Broadway Show Reviews & Critics' Ratings - Page 2

Nicolas Dromard & Desireé Davar premiered their cabaret show From Broadway to Hollywood Saturday night at Oscar’s to a packed and very receptive house. The concept of the show is literally their journey from Broadway to Hollywood, covering how they met, how he proposed, some terrific and appropriate songs along the way and a lot of tap dancing (more on that later).

HAIR is not your typical linear, point A to point B musical. It roughly ambles through vignettes of the members of a “tribe” of hippies in New York City. And yet, HAIR is as important as it is subversive. Without it, shows such as RENT, ANGELS IN AMERICA, and HAMILTON probably wouldn’t stand a chance to make it to Broadway.

On Tuesday May 7th at 6 pm, Donna Rubin and Josh Gladstone presented a sampling platter of their upcoming Hamptons Summer Songbook by the Sea series, which boasts an impressive lineup of cabaret stars. The benefit, held in Manhattan, served both to provide an overture of sorts for the summer concert series and fundraising for LTV Studios

Mark Taylor (Director) delivers an engaging expression of Alfred Uhry (Book) and Jason Robert Brown’s (Music and Lyrics) Tony Award winning musical PARADE. 

In the summer of 1962, Sir Laurence Olivier invited lighting designer Richard Pilbrow to 'sort out the bloody awful lighting' at Chichester Theatre two days before it opened. Pilbrow replied there was nothing he could do in so short a time. 'Well, you're no bloody use, are you?' Olivier quipped.

At the first Comic Con Liverpool event of 2024, Pop Up Puppet Cinema delighted audiences with performances of two iconic films - Back to the Future and Jaws.

Masterclass is a powerful production which provides some genuine discussion on privilege and opportunity within theatre and arts.

Phil Ellis’s Excellent Comedy Show begins with a man, dressed in a tight black spandex costume and wearing a bin bag over his head, struggling to make his way to the microphone. Once he removes the bag and reveals himself to be the man of the hour, we discover that Ellis is dressed as a cat, with Sharpie whiskers and a cat ear headband revealed.

Ten years after his award-winning memoir, Damian Barr revisits his past onstage with the National Theatre of Scotland in Maggie & Me. This brave piece recounts growing up gay in the straight world of Margaret Thatcher's working class Britain... among the Ravenscraig steelworks of Motherwell. Barr explores touching and timeless themes, but suffers slightly from a long-winded exposition.

Porno lives up to its opening line: sequels are never as good as the original. Edinburgh's infamous pack of misfits (Renton, Bigbie, Sick Boy and Spud) reunite ten years after their appearances in the award-winning Trainspotting. They're all grown up, and surpisingly still alive.

What did our critic think of BLENDED 和 (HARMONY): THE KIM LOO SISTERS at History Theatre/Theater Mu?

What the Constitution Means to Me is an important play that brings difficult themes, questions, statistics, and realities into the spotlight. It takes an empathetic, compassionate, thoughtful cast and crew to bring a show like this to life, and the team at Open Stage is just the right team to bring it to the Central PA area.

What did our critic think of AN EVENING WITH LESLIE ODOM, JR. at Emerson Colonial Theatre?

Nashville Repertory Theatre closes out its 39th season with one of the best laugh-out-loud comedies we’ve ever seen on a Tennessee Performing Arts Center stage: Selina Fillinger’s uproariously funny, if all-too-real, POTUS or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive. Directed by the acclaimed Lauren Shouse and performed by an all-star cast that’s filled with seven of the best actors in Nashville, it’s a smart, incisive and topical farce that’s certain to lift your spirits and feed your soul.

The musical genius that is composer / lyricist Jason Robert Brown took center stage for his one night only performance of An Evening with Jason Robert Brown, part of the Lyrics & Lyricists event at The 92nd Street Y, New York on May 9, 2024. This reviewer was overwhelmed by the awe-inspiring compilation of melodies.

Fulton has done some remarkable small-scale musicals on their fourth floor stage. Shows like Next to Normal and Five Guys Named Moe easily prove that not every show needs to have a big cast or a bigger budget to be entertaining and engaging.  Unfortunately, The Last 5 Years isn’t in that same category for me.

In DUA: THE MONSTER’S STORY, written and directed by Robin Berl, the classic story of Medusa is retold, giving the monster the chance to tell her own tragic tale.

Abandon All Hope is a timely show full of hope.  I think it resonates especially well with younger audience members who may struggle with identity and acceptance.

Sometimes, it’s fun to watch a theatre company let their hair down and have fun. And with ON MIDNIGHT, FRIDAY THE THIRTEENTH, the Ensemble Theatre does just that. This is a giggle-filled, fast-paced murder thriller in the vein of Agatha Christie being spoofed at every turn. It is high-energy, camp, and perfect if you want an evening watching a talented cast having a blast going through a farce.

This Pulitzer Prize winner is both fun and brutal, lengthy but never boring, heart-stopping and soul-stirring, and yet unblinking and sympathetic in its portrait of an American family in unruly disintegration.