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Shoreditch Town Hall

380 Old Street
London EC1V 9LT

🌙 Make a Night of It

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Review: SALTY BRINE: HOW STRANGE IT IS, Soho Theatre

Review: SALTY BRINE: HOW STRANGE IT IS, Soho Theatre

by Franco Milazzo · September 15, 2026

Anne Frank. Jeff Mangum. And Salty Brine. Maybe especially Salty Brine. If the audience takes one thing away from this tremendous show, it is that one individual can illuminate an entire world.…

Review: BBC PROMS: LAST NIGHT OF THE PROMS 2026, Royal Albert Hall

Review: BBC PROMS: LAST NIGHT OF THE PROMS 2026, Royal Albert Hall

by Debbie Gilpin · September 14, 2026

“It’s tradition, Oliver. Traditions are important”, so says Dawn in the Inside No. 9 episode “Last Night of the Proms”, explaining the actions of the Prommers during the Fantasia on British Sea-Songs section of the concert to her teenage nephew. Anyone at the Royal Albert Hall (or watching…

Review: MAN TO MAN, Royal Court

Review: MAN TO MAN, Royal Court

by Franco Milazzo · September 13, 2026

Those worrying that Tilda Swinton — the patron saint of Sunday afternoon arthouse movies and performance art best experienced through reviews — has gone mainstream should make themselves a cup of chamomile tea and relax. There are likely very few famous actors (never mind Oscar winners) queuing …

Review: BBC PROMS: STRAUSS’S ‘FOUR LAST SONGS’, Royal Albert Hall

Review: BBC PROMS: STRAUSS’S ‘FOUR LAST SONGS’, Royal Albert Hall

by Debbie Gilpin · September 12, 2026

“It is difficult composing endings. Beethoven and Wagner could do it. Only great composers can do it. I can do it too.” It wasn’t just Richard Strauss’s death-embracing 'Four Last Songs' which fit this theme in the BBC Scottish Symphony Orchestra’s final Prom of the season, as Franz Schube…

Review: FIRE FIRE, Arcola Theatre

Review: FIRE FIRE, Arcola Theatre

by Gary Naylor · September 12, 2026

New play that veers off in an unfortunate direction and loses much of its punch as a consequence…

Review: NIGHT CITY, Southwark Playhouse

Review: NIGHT CITY, Southwark Playhouse

by Clementine Scott · September 12, 2026

At first glance, Night City appears like your classic boy meets girl – specifically, rideshare driver meets waitress, and takes her to see the dinosaurs at Crystal Palace in the morning light. What emerges from these foundations, however, is an unflinching love letter to London, and a candid illus…

Review: DON GIOVANNI, Royal Ballet & Opera

Review: DON GIOVANNI, Royal Ballet & Opera

by Cheryl Markosky · September 12, 2026

A visually compelling Don Giovanni from Royal Ballet & Opera, with a superb set by Es Devlin and memorable star turn by Aigul Akhmetshina as Donna Elvira.…

Review: TARTUFFE (REMIXED), starring Mark Rylance

Review: TARTUFFE (REMIXED), starring Mark Rylance

by Cindy Marcolina · September 12, 2026

Adapting classical theatre for a new audience is an exciting task and Darren Raymond has relocated Molière’s farce to a Nigerian-Jamaican family living in England. We are all preparing for Adanna and Sinclair’s impending nuptials, with relatives from both sides gathering at her childhood home. …

Past Shows

Last Rites

Last Rites

Jan 24 – Jan 27, 2024

Combining striking visuals and physical storytelling with dynamic projection and a resonant soundtrack, Ad Infinitum’s new non-verbal solo show explores a powerful journey of love, loss, and what it means to be a parent. Co-devised by Deaf theatre maker Ramesh Meyyappan and Ad...

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