Denice Hicks

It's the final week left to vote for the 2023 BroadwayWorld Nashville Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

There's just two weeks left to vote and we have the latest standings as of Monday, December 18th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's the final 3 weeks and we have the latest standings as of Monday, December 11th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Nashville Repertory Theatre, in their tradition of celebrating this festive time of year, draws upon the sense of family that pervades our theater community by presenting a sumptuously appointed production of a new adaptation of Charles Dickens’ venerable Christmas tale – A Christmas Carol – written and directed with heartfelt emotion to match the demands of the season by Micah-Shane Brewer.

Denice Hicks is a national treasure who's been hiding out in plain sight in Nashville, Tennessee, for more than a quarter century. One of the most sought-after actors and directors in town, she has appeared on virtually every stage and her exquisite talents have been enjoyed by audiences and fellow theatre-types since her first Music City appearance as a cast member at the now-defunct Opryland USA theme park.

News spread quickly among Nashville-area theaterati in January 2016: Denice Hicks would be taking the stage of Belmont University’s Troutt Theater to take on what could conceivably be her greatest theater challenge: Playing King Lear in the Nashville Shakespeare Festival’s production of the Shakespeare tragedy which had opened a week earlier.

With the season of Thanksgiving at hand, we celebrate Denice Hicks with A Nashville Theater Tribute: Giving Thanks for Denice, a multi-part retrospective of some of our favorite stories and interviews with her from over the years. We begin our special season of giving thanks for her theatrical legacy, abiding love and continuing presence in our lives with some thoughts from some of her closest friends and artistic collaborators…

Tennessee Shakespeare Company hosts the “Belle of Amherst” on its Owen and Margaret Wellford Tabor Stage as she shares her poetic relationship to isolation, nature, literature, and love, in the world premiere of I Dwell in Possibility: Emily Dickinson Emerges. 

The Nashville Shakespeare Festival has hired Isabel Tipton-Krispin as their new Executive Managing Director. Isabel Tipton-Krispin will begin with the Festival on October 17, 2022.

Tennessee Shakespeare Company announced its 15th performance season in Memphis featuring expansions of its on-stage productions, educational programming, and outreach initiatives projected to create a record 40,000 points of contact in the coming year.

After more than two years since its original opening night was set in 2020, Nashville Repertory Theatre’s eagerly anticipated production of Disney’s Mary Poppins – the stage musicalization of P.L. Travers’ tales of the acerbic British nanny and her oft-misbehaving charges – has finally landed on the stage of the James K. Polk Theatre at Tennessee Performing Arts Center.

The Williamson County Performing Arts Center (WCPAC) at Academy Park and the Williamson County Parks and Recreation Department (WCPR) have announced upcoming events for March and April 2022.

The result is Outside of Here – a work that has evolved from conversations among Lee, Sternberg, Melinda Sewak and Claudia Barnett – which will premiere this Saturday, October 2, on NECAT, Nashville’s Education, Community and Arts Television Network. For 12 hours, one performer (Sternberg plays “Her”) will experience one story dozens of times with more than 30 different actors, who comprise a veritable who’s who of Nashville’s theater community.

Though hard to believe it may be, Studio Tenn artistic director Patrick Cassidy and his wife Melissa Hurley Cassidy have been Tennesseans for well over a year now – he took the reins at Studio Tenn, the Franklin-based professional theater company that has gained critical acclaim and national notoriety during its existence for its unique blend of musicals and original plays – but only now, as theater re-emerges from the dark days of a pandemic-related shutdown, have we managed to get the peripatetic Mr. Cassidy to take time out from his hectic schedule to answer our questions and give BroadwayWorld readers a chance to get to know him better.

Nashville Shakespeare Festival is joining forces with Kennie Playhouse Theatre, a company that has focused on producing the works of Black playwrights and hiring Black artists for the past 15 years. Summer Shakespeare 2021 will include KPT's production of August Wilson's JITNEY alongside NSF's production of Shakespeare's TWELFTH NIGHT.

a?oeNow is the winter of our discontent made silent summer by this darned pandemic.a??

As the lights came up in Nashville Children's Theatre's Ann Stahlman Hill Theatre at the conclusion of Return to Sender a?" the world premiere production of Marisela Trevino Orta's adaptation of Julia Alvarez's novel of the same name, now onstage at NCT through October 27 a?" the familiar a?oedinga?? of an alert emanated from my iPhone: A judge had ruled against a Trump administration initiative to refuse entry to immigrants who might find themselves dependent upon public assistance while they pursue their own version of the American dream.

Nashville theater has always been progressive. There have always been people and companies focused on the cutting edge, delivering productions that challenge and compel their audiences to think and to consider where they are now and where they will go in the future, and there is no question that such forward-thinking creative types will continue to wield influence in the theater community for as long as theater is to be created here, there and everywhere.

Celebrating an opening night is always exciting, if exhausting, nerve-wracking and exhilarating, but when it's the very first production of a new theater company you've co-founded, odds are it's even more so. Just ask Emily Faith who is directing the premiere production of A Midsummer Night's Dream for the Dallas-based Lily & Joan theater company she co-founded in 2018 with Erika Larsen.