Neil Constable

King Charles has released the annual New Year Honours List, which features many notable members of the theatre community.

Shakespeare's Globe has appointed Stella Kanu as Chief Executive. Stella brings over 30 years of experience working in the theatre, festival, and cultural sectors, and is currently Executive Director at LIFT (London International Festival of Theatre), leading the strategic strands of the business and executive producing of the biennial-festival.

Check out red carpet photos from opening night of Pictures From Home, starring Nathan Lane, Zoë Wanamaker, and Danny Burstein!

Following almost 14 years leading Shakespeare’s Globe, Chief Executive and Trustee Neil Constable has advised the Board that he will be stepping down from the role by the end of 2023.

Shakespeare’s Globe is announcing eight new Trustees joining the Board this year. Several of the organisation’s Trustees are retiring this year, with a combined thirty-nine years of service supporting the Globe most recently through successive lockdowns, through to reopening the theatre, and planning for the future. 

Shakespeare's Globe has announced the return of the much-loved £5 'Groundling' standing tickets  for the opening of Twelfth Night on the 29 July. 

As a result of the easing of restrictions not permitting standing theatre tickets, the open-air Globe theatre has now announced that 200 of the £5 standing tickets are now on sale for performances from the 29 July. This number will allow for those who choose to social distance in the Yard.

Shakespeare's Globe has announced that Professor Farah Karim-Cooper and Lucy Cuthbertson have been confirmed as Co-Directors of Education, leading the largest education department in a theatre in the country. Lucy and Farah were joint interim leaders throughout the Globe's year of closure, creating over 600 events and courses, and supporting the nation's sudden critical need for quality home learning.

Sadiq Khan will this morning formally sign in for a second term as Mayor of London on stage at the iconic Shakespeare's Globe, as he announces plans for the biggest domestic tourism campaign the capital has ever seen to help London's economy get back on its feet as COVID restrictions are eased. He will be joined at the Globe by award-winning British actor and director Adrian Lester.  

The Globe is preparing to open again. Provided the conditions are met for Step 2 of the Government's roadmap for cultural reopening the Globe's guided tour of the theatre will return from 13 April and include welcoming schools back onsite with tours and workshops.

After closing in March this year, the Globe Theatre opens its oak doors once more for guided tours from 21 August.

Following the UK Government's official guidance, Shakespeare's Globe is closed to the public until further notice, ceasing performances, education activities and tours.

The Board of Shakespeare's Globe has appointed Margaret Casely-Hayford as its new Chair. The Globe is recognised internationally as the authority on Shakespeare's work in performance. Its operation includes the iconic Globe Theatre, candlelit Sam Wanamaker Playhouse, exhibition and tour, as well as extensive education resources and research. Commercial and development activities contribute to the organisation's £27 million turnover, which continues to operate without annual public subsidy. Margaret Casely-Hayford takes over from Lord Bichard, who has served three years as Chair and ten years as a Trustee.

The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, opened last night, December 17, 2017 at Broadway's Belasco Theatre (111 West 44th Street). The production plays a strictly limited engagement for 16 weeks only through Sunday, March 25, 2018. BroadwayWorld attended the opening night and you can check out photos from the red carpet arrivals here!

The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, opened last night, December 17, 2017 at Broadway's Belasco Theatre (111 West 44th Street). The production plays a strictly limited engagement for 16 weeks only through Sunday, March 25, 2018. BroadwayWorld attended the opening night cast party and you can check out photos here!

The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, begins tonight, December 5, 2017 in advance of an opening night on Sunday, December 17, 2017 at Broadway's Belasco Theatre (111 West 44th Street).

Producers Sonia Friedman, Shakespeare's Globe and Paula Marie Blackare have announced complete casting for the critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance.

Shakespeare's Globe has announced that Michelle Terry will be its Artistic Director from April 2018.

Michelle Terry will be Artistic Director of Shakespeare's Globe from April 2018, succeeding Emma Rice in the position.

The Globe has announced that Emma Rice will be stepping down as Artistic Director in April 2018, two years after her tenure began. In a statement, CEO Neil Constable said: 'Emma's mould-breaking work has brought our theatre new and diverse audiences, won huge creative and critical acclaim, and achieved exceptionally strong box office returns. In breaking the mould, this latest season has generated productive debate concerning the purpose and theatrical practice of the Globe, in relation to the use of sound and lighting technology within our theatre spaces. Following much deliberation and discussion, the Globe Board has concluded that from April 2018, the theatre programming should be structured around 'shared light' productions without designed sound and light rigging, which characterised a large body of The Globe's work prior to Emma's appointment.