorce all over a delicious meal.

When I heard about the topic of the new Baltimore Center Stage production of A WONDER IN MY SOUL, I initially thought it would be a female version of the film 'Barber Shop' Well, let me tell you, it is NOT!!!!

The Victorians are very confused in this vivid and animated version of THE IMPORTANCE OF BEING EARNEST at The Everyman.

Everyman Theatre's next show in the 2018-2019 season is The Importance of Being Earnest, a light-hearted romantic comedy packed with twists, turns, and witty repartee.  Directed by Joseph W. Ritsch Artistic Director of Rep Stage, the tale of worlds turned topsy-turvy with assumed identities lampoons the absurdity of Victorian virtues.  The Everyman production showcases a subtext that is as relevant today as it was to its intended 19th-century audience-Wilde's "bachelor" compatriots-inside jokes abound through subtly scripted details.  The play runs December 4 - December 30, 2018.  

When the world you've known your whole life starts falling apart due to forces outside of your control, are you able to roll with the punches? When the bubble you've lived in for years starts imploding upon itself due to the choices made by others, are you able to move forward with compassion and understanding? What if the impact of those choices is caused by your friend? Or even your own mother? These are the questions audience members will ask themselves when they step into the world of Reading, Pennsylvania to see Sweat at Everyman Theatre.

From its origins in the painstakingly researched fieldwork of two-time Pulitzer Prize-winning playwright Lynn Nottage comes Sweat- the gritty, emotionally charged story of friendships and hardships in post-industrial small-town America. Hailed by The New York Times as "an extraordinarily moving drama" that "brims with the kind of ripe, richly imagined life associated with the work of the great August Wilson," the show's Baltimore debut runs October 23-November 25, 2018 and is directed by Everyman Theatre Founding Artistic Director Vincent M. Lancisi.

Irish master storyteller Brian Friel casts a nostalgic and transportive tale of five unmarried sisters and a household framed by their strength and persistence in the cherished classic Dancing at Lughnasa, directed by Amber Paige McGinnis, at Baltimore's Everyman Theatre, September 4 through October 7, 2018.