'Once On This Island' - Come Away, Come Away


Once On This Island

Book and Lyrics by Lynn Ahrens, Music by Stephen Flaherty, Directed by Jennifer Condon and Jesse Strachman, Music Direction by Dan Rodriguez, Choreography by Jennifer Condon; Production Stage Manager, Jean MacFarland;  Costume Design, Lindsay Hurley; Lighting Design, PJ Strachman; Scenic Design, Erik Diaz; Scenic Artist, Holly Diaz; Makeup Design, Emily Lamkin and the OOTI Makeup Team; Graphic Design, Kristin Boucher

Featuring: Kendra Alati, David Carney, Abigail Cordell, Kira Cowan, Ian Flynn, Alaina Fragoso, Kaedon Gray, David Lucey, Steven Martin, Alexa Niziak, Jackie Theoharis

Performances through October 24 at Arsenal Center for the Arts, Black Box, 321 Arsenal Street, Watertown, MA; Box Office 617-923-8487, 800-838-3006 or www.bluesprucetheatre.org

Once On This Island is an engaging fable, told with great charm and energy by the youthful Blue Spruce Theatre Company. With the ping of steel drums, costumes reflecting the colors of the Caribbean Sea, and a backdrop of fishnets and bamboo fans, the intimate Black Box at the Arsenal Center for the Arts in Watertown is converted into the tropical setting for the story of Ti Moune. A peasant girl falls in love with a "grand homme" from the other side of the island and follows her heart on a journey through pain, grief, faith, love, and hope.

Musical Director Dan Rodriguez and his five-member orchestra provide the lively calypso beat of Stephen Flaherty's music from their perch in the upstage left corner, infusing the small theatre with rhythmic gaiety. The multi-talented cast dance their hearts out from the opening number ("We Dance"), expressing more feeling with their bodies than can be provided by lyrics of even so talented a librettist as Lynn Ahrens. As Ti Moune, Kira Cowan virtually explodes across the floor, leaping and twirling with tremendous body control in a joyous display of her love of her family and life on the Jewel of the Antilles. Shadowing her as little Ti Moune, Alexa Niziak shows amazing talent and poise for one so young in the spotlight. Wearing her hat as choreographer, co-director Jennifer Condon creates beautiful solo pieces, as well as numbers for the entire company that move the story and make artistic use of the very small floor space.

Narrative is provided by four storytellers who become four gods in the tale: Asaka, Mother of the Earth (Kendra Alati); Agwé, god of Water (Steven Martin); Erzulie, goddess of Love (Alaina Fragoso); and Papa Ge, Demon of Death (David Lucey). Worshipped by the peasants, they bring forth a disastrous flood and then rescue little Ti Moune and place her with loving adoptive parents Mama Euralie and Tonton Julian. When she grows up, she prays to the gods to let her meet a grand homme. Erzulie says to give her love, but Papa Ge agrees only to test which is stronger, love or death. When the car of Daniel Beauxhomme crashes in a storm, Ti Moune nurses him and they fall in love. Papa Ge comes to take his life, but Ti Moune offers hers in exchange. When Daniel is returned to his people, Ti Moune sets off on her own to find him so they can be wed.

Of course her faith and goodness are severely tested on the journey and even when she reaches his side. The town gossips comment on everything that is different about her, and she learns that Daniel is promised to an upper crust girl for an arranged marriage. Despite her broken heart, Ti Moune remains true to her inner core when Papa Ge offers her the chance to reverse their bargain if she will kill Daniel. When she refuses, she proves that love is stronger than death. Daniel's wedding takes place as planned and Ti Moune fulfills her obligation to Papa Ge. However, fairy tales must have a happy ending and Ti Moune is reincarnated as a tree. A young peasant girl and Daniel's son play in her branches, assuring that her legacy will survive and the story will continue to be told.

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Nancy Grossman From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com and evolving as a freelance writer. Nancy is an alumna of Syracuse University and a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.

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