BWW Reviews: JEROME KERN IN HOLLYWOOD - A Must-See Captivating Cabaret
Houston, Bayou City Concert Musicals, Jerome Kern, Hollywood, Cabaret, Fundraiser, Paul Hope
Bayou City Concert Musicals has a track record of enjoyable and wholly entertaining performances. They burst onto the Houston Theatre scene with a concert production of FOLLIES. Since FOLLIES, Paul Hope has astounded audiences with productions of FALSETTOS, SHE LOVES ME, 70, GIRLS, 70, ASSASSINS, FIORELLO!, THE SECRET GARDEN, PAL JOEY, ON THE TOWN, GENTLEMEN PREFER BLONDES, FINNAN'S RAINBOW, and ONE TOUCH OF VENUS. Each of these shows was a sensational hit in its own time, but has been notoriously neglected as time merrily rolls along. Each of these concerts has been accompanied by a live orchestra, which only increases the price tag for producing the fabulous productions. To help keep ticket prices affordable, Paul Hope utilizes showcase cabarets as fundraisers. Like his concert productions, the cabarets are jam packed with the best of the best of Houston's musical theatre talent who only aim to captivate and enthrall. The latest cabaret, JEROME KERN IN HOLLYWOOD, is no exception.
Musical Direction by Heather Tipsword for JERMOE KERN IN HOLLYWOOD ensures that each of the chosen Jerome Kern pieces, mostly ballads, sounds lush, beautiful, and simply fantastic in performance. For many in the audience, a lot of the treasures are being heard for the first time. However, old Favorites are sprinkled in, bringing joyous grins and soft hums out of the contented audience.
Paul Hope serves as the evenings Master of Ceremonies, and much like The Man in the Chair from THE DROWSY CHAPERONE, he has researched juicy morsels of fascinating and scintillating moments from Jerome Kern's life that he shares with the audience. Each item shared has a historical relevance on the writing of the particular song being introduced, making the evening an intriguing night that is almost like a master class on Jerome Kern's Hollywood phase of his career.
Mitchell Greco opens the show with a well sung performance of "Lovely to Look At." During this number, he appeared nervous and was a bit stiff in his movements, but that had no affect on his voice. He sang with clarity and charm.
For the second number of the evening, "I Won't Dance," Jennifer Gilbert joined Mitchell Greco on stage. Mitchell Greco appeared to loosen up some, especially when they got to perform cute choreography. Jennifer Gilbert's performance had a natural energy and brightness that was captivating.
Danica Dawn Johnston accompanied Tye Blue for a powerful and simply awesome rendition of "I Dream Too Much." Both vocalists blended their immaculate voices to supply the audience with a rousing and Radiant duet.
Tye Blue remained on stage to perform "The Way You Look Tonight," which I never realized was a Jerome Kern song. In this number Tye Blue's magnetism easily charmed every member of the audience. His pristine vocalization was only matched by his dauntless charisma. As he finished the number, audible sighs of pure satisfaction could be heard from several members of the audience.
For "Can I Forget You" Grace Givens took the stage with such a strong personality and sense of character, that the audience was mesmerized even though she stood behind a microphone. During the number, she showcased expert control over her vibrato, singing the number with a stirring effect.
Joe Kirkendall's performance of "The Folks Who Live on the Hill" was made wonderful with his dapper and rich instrument. Both his face and voice sparkled in performance.