Am I the only one who think this? I can only name a few Broadway songs sung by men that I really enjoy listening to from time to time. But the women gets to sing the most iconic, popular songs, the list is just endless.
It is very true! For me, my favorite songs happen to be ones with a good belt! obviously all the women have those songs, but i alway think there a certain but very small number of good numbers sung by lads
If I were a rich man Luck Be a Lady 76 Trombones Being Alive Marry me a little Epiphany ( Sweeney Todd) One Song Glory 90 percent of the Jesus Christ Superstar score. Corner of the sky If Ever I would leave you.
The Pajama Game - Hey there The Scottsboro Boys - Commencing In Chattanooga Newsies - Santa Fe Violet - Let It Sing Bridges of Madison County - It All Fades Away Kinky Boots - Soul of a Man Book of Mormon - I Believe La Cage Aux Folles - I Am What I Am
But none of those songs are iconic/famous in the mainstream, like Don't Cry For Me Argentina, I Dreamed a Dream, Defying Gravity, Memory, Don't Rain on My Parade, etc. People who aren't exactly Broadway fans are at least familiar with any of these songs.
But none of those songs are iconic/famous in the mainstream, like Don't Cry For Me Argentina, I Dreamed a Dream, Defying Gravity, Memory, Don't Rain on My Parade, etc. People who aren't exactly Broadway fans are at least familiar with any of these songs.
I would say that The Impossible Dream, Soliloquy, Some Enchanted Evening, and Maria are all iconic/famous in the mainstream.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Ol' Man River Oh, What a Beautiful Mornin' White Christmas Almost Like Being in Love
I would argue each (with the possible exception of the last) are all more iconic than the five mentioned as "mainstream" famous songs.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
There are of course exceptions, but let's be honest, on the whole Broadwaystar4 is right. Plus the world of the Broadway musical has long been built on it's leading ladies. Usually the female performers are the powerhouse stars and divas.
I know, I know, you can all name well established male stars, but have they really had the same impact as Merman? Martin? Lupone? Lansbury? Menzel? Chenoweth? Foster?
I'm not saying it's a bad thing. But it's true. Arguing the point is a little ridiculous. There are some beautiful male songs, but very few get the attention of the big songs for women.
There are many, many exceptions after 150 years of Broadway musicals, as others have noted above. (And BTW, in their day, Eddie Cantor, Bert Lahr, Jimmy Durante and others drew just as well as Merman.)
But in broad terms, the OP has a point and I think it's a cultural thing: in Anglo-Saxon cultures women (and therefore female characters) are allowed a greater range of emotional expression. So it's more fun to write songs for female characters.
"But in broad terms, the OP has a point and I think it's a cultural thing: in Anglo-Saxon cultures women (and therefore female characters) are allowed a greater range of emotional expression. So it's more fun to write songs for female characters. "
I've never thought about it like this, but that makes perfect sense. I agree!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I know I'll get murdered for saying this but I think there are far better roles for women in the musical theatre than there are for men. Not complaining or saying it's unfair, just an observation. I have struggled a lot with some of the men I've played trying to flesh them out (a lot of one dimensional dudes, I played Captain Von Trapp once and he's about as aloof as hannibal lecter, and nearly not as fun), while the female roles seem very well developed or maybe I understand them more or something. Call me crazy... Updated On: 5/25/14 at 11:59 PM
Musical theater is, I think, the only entertainment medium where better roles are consistently written for women. It's slowly starting to shift in other genres.