Review: RIGOLETTO, London Coliseum
There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival....
Review: LENIO KAKLEA - ΑΓΡΊΜΙ (FAUVE), Sadler’s Wells
Αγρίμι (Fauve) by Lenio Kaklea is a brave piece of modern dance that should be recognised for its shunning of conventions and committed performances. As well as its “if Balenciaga did contemporary dance…” overarching feel.
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Review: SLAVE: A QUESTION OF FREEDOM, Riverside Studios
When we talk about slavery, our minds immediately land to the olden days of colonies and plantations; perhaps we think of the much discussed reparations provided to the victims or their descendants, or we draw back to those tedious corporate trainings that address a problem that seemingly doesn't be...
Review Roundup: Lily Collins and Álvaro Morte Open in BARCELONA
Late night in Barcelona. An American tourist goes home with a handsome Spaniard. What begins as a carefree, one-night stand becomes an invitation to danger, as the personal and political catastrophically intertwine. See what critics thought about the new West End Play.
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Review: LEGACY, Royal Ballet and Opera
It’s interesting to consider that ballet began its development in the mid 16th century, however it wasn't until around 400 years later that BIPOC (American) dancers Maria Tallchief, Raven Wilkinson and Arthur Mitchell, first joined ballet companies....
Review: EMMA SIDI IS SUE GRAY, Soho Theatre
Emma Sidi is Sue Gray may be considered by some to be a satirical take on the former Downing Street Chief of Staff under Prime Minister Keir Starmer, but how can something be a satire if barely anything is known about the woman of the hour?...
Review Roundup: DR STRANGELOVE Starring Steve Coogan
Steve Coogan stars in the first ever adaption of Stanley Kubrick’s iconic Dr. Strangelove, as the world premiere stage production prepares for a strictly limited run at London’s Noël Coward Theatre. Check out what the critics are saying about the new show here!...
Review: DR. STRANGELOVE, Noel Coward Theatre
New stage version of Stanley Kubrick's black comedy lands with as much force today as it did in cinemas 60 years ago...
Review: GUARDS AT THE TAJ, Orange Tree Theatre
Who owns beauty? How far would you go to obey orders? What is the ultimate price of friendship? Rajiv Joseph's thought-provoking and blackly comic play, Guards at the Taj, explores power, obediance, human curiosity and allegiance, beautifully directed by 2024’s recipient of the JMK Award, Adam ...
Review: BARCELONA, Duke of York's Theatre
A couple crash through the door of a Barcelona apartment in a passionate embrace, but this ardour quickly cools as cultural and personal clashes take over. Collins and Morte are both impressively natural on stage, but without their billing, it is highly doubtful this play would have made it to the...
Review: THE BUDDHA OF SUBURBIA, Barbican Theatre
'I’ve seen it before, and I’ll see it again… Just little bits of history repeating.” This Shirley Bassey vocal may not feature on the soundtrack of this stage version of The Buddha of Suburbia, but you can’t help but bring it to mind as you watch events unfold: strikes, political turmoil, ...
Review: CHILLY GONZALES, Royal Albert Hall
Jarvis Cocker singing torch version of Tina Turner’s “Private Dancer”? Peter Serafinowicz doing an Elvis Presley impression for half an hour? In the Royal Albert Hall on a rainy Monday night? Welcome to the world of Chilly Gonzales, one of the most unique musicians around as he comes to the ca...
Review: SUMMER 1954, Theatre Royal Bath
Siân Phillips steals the evening in Theatre Royal Bath's twin-bill tribute to Terence Rattigan's one-act plays: lesser-known Table Number Seven, and The Browning Version – hailed by critics as 'a 70-minute masterpiece' when first performed at London's Phoenix Theatre in 1948....
Review: HOW TO SURVIVE YOUR MOTHER, King's Head Theatre
Super cast flesh out two lives that entwine around each other...
Review: WISH YOU WERE HERE, Gate Theatre @ Theatro Technis
The start of Sanaz Toossi’s Wish You Were Here sees girlies being girlies in 1978 Iran. While more protests keep breaking out around the country, five friends plan their lives between waxing each other’s legs and dreaming about their future husbands. Their youthful Iranian bliss is rudely interr...
Review: AVATAR IN CONCERT, Royal Albert Hall
James Cameron’s Avatar was this weekend the latest to be screened at the Royal Albert Hall as part of their Films In Concert series....
Review: LA FILLE MAL GARDÉE, Sadler's Wells
A sweet revival of Frederick Ashton's best-known and loved ballet returns to Sadler's Wells. Showcasing both comedy and complexity in its solos and routines, La Fille mal gardée brings a splash of sunshine to the stage. Beatrice Parma makes a striking debut as Principal dancer in the role of cheeky...
Review: THE ORCHESTRAL FOREST, Smith Square Hall
Featuring works as diverse as Michael Nyman’s “Strong on Oaks, Strong on the Causes of Oaks” and Felix Mendelssohn’s “Overture” from A Midsummer Night’s Dream, Sinfonia Smith Square’s environmentally-minded concert The Orchestral Forest is an enchanting sonic experiment....
Review: HOW TO MATE: THE SECOND TED XXX TALK, Soho Theatre
How to Mate: The Second Ted XXX Talk begins with an absolute banger of a preshow playlist, which tends to be a good sign of things to come at the Soho Theatre. The show, directed by Mpilo May, marks the return of Steve Porters, AKA “Lockup Ur Daughter,” a character created and performed by drag ...
Review: GHOSTBUSTERS IN CONCERT, Royal Albert Hall
One of the seminal action comedies of the 1980s, Ghostbusters teamed up Bill Murray, Dan Aykroyd and Harold Ramis in a story about three failed parapsychology professors in New York. After losing funding for their scientifically-debatable experiments, set themselves up as paranormal investigators ca...
Review: WHY A BLACK WOMAN WILL NEVER BE PRIME MINISTER, Camden People's Theatre
In every mission it sets itself upon, this play succeeds. It’s a tight hug to the communities that need it, it’s vital education to those who want to learn, it’s a wake-up call to those who are ignorant, and it’s an angry, triumphant demand for action. Zakiyyah Deen is a magnetic performer, ...
Review: REYKJAVIK, Hampstead Theatre
There’s a whiff of Jez Butterworth’s Jerusalem about Richard Bean’s Reykjavík. Come and raise a melancholic glass to the old world of superstition, mythic tales of magic and monsters, fated to be swallowed by the bloodless age of bureaucracy. It’s like spending an evening with that old man ...
Review: THE WILD DUCK, Coronet Theatre
The Coronet's co-production with the Norwegian Ibsen Company (NIC) and Bergen's Den Nationale Scene examines the dangers of idealism through the story of the Ekdal family ripped apart by the arrival of Hjalmar Ekdal's childhood friend, Gregers Werle (also the son of wealthy industrialist Hakon). Rea...
Book Review: DEVELOPING YOUR EMOTIONAL HEALTH, Nick Hern Books
This is a toolkit to help creatives in a business which is often hard to navigate, and I feel it is an excellent addition to the material currently available on the subject. It is written in a chatty and approachable style, and the bitesize structure is perfect for reading on the go....
Review: FLY MORE THAN YOU FALL, Southwark Playhouse
Super singing the highlight of a new musical that speaks to Gen Z loud and clear. Read the review.
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