What an awful night of theatre that would be! The smith's would find a way to add that horrible child in as well.
Woild rather see the Sydney Theatre Company production open.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
This STREETCAR will probably come to fruition but the brilliant, nearly flawless Blanchett production will probably never come to Broadway. I'm pissed. Here's hoping this production is good but I highly doubt it'll come anywhere near the Blanchett production.
The LaBelle news is exciting though. Updated On: 7/16/10 at 10:02 AM
I really wish Streetcar along with Cat On a Hot Tin Roof, Guys & Dolls, and Gypsy would go on a shortlist of shows NOT to revive again for a quarter century.
Enough already.
Find another play.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Following this subtly disturbing trend of African-American productions of old white plays:
Bill Cosby and Cicely Tyson in Death of a Salesman Ice T and Beyonce in Pygmalion Bernie Mac and Janet Jackson in Night of the Iguana Lola Falana and David Allan Grier in Gone With the Wind (the Harold Rome musical, of course)
But how brilliant would Morgan Freeman and Cicely Tyson as James and Mary with Forest Whitaker and Don Cheadle as James, Jr. and Edmund be in LONG DAY'S JOURNEY INTO NIGHT?
I don't know what it is about her, but there has always been something about Jada Pinkett Smith that has rubbed me the wrong way (her Tony gown included).
That being said, it will be a cash cow if it comes to fruition.
What a gimmick, I have no problem with an all-black production of this play, I recently saw a production where Stella was played by an African-American actress and Blanche played by a white actress and though this particular production was atrocious, I could see how that would work. An interracial STREETCAR might be more interesting than an all-black STREETCAR, but still. I just can't imagine Pinkett-Smith being any good, and Will Smith is too vanilla for Stanley, Denzel would be far more interesting in the role and still not the perfect choice. I'd love to see Anika Noni Rose play Stella, it sucks that they picked Halle Berry over her to star in THE MOUNTAINTOP, Berry is a terrible actress and I can just imagine her getting lost on stage. Who will play Blanche though?
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Mallardo - in one instance, I'm sure they are - the other would surprise me.
And, for the record, 'friend' is used generically to indicate someone I interact with on a regular basis - but neither have ever been invited to our home!
It makes me sad the Williams' estate isn't more picky. While the former estate holder was extremely protective of his material, the current ones show no discrimination. If it's a big production, then sure, go ahead!
And, in theory, this could be something wonderful: the estate could be licensing productions to truly innovative and daring productions the former estate never would have approved of. But instead there's miscasting like this...
At least it's Emily Mann directing and not Debbie Allen.
I believe James Earl Jones headed an all-black cast of The Cherry Orchard for Joe Papp back in the 70s. The reviews for the production were good.
I see no reason why an all-black cast would not work for any number of plays with no script changes. I do wonder about the plays of Tennessee Williams which are often Southern-specific and time period specific.
Big Daddy in Cat is a wealthy landowner in Mississippi in the 1950s. How did he get this land and more importantly givern the time and place, how was he allowed to keep it?
Streetcar works a bit better, but still someone had to get the land that Blanche has lost. In postwar 1940s (and really post WWI) Louisiana that really wouldn't have happened. The family, even if they owned the land in the first place, would have lost it by force if necessary, a long time ago.
However my biggest problem here is these two stars. I don't think the Smiths have the chops for Stanley and Blanche. He has no danger and she has no vulnerability.
Long Day's Journey would sort of work, but bear in mind that the time period would make James Tyrone, Sr. a star on the chitlin circuit, not the main theatres in North America. I think James Earl Jones did play James Tyrone somewhere, but I wouldn't bet on it.
All of these plays are about the family dynamic and not about being Black in America.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher
I'm sorry but as a massive Will Smith fan, this show would be an utter failure. Jada would be fine, because the role suits her but Will cannot play this type of character. He imo did not deliver when playing the masculine force of nature they call ALI and is much better suited for the goofy stuff we know, or the rags to riches story. Will Smith could not play Stanley. I'm sorry this is just ridiculous.