Patti Lupone and Mandy Patinkin Stop By Thousand Oaks Civic Arts Plaza Through This Sunday March 25 only

March 23
10:15 AM 2012


An Evening with Patti LuPone and Mandy Patinkin/conceived by Mandy Patinkin and Paul Ford/directed by Mandy Patinkin

Fred Kavli Theatre, Thousand Oaks Civic Arts Plaza
through Sunday March 25 only
(remaining shows: Friday at 8pm, Saturday at 2pm and 8pm and Sunday at 2pm and 7pm)
Mandy Patinkin and Patti LuPone, legendary stage stars that they are, have more than a few tricks up their theatrical sleeves. However, the true grit of an artist shines through when he does not use any of them, but rather says the words, sings the songs and bares his soul.
Such can be said of both of these artists, who, in their simplistically staged concert now at the Fred Kavli Theatre in Thousand Oaks, do more with one song than most singers merely dream of. Backed by musical director Paul Ford at the piano and a bass player, she soars with "In Buddy's Eyes", he with "The God-Why-Don't-You-Love-Me Blues"; she with "I Want a Man", he with "April in Fairbanks"; she with "Getting Married Today", he with "Everybody Says Don't". The list goes on and on. Rodgers and Hammerstein, Sondheim, and Kander and Ebb have never sounded better, and the two singers are having a ball. A dance here, some choreography on chairs there, credited to Ann ReinkingA bare theatre stage, some lights, a few chairs as props, two musicians and two brilliant singing actors relating the ins and outs of love through the great Broadway music of yesteryear. It does take chemistry to make it all work, and these two have it in spades.
Of course, there's her signature "Don't Cry For Me, Argentina" - and his "Oh, What a Circus" from their first show together Evita in 1979 - and "Everything's Coming Up Roses" from her recent Tony-winning portrayal of Mama Rose in Gypsy thrown in for good measure. Lupone has never sounded or looked better; she simply grows finer with age. Patinkin's tenor voice may be a tad thinner than it used to be ... but, he infuses the work with everything he's got and a slew of imagination, and for that alone, I admire and respect him as a performer!
This is a great evening of theatre that all performers should see- and everyone else as well, for the pure entertainment and class of it. Musical theatre lives on only when greats like Patti LuPone and Mandy Patinkin continue to grace the stage with such passionate work. Bravo!

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Don Grigware Don Grigware is an Ovation nominated actor and writer whose contributions to theatre through the years have included 6 years as theatre editor of NoHoLA, a contributor to LA Stage Magazine and currently on his own website:

Don hails from Holyoke, Massachusetts and holds two Masters Degrees from the University of Massachusetts, Amherst in Education and Bilingual Studies. He is a teacher of foreign language and ESL.

Don is in his seventh year with BWW, currently serving as Senior Editor of the Los Angeles Page. He received a BWW Award for Excellence in 2014 as one of the top ten Regional Editors across the globe.

Don is also an author/playwright and recently published Books I, II & III of his children's fable Two Worlds Together: Donnelly's Greatest Christmas. You may purchase copies of the two volumes at Two one-acts in a collection called Holiday Madness were just published, also on Both the story and plays are available on kindle as well as in paperback.

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