Review: SALTY BRINE: HOW STRANGE IT IS, Soho Theatre
Anne Frank. Jeff Mangum. And Salty Brine. Maybe especially Salty Brine. If the audience takes one thing away from this tremendous show, it is that one individual can illuminate an entire world.…
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Anne Frank. Jeff Mangum. And Salty Brine. Maybe especially Salty Brine. If the audience takes one thing away from this tremendous show, it is that one individual can illuminate an entire world.…
“It’s tradition, Oliver. Traditions are important”, so says Dawn in the Inside No. 9 episode “Last Night of the Proms”, explaining the actions of the Prommers during the Fantasia on British Sea-Songs section of the concert to her teenage nephew. Anyone at the Royal Albert Hall (or watching…
Those worrying that Tilda Swinton — the patron saint of Sunday afternoon arthouse movies and performance art best experienced through reviews — has gone mainstream should make themselves a cup of chamomile tea and relax. There are likely very few famous actors (never mind Oscar winners) queuing …
“It is difficult composing endings. Beethoven and Wagner could do it. Only great composers can do it. I can do it too.” It wasn’t just Richard Strauss’s death-embracing 'Four Last Songs' which fit this theme in the BBC Scottish Symphony Orchestra’s final Prom of the season, as Franz Schube…
New play that veers off in an unfortunate direction and loses much of its punch as a consequence…
At first glance, Night City appears like your classic boy meets girl – specifically, rideshare driver meets waitress, and takes her to see the dinosaurs at Crystal Palace in the morning light. What emerges from these foundations, however, is an unflinching love letter to London, and a candid illus…
A visually compelling Don Giovanni from Royal Ballet & Opera, with a superb set by Es Devlin and memorable star turn by Aigul Akhmetshina as Donna Elvira.…
What did our critic think of MERE MORTALS at Sadler's Wells?…
What did our critic think of INTERVIEW: 'IT MAKES ME FEEL LUCKY TO JUST BE HERE,' THE WEST END CAST OF INTO THE WOODS at Noël Coward Theatre?…
Adapting classical theatre for a new audience is an exciting task and Darren Raymond has relocated Molière’s farce to a Nigerian-Jamaican family living in England. We are all preparing for Adanna and Sinclair’s impending nuptials, with relatives from both sides gathering at her childhood home. …

Combining striking visuals and physical storytelling with dynamic projection and a resonant soundtrack, Ad Infinitum’s new non-verbal solo show explores a powerful journey of love, loss, and what it means to be a parent. Co-devised by Deaf theatre maker Ramesh Meyyappan and Ad...