Review: TOSCA at Wolf Trap Opera
She bounds on stage in sunglasses, fur and foulard like she’s just taken a Vespa from the Trevi Fountain. The Floria Tosca in Wolf Trap Opera’s stylish new production of Puccini’s classic is fully 20th century woman — an Italian film star of 1970s Rome whose poster hangs alongside those for films by Fellini and Argento. She still sings though, and this Tosca her dulcet tones can be heard through the town before she makes her entrance in the church where her lover is painting a Madonna on the wall.
