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Terese Genecco Rocks the Iridium at 3rd Anniversary Show and CD Launch Party

Terese-Genecco-Rocks-the-Iridium-at-Anniversary-Show-20010101

During the 1966-67 television season, there was a short-lived yet fascinating science-fiction show called The Time Tunnel, in which two scientists (one of them played by singer James Darren) are hurtled through various periods in history because the home office hasn’t figured out a way for their newly-developed time machine to bring them back. Descending the stairs at Iridium on Broadway (at 51st Street) when Terese Genecco is performing her monthly two-set gigs is like walking through a time tunnel to those magical times between the 1930s-early 1960s, when New York City nightclubs boasted the bestest entertainers and the swinginest live music in the world. Only once you’re sucked into Genecco’s retro mini-concerts, you don’t want the time machine to bring you back.

Except for the inside cabaret crowd and adventurous tourists, Genecco’s shows with her “Little Big Band” are probably the biggest little secret in New York. At next-door neighbor Winter Garden Theatre, Cats may have played 6,138 performances and Mamma Mia close to 4,400, but Genecco’s show is considered the longest-running nightclub act on Broadway. Last Tuesday night, the diminutive dynamo celebrated her third year at Iridium—and at two sets per show that’s 70 shows—with the release of her “Live from the Iridium NYC” CD (See review here). And “celebration” is the operative word. In front of a packed room for the 8pm show and a smaller but rowdy crowd for the 10pm, Genecco and her 8-piece band were in top form, swinging and swaying through 29 numbers (including six from special guests, Robert Hicks and Shaynee Rainbolt) and Terese repeated just three of her songs in the second set. Over her three years at the Iridium, Genecco has performed 70 different songs, basically one different chart per show. It's no surprise that the Terese tornado is a 2012 MAC (Manhattan Association of Cabaret and Clubs) nominee for both Major Artist (Female or Duo) and Show of the Year.

From the moment the spiky-haired brunette hits the stage in her gender-bending black suit over a powder blue shirt, she seems to transform into a larger-than-life entertainer, especially when rollicking through a Latin swing number like “It Had Better Be Tonight” (“Meglio Stasera”) from the film The Pink Panther. Since Genecco is also a drummer and pianist, she brings an instinctive, pulsating sense of rhythm to her singing. She’s that rare club crooner who possesses the ability to deliver touches of swing, jazz, blues, and pop all in one song or throughout an entire set.

Genecco’s energy and obvious love for the material is infectious when she wraps her strong, clear alto/mezzo soprano around songs that were transformed into standards by her main influences—Frank Sinatra, Dean Martin, Sammy Davis, Jr., Elvis, Mel Torme, the arranger Russell Garcia (who Genecco performed with and who recently died at 95), and especially her hero Marilyn Maye. Geneco and her team of arrangers are appropriately reverential with these classics, but Terese still manages to leave her distinctive vocal imprint. And her stage persona is so engaging, sweetly charismatic, and sometimes unintentionally hilarious (“Does this band make my ass look big?” she blurted out during the first set) that Frank, Dean and Sammy might have made her a charter member of “The Rat Pack.”

Terese-Genecco-Rocks-the-Iridium-at-Anniversary-Show-20010101

Genecco launched the first set with four songs from the new CD, the highlight being the one original song in the mix, Bill Zeffiro’s “Universal Truth (Schmuck in Love),” which is nominated for a 2012 MAC Award (Manhattan Association of Cabarets and Clubs) and is one of the best homages to a Swingin’ Sinatra tune you’ll ever hear. In addition to the retro-Nelson Riddle arrangement by Hollis “Bud” Burridge, Zeffiro’s clever lyric fits Genecco like a Sinatra fedora. (“Every man’s a schmuck when he’s in love/Doesn’t matter if he’s a king or gov/Once she bats her eyes/Logic up and flies/You’re punked, skunked, slam dunked/You’ve met your demise.”). Based on the audience’s overwhelming approval, Genecco has a new staple for her set list.


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Stephen Hanks During more than 30 years as a magazine editor/writer, website writer, and book author for a variety of national magazines and websites, Stephen Hanks has written about sports, health and nutrition, parenting, politics, the media, and most recently, musical theater, and cabaret. While by day, Stephen is the Advertising Sales Director for Habitat Magazine (a publication covering life in New York Metro area co-ops and condos), by night he writes reviews and columns about New York City cabaret for BroadwayWorld.com. Stephen also writes feature stories about cabaret for Cabaret Scenes Magazine and CabaretScenes.org. He is also the Board President of Manhattan Musical Theatre Lab, which workshops new musicals in New York City, and he is the founder, producer and director of the Broadway Musical Fantasy Camp, which is a workshop for amateur performers that rehearses and presents staged readings of classic Broadway Musicals. In 2011, Stephen was an Associate Producer for the Off-Broadway show THE FARTISTE. Stephen most recently staged his debut solo cabaret show, "Beyond American Pie: The Don McLean Songbook" at the Metropolitan Room in New York. Please contact Stephen with your comments and questions at: stephenhanks41@gmail.com