I am doing a research project and am looking to compile opinions for the Top 10 Broadway shows of ALL TIME! I know that this is the best place to start because this is where the most passionate fans live. Please, at your convenience, reply to this thread and post your opinion on the Top 10 Broadway Shows of ALL TIME and your reasons for choosing them. Thank you for your help.
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To actually assist with the question at hand, I recommend you read this piece that is a conversation between Jesse Green, Nora Ephron, Frank Rich, Jonathan Tunick, and George C. Wolfe that is about this very topic. It might spark some ideas for you.
I find it difficult to look objectively at older musicals and which were the best. They were all products of their time and were often innovative at the time, which is something I can't grasp from being born less than 30 years ago. For modern day musicals, I strongly admire Next to Normal and Hamilton.
Honorable Mentions: A Chorus Line, Man of La Mancha, Caroline, or Change, Carousel, The King and I, Follies, Company, Phantom of the Opera, Evita, A Little Night Music, Hair, Chicago, The Sound of Music, Little Shop of Horrors, The 25th Annual Putnam County Spelling Bee, Hamilton, La Cage Aux Folles, My Fair Lady, The Most Happy Fella, Gypsy, Grey Gardens, The Last Five Years, The Light in the Piazza, Les Miserables, Ragtime, West Side Story.
I've been reflecting on shows since you posted this. Somehow, I end up loving all shows, that most people don't like. (Other then A Chorus Line). As I think back, these come to mind as ones I really liked. (Keep in mind, these will not be popular opinion).
I would have to say "My Fair Lady," for numerous reasons. First, it is a relatively faithful adaptation of a classic play, by a great wordsmith, George Bernard Shaw. It contains a great deal of internal conflict, and several of the songs consist of argument or venting. The book and lyrics are clever, and most lyricists would kill to be able to produce those rhymes (e.g. map said he with rhapsody). The theme is serious, specifically the role of speech in creating an underclass; those arguing for teaching students using regional or other dialects and grammar would be wise to watch the movie, which is faithful to the stage show. The music is lovely and the lyrics are funny. Although Higgins is a male chauvinist, he admires Eliza's demanding respect from him and standing up to him. Because I am one of those convinced that Higgins and Eliza are in love, I enjoy imagining the scene after the curtain goes down, with Higgins struggling to declare his love and kiss her. Very few musicals have me mulling over the ending.
I hope this list of reasons helps. Good luck with your project.
Audrey
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.
It hasnt started previews yet, but as a show, Nattasha, Pierre and the Great Comet of 1812
I appoligise for any spelling mistakes. I may be on my mobile. Clumsy fingers and small little touchscreen keys don't mixx. I try to spellcheck, but I may miss something.