Things may have gone better if they'd had a stage director at the helm rather than Andrews' elderly husband. I understand that whenever choreographer Rob Marshall tried to make suggestions to shape the show, Edwards bristled.
Le Jazz Hot was fine but couldn't hold a candle to the movie number. Plus the lip-synched final note left a rotten taste in my mouth- an in-your-face reminder that Andrews wasn't what she was.
Of "Louis Says," the late Clive Barnes said the following in his review in The New York Post:
"After some years in this game, I cannot off hand think (and I have racked my offhand brains) of a worse musical number, in every respect possible, than Wildhorn and Bricusse's "Louis Says," which opens the second act. It should be videotaped and kept as an object-lesson for posterity."
Begin at the beginning and go on till you come to the end: then stop.
I really don't care for this whole mess of a show which led to Julie losing her, already at the time, failing voice. Victor/Victoria to me is a very hallow and souless show that should've had a different director and book writer.
Don't get me started on the banal horrific lyrics please, thank you (it makes Glenn Slater's lyrics look like Howard Ashman's in comparison).
I know I may be in the minority but is it me, or did Liza Minnelli (who replaced Andrews) try her best to make the show better? Her version of Living in the Shadows is so beautiful and moving, that I swear that Liza should've played Victoria Grant originally.
Still I love the movie version A THOUSAND TIMES BETTER.
I schlepped to Stockholm/ And brought a lot of schlock home . . . When I see the Eiffel Tower/ I have to go and take a shower
I'm gonna have dinner with her, with him, tonight. So, what's the big deal? It's not a big deal, all right? All right! So why am I shy as a spotty-faced kid in a high-school prom? Why? I'll tell you why...It's because I don't know Where this crazy dame, this Victor guy, whoever he is, is coming from, That's why!