Kenny Loggins Coming to SCERA, 8/28

Kenny Loggins Coming to SCERA, 8/28

In a career that spans four decades, gifted singer, songwriter and guitarist Kenny Loggins has written some iconic music, some platinum music, some popular movie music and some award-winning music. And whether his choice is contemporary adult, soft rock, jazz, pop, ballads, or more recently, country, he provides a standard of excellence that keeps him and his music well-liked and admired.

The man whose chart-topping music was performed in films such as "Caddyshack," "Footloose," "Top Gun" and "Leap of Faith" will appear under the stars at the SCERA Shell Outdoor Theatre Thursday, Aug. 28 at 8 p.m. Opening for him will be Blue Sky Riders, which he formed for himself and two other artists.

General admission tickets are $20 for adults and $15 for children (age 3-11), seniors (age 65+), and students (w/ID). Reserved seating is sold out. Tickets are available at, by calling (801) 225-ARTS, or in person at the main office at SCERA Center for the Arts, 745 South State, Orem, open 10am-6pm weekdays and Saturdays from 12Noon-6pm. The Shell is located at 699 South State, in the middle of SCERA Park in Orem.

"Landing Kenny Loggins in Orem is huge," says Adam J. Robertson, SCERA's President and CEO. "He's had songs in four straight decades, and his list of #1 hits is almost endless. He's a legend in the music business."

It isn't too often that a second-grader already knows what he is going to do with his life, but when Loggins was seven years old, he watched his older brothers struggle to write a song and thought it couldn't be that hard. At least for him, he was right.

Right out of college he landed a job as a songwriter for ABC/Wingate. He did this for three years, and wedged in some time to play guitar for a psych-rock band called Electric Prunes and give the Nitty Gritty Dirt Band a hit with "House at Pooh Corner." He wrote the song as a senior in high school during finals and used Christopher Robin's exit from Pooh and the Hundred Acre Woods as a metaphor for endings.