Review: THE IMPORTANCE OF BEING EARNEST, National Theatre
This is an Earnest for a new generation, Bridgertonian in its approach and just brat enough. Everybody is a little gay. Everybody is incredibly horny. Everybody has the smoothest comeback. Webster forgoes any sanctimony with sacrilegious extravagance. Gorgeously anachronistic costumes by Rae Smith s...
Review: NOBODADDY - TEAĊ DAṀSA, Sadler’s Wells
Teaċ Daṁsa return to Sadler’s Wells with Michael Keegan-Dolan's latest work: NOBODADDY (Tríd an bpoll gan bun). The title is a dark character that features in the poems of William Blake, but the blurb confirms that Dolan's reading is one of “an ode to the peacemakers and the bringers of good...
Review: ONE MAN MUSICAL, Soho Theatre
Written by comedy duo Flo & Joan and directed by Georgie Straight, One Man Musical has quite the simple description - an “original one-man musical about a very renowned gentleman.” This isn’t going to be a one man musical about just any ordinary man. Instead, we’re going to be taking a peek ...
Review: ALICE IN WONDERLAND, Brixton House
Alice In Wonderland? More like Alice Goes Underground as Poltergeist Productions’ take on the Lewis Carroll classic sees our heroine trapped on a tube....
Review: ALICE IN WONDERLAND, Shakespeare North Playhouse
The Shakespeare North Playhouse are taking audiences on an adventure into a timeless classic, in their production of Alice In Wonderland. However, instead of re-telling the famous story, writer Nick Lane and director Nathan Powell have re-invented the tale and given it a modern day twist....
Review: MAZZ MURRAY: THE MUSIC OF DUSTY SPRINGFIELD, Adelphi Theatre
Mazz Murray delivers a classy spectacular, but do we need all those phones in the front two rows?...
Review: NAPOLEON: UN PETIT PANTOMIME, Jermyn Street Theatre
Written and directed by John Savournin and David Eaton, Napoleon: Un Petit Pantomime is a holiday show that promises “historic hilarity” as we follow Napoleon on his quest to defeat the English, particularly the Duke of Wellington. This is the second time Charles Court Opera has collaborated wit...
Review: THE SNOWMAN, Peacock Theatre
Now in its 27th year in London, The Snowman returns to Sadler’s Wells Peacock Theatre, offering a festive treat for families....
Review: THE HAPPIEST MAN ON EARTH, Southwark Playhouse
Mark St Germain adapts Jaku’s life story into a 90-minute one-man show that overflows with empathy and hope. Directed by Ron Lagomarsino, the piece transcends the limits of theatre. ...
Review: ROOM ON THE BROOM, Lyric Theatre
It’s the show that London children’s theatre goers have been waiting for this festive season, Room on the Broom by theatre company Tall Stories. Well known in their field for physical storytelling, Tall Stories promise to retell the classic Donaldson and Scheffler spooky and sweet special with g...
Review: ROCK ‘N’ ROLL PANTOMIME: RAPUNZEL, Liverpool Everyman Theatre
Written by Jude Christian and directed by Francesca Goodridge, this year’s Rock ‘n’ Roll pantomime is Rapunzel - a five star, fabulous, feel-good show that is perfect for all the family to enjoy....
Review: OR WHAT'S LEFT OF US, Soho Theatre
There’s no shortage of shows about death in the London theatre scene. None, however, reach the same level of raw vulnerability, honesty, and heart as Sh!t Theatre, Or What’s Left Of Us. Laying themselves bare, amid a rousing repertoire of folk songs, duo Rebecca Biscuit and Louise Mothersole del...
Review: THE PURISTS, Kiln Theatre
“This ain’t NWA, it’s NW6.” The preshow warm up rapper unironically proclaims down a booming mic. What a line....
Review: ZAINAB JOHNSON: LIVE, Soho Theatre
Zainab Johnson: Live starts with a metaphorical bang, with Johnson getting on stage and declaring that she has a gun. And just like that, the audience is hooked. Why does Johnson have a gun? Well, that’s what we’re here to find out.
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Review: THE UNSEEN, Riverside Studios
Prisoners not the only victims of tyranny's dehumanisation of body and soul...
Review: ALL’S WELL THAT ENDS WELL, Shakespeare's Globe
If, like me, you shrug bah humbug to Panto season and its saccharine cavalcade of festive frivolous fluff then you would do well to seek refuge at the Globe and its intelligently calibrated Winter offering of All's Well That Ends Well....
Review: THE RED SHOES, Swan Theatre, Stratford-Upon-Avon
Lovely to look at, but horrid to contemplate...
Review: KING JAMES, Hampstead Theatre
We all know that sport is easily the most straightforward gateway for male friendships. Whether it’s watching any sort of match or meeting up for a five-a-side game, so many men only bond when they’re supporting the same team. Rajiv Joseph builds King James at the intersection between the human ...
Review: CLUB LIFE, Omnibus Theatre
Stepping out from behind the ones and twos, Lemon Jelly DJ and club promoter Fred Deakin takes us on an odyssey through his own life and times. Club Life was one of Edinburgh Fringe’s word of mouth hits last year, an immersive theatre piece that takes his career as a starting point and allows the ...
Review: IF ALL ELSE FAILS, Battersea Arts Centre
The forty year celebration of Sheffield based Forced Entertainment comes to a close with six performances of If All Else Fails at the Battersea Arts Centre. Performed and devised by Cathy Naden & Seke Chimutengwende, Tim Etchells of Forced Entertainment directs the duo in the improvisational informe...
Review: THE GLORIOUS FRENCH REVOLUTION, New Diorama Theatre
Finding the funny in one of Europe’s most violent episodes of political tumult, YESYESNONO’s The Glorious French Revolution (or: why sometimes it takes a guillotine to get anything done) is a riotous romp....
Review: A CHRISTMAS CAROL, The Old Vic
Despite mince pies being spotted in supermarkets since September, for many, Christmas in London doesn't really begin until Jack Thorne's adaptation of A Christmas Carol opens at The Old Vic theatre....
Review: PADDY YOUNG: IF I TOLD YOU I’D HAVE TO KISS YOU, Soho Theatre
Young may have been on “Struggle Street,” as he called it, but the show itself is solid and he does a fantastic job of rolling with the punches and adjusting the show to make it work for the audience he is dealing with....
Review: NICK COPE’S FAMILY SHOW, The Arts Depot
Nick Cope’s family fun tunes are a pleasure in hear in-person, heightened by the added commentary about the song writing style which further enriched the show by addressing elements of morals, ethics, and a reminder to hold dear our key priorities....
Review: [TITLE OF SHOW], Southwark Playhouse
Director Christopher D. Clegg assembles Jacob Fowler (Hunter), Abbie Budden (Heidi), Mary Moore (Susan), and Thomas Oxley (Jeff) as the quartet, while Tom Chippendale is their accompanying pianist Larry. New casts will never have that je-ne-sais-quoi of the artists playing themselves, but, if the ch...
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