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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: STUFF HAPPENS, National Theatre, 6 July 2016

BWW Review: STUFF HAPPENS, National Theatre, 6 July 2016

by Marianka Swain — July 7, 2016
When Sir John Chilcot stepped up to the mic to deliver his long-awaited verdict on the 2003 invasion of Iraq, he did so calmly, steadily, but with forensic and devastating analytical precision. David Hare's STUFF HAPPENS, which beat Chilcot to the punch by some 12 years, is similarly measured, mixi...
BWW Review: A MIDSUMMER NIGHT'S DREAM, Brockley Jack Theatre, 7 July 2016

BWW Review: A MIDSUMMER NIGHT'S DREAM, Brockley Jack Theatre, 7 July 2016

by Gary Naylor — July 8, 2016
Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London....
BWW Review: FOOTLOOSE, New Alexandra Theatre, 4 July 2016

BWW Review: FOOTLOOSE, New Alexandra Theatre, 4 July 2016

by Emma Cann — July 6, 2016
In the mid-west American town of Bomont, a small tight knit community are suspicious of any new-comer, and especially streetwise Chicago teenager Ren McCormack. Ren has moved from Chicago with his mother Ethel after the sudden departure of his dad. Eager to move on from his recent loss and keen to s...
BWW Review: FRENCH WITHOUT TEARS, Orange Tree Theatre, 4 July 2016

BWW Review: FRENCH WITHOUT TEARS, Orange Tree Theatre, 4 July 2016

by Emma Clarendon — July 5, 2016
Terence Rattigan's charming, light hearted and rarely revived play is brought to sparkling life, in Paul Miller's excellently directed production. ...
BWW Review: SONGS UNSEEN, Oran Mor, July 1 2016

BWW Review: SONGS UNSEEN, Oran Mor, July 1 2016

by Natalie O'Donoghue — July 2, 2016
Songs Unseen is a performance that aims to create opportunities for Scottish and Scottish-based composers to have their work seen and ideas developed....
BWW Review: 1984, Playhouse Theatre, 28 June 2016

BWW Review: 1984, Playhouse Theatre, 28 June 2016

by Liz Cearns — July 1, 2016
Robert Icke and Duncan Macmillan's brilliant adaptation of George Orwell's formidable novel has returned the West End, following international tours and its very successful London run last summer. Perhaps not typical summer-viewing, this production combines the fantastic and too-true to create somet...
BWW Review: ALADDIN, Prince Edward Theatre

BWW Review: ALADDIN, Prince Edward Theatre

by Liz Cearns — July 1, 2016
The musical - or pantomime? - of the year has arrived at the Prince Edward Theatre. We check it out!...
BWW Review: TITANIC, Charing Cross Theatre, June 6 2016

BWW Review: TITANIC, Charing Cross Theatre, June 6 2016

by Gary Naylor — June 7, 2016
Gary Naylor sees a big, bold production deliver a tremendous evening's entertainment as a 2013 smash hit is revived to great acclaim....
BWW Review: THE SPOILS, Trafalgar Studios, June 2 2016

BWW Review: THE SPOILS, Trafalgar Studios, June 2 2016

by Laura Jones — June 5, 2016
Comedian Jesse Eisenberg is the latest American star to bring a production to London's West End. Originally an Off-Broadway show, The Spoils, which was penned by and stars Eisenberg, marks Eisenberg's West End debut and features two new British actors who join the original trio, making this a brilli...
BWW Review: SIDEWAYS, St James Theatre, May 31 2016

BWW Review: SIDEWAYS, St James Theatre, May 31 2016

by Laura Jones — June 3, 2016
Many will remember Sideways as the Academy Award and Golden Globe winning 2004 film based on Rex Pickett's novel. The production now at the St James Theatre is directed by David Grindley and written by Pickett. Sideways is about a pair of middle-aged men drinking their way through California's wine ...
BWW Review: ROMEO AND JULIET, The Garrick Theatre, 25 May 2-16

BWW Review: ROMEO AND JULIET, The Garrick Theatre, 25 May 2-16

by Liz Cearns — May 30, 2016
Kenneth Branagh and Rob Ashford direct Shakespeare's Romeo and Juliet, the penultimate show of the Branagh Company's year long residency at the Garrick Theatre. This well-known cast includes Richard Madden, Lily James, Derek Jacobi and Meera Syal....
BWW Review & Exclusive: 'Curtain Call' Takes Readers Backstage at London's Best Theat

BWW Review & Exclusive: 'Curtain Call' Takes Readers Backstage at London's Best Theatre with Glorious Photos, Interviews

by Matt Tamanini — May 30, 2016
In the new, epic book 'Curtain Call: A Year Backstage in London Theatre,' photographer Matt Humphrey and actor/director John Schwab take audiences behind the scenes of 60 of London's best shows in 2015, and uniquely and elegantly capture the electricity that makes live theatre so special....
BWW Review: BLUE/ORANGE, Young Vic, May 19 2016

BWW Review: BLUE/ORANGE, Young Vic, May 19 2016

by Gary Naylor — May 20, 2016
Gary Naylor sees a play that promised much and delivered for 90 minutes before falling away in a poorly constructed last half-hour....
BWW Review: THE WONDERFUL WORLD OF LIEVEN SCHEIRE, Soho Theatre, May 12 2016

