Click below to access all the grosses from all the shows for the week ending 7/12/2015 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
My heart goes out to Amazing Grace and On The Town.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Kelsey Grammer left Finding Neverland for his summer leave last week. It will be interesting to see how well the show maintains its current good grosses without one of its major name stars until September. It could be a good test/preview of its longevity potential.
To be fair, Matilda beat KB both on percentage of tix sold as well as percentage of possible gross.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Matilda's theater is bigger by 36 seats...the potential isn't that much bigger. Besides if you wanna argue about gross fine. Matilda's capacity was 99.7% while Kinky's was 77.3%. And since Matilda's house is "bigger" it still managed to bring in more audience than Kinky when Kinky has a smaller house which should be much easier to fill, right?! I rest my case!
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I am sure both shows Kinky Boots and the King and I are out by 4 seats, which should be reflected in the final gross. I would hazard a guess that Michelle + Mum + 2 daughters wouldn't pay for their tickets.
"^ Um...it's in a bigger house. Of course it's grossing more. There's more potential.
ZellMorrowsPledge, please don't argue with me when you don't know what you're talking about. Matilda may be doing better now, but they have a much higher weekly running cost and it took them much longer to recoup.
Sis you're the one arguing. All I said was I'm happy Matilda is doing better and you tried to tell me "oh ofc its doing better because Matilda has a bigger house" when its bigger by 36 SEATS. You obviously don't know what you're talking about
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"I am sure both shows Kinky Boots and the King and I are out by 4 seats, which should be reflected in the final gross. I would hazard a guess that Michelle + Mum + 2 daughters wouldn't pay for their tickets.
"^ Um...it's in a bigger house. Of course it's grossing more. There's more potential.
Phantom, wrong how? ""
Those are reflected in ticket prices the grosses are correct for both shows. There were butts in the amount of seats specified. A comp ticket would affect the gross and average ticket price, which I'm sure have been taken into account
"Amazing Grace" had the third largest difference in gross. Only "Lion King" and "Aladdin" had a bigger change. Not enough. But if they add that same change each week... In a month they are profitable. Just sayin'
Just to make the MATILDA/KINKY BOOTS argument more interesting- KINKY BOOTS has a gross potential of about $85K more than MATILDA given that the Shubert has hundreds of balcony seats, that of course are generally priced much lower, while the Hirschfeld features only orchestra and mezzanine seats. The actual capacity difference between the two productions is only eight seats per performance.