Broadway Show Reviews & Critics' Ratings

The producer Larry Klein honored the memory of Leonard Cohen with a 2022 tribute album that had a hushed sensibility and taste, as well as an impressive array of vocalists. Hoping to continue that feel, he began work on an equally fine performance version with the same title, “This is Now: A Tribute to Leonard Cohen,” which played two nights with the National Symphony Orchestra at the Kennedy Center over the weekend. 

An intense and well filmed release of an atmospheric production of Macbeth. Showing in cinemas from 2 May.

Juke box musicals are stage theatrical presentations in which a majority of the compositions were written before the presentation was conceived, rather than being original music conceived for that show.  They tend to be long on songs and short on a well-conceived plot.

A poignant and reflective journey through the celebrated artist's career and personal contemplations on life and mortality. Despite showing signs of vocal aging, Patinkin's mastery in blending song with deeply personal storytelling captivates the audience, making each song a narrative of its own. The show, enriched by minimalistic staging and the skilled accompaniment of pianist Adam Ben-David, resonates with themes of legacy, faith, and the enduring power of art. The review highlights Patinkin's engaging presence and the emotional depth of his performance.

I caught QTP’s penultimate production of their veteran play, Project S.T.R.I.P. starring Dilnaz Irani, Harssh Singh, Keith Antony Sequeira, Neil Bhoopalam and Shruti Sridharan, on an Easter weekend at the Prithvi Theatre of Mumbai, India.

Frontiers Sans Frontiers is good. It's refreshing, biting, funny, and relevant. From April 25th to May 19th, under a few trashbags and discarded cups of tea, DC theatre goers may be able to find Spooky Action Theater's production of Frontiers Sans Frontiers.

New Jersey Repertory Company (NJ Rep) is presenting the world premiere of 'The Two Hander' adroitly written by Julia Blauvelt.  The play is superbly directed by the Company’s Artistic Director, SuzAnne Barabas and features the abundant acting talents of Jill Eikenberry and Ella Dershowitz. 

Many of us ask ourselves about the definition of love, what is the purest form perhaps, or what does it mean to make promises while in love. Michael Batten’s play Remembrance Monday asks these questions through the lens of a seventy minute psychological thriller.

If you've ever idolised a lesser-known band and endlessly reminisce about its utter brilliance through rose-tinted spectacles, then This Is Memorial Device at Riverside Studios is a must-see.

Reuben Kaye, the Glamazon international icon of intelligent cabaret returns to the Enmore Theatre, Sydney, with his latest creation, APOCALIPSTIK.

What did our critic think of PRECITOR at Contemporary Theater Company?

Those of us who keep an eye on the comings and goings of singers at major opera houses around the world, have known that Friday’s debutant, Lithuanian soprano Asmik Grigorian, was going to be one to watch. And it was. No worries about whether her voice would translate from Europe’s smaller houses to the Met’s enormous hall: Grigorian may have been singing Puccini’s Cio-Cio-San/Madama Butterfly this time around, but she’s a well-schooled Lady Macbeth and Turandot as well, bringing a notably large voice with her. She survived the Met’s notoriously short rehearsal time for revivals (particularly for the second cast of the season). Lastly, she even made it through the final curveball, when tenor Jonathan Tetelman became ill and standby Chad Shelton had to take over as Pinkerton; he did well considering the circumstances, but he was no match for her.

What did our critic think of JOFFREY BALLET'S MIDSUMMER NIGHT'S DREAM at Lyric Opera House?

J2 Spotlight Musical Theater is finishing its run of 'Do Re Mi' this weekend, but set aside a night to have a cabaret evening on the stage at their home base, the AMT Theater on West 45 Street.

Some bright local voices were heard at Prism Theatre Company’s SPOTLIGHT ON ... BEING YOU over this past weekend in St. Louis. The best of the festival was the performance billed as a ‘Popera’ written and composed by Holly Barber and Lee Ehmke. THAT PERFECT KISS, a retelling of Cinderella and her Prince, is a short musical ditty about finding one’s genuine self. Accompanied by composer Holly Barber on guitar, Sarah Lueken, Rachel Bailey, Zach Thompson, and Matt Kauzlarich performed the light pop score with charm and pizzaz. In just a few minutes, Barber and Ehmke used familiar characters, re-told their stories, provided them arc, and created an indelible musical memory for the audience. The prince wasn't the only thing that was charming in this coming-of-age tale.  

What did our critic think of MARJORIE PRIME at Prologue Theatre At The Atlas?

A beautifully asynchronous and turbulent super-organism, Impermanence opened its weekend at the Kennedy Center’s Eisenhower Theater on April 16th.

The show is filled to the brim with witty puns, double entendre, and references to Shakespeare’s works and well-known musicals. Something Rotten! is the perfect solution for those in need of a good laugh!

What did our critic think of A YEAR WITH FROG AND TOAD at Children's Theatre Company?

The semantics and silence that delineate love and disclosure are operating at full throttle in the probing personal story of playwright and performer Adil Mansoor in the theatrical experience that is entitled Amm(i)gone. As the uber-talented Mansoor invites his very traditional Pakistani mother to translate Sophocles’ Antigone into Urdu, one soon realizes that this is just the starting point of a very interactive theatrical exploration that soon unspools into a multi -layered explication of the issues of culture, faith, family, history and, most especially, the special bond between a mother and a son.