BWW Review: THE WONDERFUL WORLD OF LIEVEN SCHEIRE, Soho Theatre, May 12 2016

by Gary Naylor — May 13, 2016
Gary Naylor sees a show that mixes warm and witty comedy with hard edged physics to create something both mentally stimulating and terribly entertaining....
BWW CD Review: AMERICAN PSYCHO (Original London Cast Recording) Brings Driving Synth-

BWW CD Review: AMERICAN PSYCHO (Original London Cast Recording) Brings Driving Synth-Pop to Musical Theater

by David Clarke — May 10, 2016
The synth-laden opening strains of Concord Music Group's AMERICAN PSYCHO (Original London Cast Recording) are appropriately dark and sterile. In crafting the score for the musical adaptation of Bret Easton Ellis' novel by the same title, Duncan Sheik has created a Broadway score that purposefully re...
BWW Review: ELEGY, Donmar Warehouse, April 27 2016

BWW Review: ELEGY, Donmar Warehouse, April 27 2016

by Laura Jones — April 30, 2016
Nick Payne's latest production Elegy is a short 70-minute piece, which raises complex and emotional issues. Following on from his previous work Constellations, which won the Evening Standard Award for Best Play, Payne's plot focuses on Lorna and her partner Carrie as they struggle with an unnamed di...
BWW Review: SHOW BOAT, New London Theatre, April 28 2016

BWW Review: SHOW BOAT, New London Theatre, April 28 2016

by Tom Cox — April 28, 2016
Show Boat is recognised as a classic show in the Musical Theatre canon and Daniel Evans does a worthy job of bringing it back with style and class. From the opening chord, the wonderful score sounds better than ever and what could be a clunky revival feels fresh, exciting and polished....
BWW Review: SH*T-FACED SHAKESPEARE: A MIDSUMMER NIGHT'S DREAM, Leicester Square Theat

BWW Review: SH*T-FACED SHAKESPEARE: A MIDSUMMER NIGHT'S DREAM, Leicester Square Theatre, April 26 2016

by Gary Naylor — April 27, 2016
Gary Naylor sees a show that places an actor who is somewhat the worse for wear into Shakespeare's most loved play and then sees what comes of it - the title admirably clear!...
BWW Review: THE TOXIC AVENGER, Southwark Playhouse, April 26 2016

BWW Review: THE TOXIC AVENGER, Southwark Playhouse, April 26 2016

by Carrie Dunn — April 26, 2016
The citizens of suffering, stinking Tromaville need someone to stop toxic waste being dumped in their town - enter Melvin Ferd the Third, an aspiring earth scientist. A mayor on the make sets her goons on him, and after a semantic mix-up they end up chucking him into a vat of toxic waste and trans...
BWW Review: DOCTOR FAUSTUS, Duke of York's Theatre, April 21 2016

BWW Review: DOCTOR FAUSTUS, Duke of York's Theatre, April 21 2016

by Laura Jones — April 26, 2016
Doctor Faustus is arguably Christopher Marlowe's best-loved and most well known play. What would we give to get whatever we wanted? In Marlowe's production, Faustus literally sells his soul to the devil in order to gain knowledge. However Jamie Lloyd's adaptation gives it a more modern twist....
BWW CD Review: CYNTHIA ERIVO AND OLIVER TOMPSETT SING SCOTT ALAN is Spellbinding

BWW CD Review: CYNTHIA ERIVO AND OLIVER TOMPSETT SING SCOTT ALAN is Spellbinding

by David Clarke — April 25, 2016
Scott Alan has been giving music theater performers vividly emotionally and stirring songs to perform ever since 2007. Cynthia Erivo captured the hearts of many as Celie in THE COLOR PURPLE. Oliver Tompsett is best known for playing Fieryo in the West End production of WICKED. The three artists join...
BWW Review: BORIS: WORLD KING, Trafalgar Studios 2, April 21 2016

BWW Review: BORIS: WORLD KING, Trafalgar Studios 2, April 21 2016

by Gary Naylor — April 22, 2016
Gary Naylor sees a skilful skewering of politics' favourite son, the blond bombshell Boris, Mayor of London and (maybe) next World King....
BWW Review: MY MOTHER SAID I NEVER SHOULD, St James Theatre, April 19 2016

BWW Review: MY MOTHER SAID I NEVER SHOULD, St James Theatre, April 19 2016

by Laura Jones — April 21, 2016
Twenty seven years after it was first staged in London at the Royal Court Theatre, Charlotte Keatley's My Mother Said I Never Should is finally back on stage at the St James Theatre. The most performed play ever by a female playwright, it takes the audience on a journey spanning over 40 years, focus...
BWW Review: BOY, Almeida Theatre, April 13 2016

BWW Review: BOY, Almeida Theatre, April 13 2016

by Tom Cox — April 27, 2016
Leo Butler brings to the stage a day in the life of an aimless, moneyless, seventeen-year-old boy with nowhere really to go. Despite this lack of action, the result is a hypnotic, moving play which lives in both the cavernous scale of London and the tiny circumnavigation of the marginalised Liam....
BWW Review: IN THE BAR OF A TOKYO HOTEL, Charing Cross, April 11 2016

BWW Review: IN THE BAR OF A TOKYO HOTEL, Charing Cross, April 11 2016

by Gary Naylor — April 12, 2016
Gary Naylor sees a play that showcases late Tennessee Williams in an intense examination of a relationship coming towards its natural conclusion....
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