Natalie O'Donoghue - Page 28

A South-East London gangster starts to lose his grip on reality when he's forced to look back at the traumatic childhood that made him who he is. The more he remembers, the more brutal he becomes. But just when he's offered a second chance, it might all be too late.

Discover what happens behind the zoom camera in this 30-minute drama of Art Club. Audrey wants to know what doodling's got to do with love and goes back to her lover's childhood home to find answers.

Brian and Nick, collectively known as BriTANick blog for BroadwayWorld about making their Edinburgh debut, the difference between writing for stage and for screen and what is uniquely enjoyable about performing for a live audience.

BWW catches up with Tony Law about bringing A Now Begin in Again to the 2022 Edinburgh Festival Fringe

BWW catches up with Ignacio Lopez to chat about bringing El Cómico to the 2022 Edinburgh Festival Fringe.

BWW catches up with A Good Catch ahead of the show coming to the 2022 Edinburgh Festival Fringe

Ahead of its run at the 2022 Edinburgh Festival Fringe, Chris Gethard blogs for BroadwayWorld about bringing A Father and the Sun to the Gilded Balloon this August.

BWW catches up with Guy Masterson to chat about bringing 9 Circles to the 2022 Edinburgh Festival Fringe.

BWW catches up with Grumms to chat about bringing Something In The Water to the 2022 Edinburgh Festival Fringe.

Broadway producer David Carpenter blogs for BroadwayWorld about bringing The Twenty-Sided Tavern to the UK, the joys of combining technology and theatre and why the dynamic between the three creative partners works so well for the show

Cast member and Flabbergast Associate Artist Simon Gleave blogs for BroadwayWorld about bringing The Tragedy of Macbeth to the Fringe, how the creators and performers have integrated many different styles in the production and how this adds to the audiences’ understanding and experience of the story.

Company member and resident writer Josh King breaks down how the Say It Again Sorry team find things to go wrong when developing the show, and what he thinks Oscar Wilde would make of this adaptation.

BWW catches up with Emo Majok to chat about bringing African Aussie to the 2022 Edinburgh Festival Fringe.

Actor and co-writer of The Giant Killers; Andrew Pearson-Wright blogs for BroadwayWorld about bringing this tear-jerking tale to Edinburgh and why stories from so long ago still resonate with people today.

Debra Batton from A Good Catch blogs for BroadwayWorld about bringing new compelling theatre show Zoë to the Fringe and how the team create a breathtaking circus performance that speaks directly to the audience, telling the story of climate change through their work

Husband and wife duo Stephanie Dodd and Justin Badger blog for Broadway Baby about debuting The Failure Cabaret in Edinburgh along with the benefits and pitfalls of writing a show with your partner about your most personal and sometimes sensitive subjects

Actor Clare Bartholomew who plays ‘Barb’ in The Anniversary blogs for Broadway World about premiering the play in Edinburgh, her favourite routines to perform and the processes behind developing a theatrical comedy show with hardly any dialogue.

Eve Pearson-Wright discusses how she came to write a piece about Margaret Hughes and Anne Marshall; the first women of the stage.

BWW catches up with two shows that are part of the Korean Showcase at Edfringe 2022

BWW Catches up with James Rowland to chat about bringing Learning To Fly to the 2022 Edinburgh Festival Fringe.