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UK REGIONAL THEATER REVIEWS

The latest reviews and critic recommendations from UK Regional

Our UK Regional Critics

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Review: ROMEO A JULIET, Shakespeare's Globe

Review: ROMEO A JULIET, Shakespeare's Globe

by Clementine Scott — November 7, 2025
Romeo a Juliet does not make any of its political points overtly, and this is an occasion where some things are better left unsaid, without cheap gimmicks. With nothing made explicit, the audience comes away reflecting on their own use of language and dialect in their daily life, as well as on how o...
Review: HERE & NOW, New Wimbledon Theatre

Review: HERE & NOW, New Wimbledon Theatre

by Laura Jones — November 5, 2025
Here & Now arrives at New Wimbledon Theatre with all the sparkle, nostalgia and high-camp energy you’d expect from a show built around the hits of one of Britain’s most beloved pop groups, Steps. Set in a seaside supermarket, the musical blends tongue-in-cheek humour with heartfelt moments, deli...
An Englishman Abroad - Gary Naylor Goes To Glasgow

An Englishman Abroad - Gary Naylor Goes To Glasgow

by Gary Naylor — October 27, 2025
Theatre beyond London proves varied and interesting...
Review Roundup: MACBETH, starring Sam Heughan and Lia Williams

Review Roundup: MACBETH, starring Sam Heughan and Lia Williams

by Aliya Al-Hassan — October 27, 2025
Directed by Daniel Raggett, the Royal Shakespeare Company’s brings a new version of Macbeth to the small studio space in Stratford-upon-Avon. Starring Sam Heughan, best known for his role in the series Outlander, and Lia Williams as Lady Macbeth. This staging imagines the play in a gangland pub i...
Review: ARLINGTON, Tron Theatre

Review: ARLINGTON, Tron Theatre

by Gary Naylor — October 24, 2025
Bleak, yet hopeful, drama/dance hybrid gives food for thought...
Review: MACBETH, starring Sam Heughan and Lia Williams

Review: MACBETH, starring Sam Heughan and Lia Williams

by Cindy Marcolina — October 26, 2025
Something wicked this way comes: it’s another exciting high-concept Shakespeare. Director Daniel Raggett moves the action of the Scottish Play to a safe-house pub in the midst of a racketeering war. Succession meets Sons of Anarchy with a hint of The Sopranos in this daring, new production. With a...
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne

Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne

by Aliya Al-Hassan — October 20, 2025
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage....
Review: LA BOHÈME, Glyndebourne

Review: LA BOHÈME, Glyndebourne

by Aliya Al-Hassan — October 15, 2025
PucciniAs the nights draw in, it seems highly appropriate to return to Glyndebourne for the start of its Autumn season and the chilly streets of Puccini’s La bohème. Floris Visser’s production, beautifully revived by Rachael Hewer, has the spectre of death ever-present. In this case, quite li...
Review: SMALL HOTEL, Starring Ralph Fiennes, Theatre Royal Bath

Review: SMALL HOTEL, Starring Ralph Fiennes, Theatre Royal Bath

by Cheryl Markosky — October 10, 2025
How many extended metaphors does it take to change a lightbulb? Only one, please, Rebecca Lenkiewicz. Commissioned by Ralph Fiennes to come up with a new play for the Ralph Fiennes/Theatre Royal Bath Season, Lenkiewicz's Small Hotel offers way too many exciting ideas – alas, none of which string t...
Review: 2:22 A GHOST STORY, Theatre Royal Brighton

Review: 2:22 A GHOST STORY, Theatre Royal Brighton

by Caroline Cronin — October 7, 2025
Four years on from its premiere at the Noel Coward Theatre, 2:22 A Ghost Story continues to unsettle audiences across the UK and internationally. The celebrity casting in this iteration of the UK tour adds a new dynamic in the form of real-life couple Stacey Dooley and Kevin Clifton....
Review: THE PARTY GIRLS, Oxford Playhouse

Review: THE PARTY GIRLS, Oxford Playhouse

by Niamh Jones — October 2, 2025
Glamorous and mythic, the Mitford sisters often feel like untouchable figures of the past, central to the tumultuous politics of the interwar period and yet forgotten amidst the rollcall of far more significant names. They seem like the sorts of characters who would be impossible to bring to life, a...
Review: THE TALENTED MR RIPLEY, Birmingham Rep

Review: THE TALENTED MR RIPLEY, Birmingham Rep

by Laura Lott — September 29, 2025
Talented by name, talented by nature: Ed McVey is a perfectly cast Mr Ripley, deftly juggling paranoia, wild optimism, self-pity and bouts of violence, while never losing either his sense of humour or the audience's tolerance. It's a demanding role requiring seemingly endless reams of dialogue as Ri...
Review: THE MAN WHO WAS MAGIC, Adelphi Theatre

Review: THE MAN WHO WAS MAGIC, Adelphi Theatre

by Christiana Rose — September 29, 2025
James Phelan’s latest production, The Man Who Was Magic, arrives at the Adelphi Theatre for one night only after a triumphant Edinburgh run and confirms his reputation as a magician with both flair and heart. The show opens to the smooth sounds of the Rat Pack and swing, the stage bathed in the wa...
Micaela Prada Steps Into the Spotlight in London with Folklorica

Micaela Prada Steps Into the Spotlight in London with Folklorica

by Felicitas de la Fare — September 25, 2025
Micaela Prada has built her career on both artistry and discipline, combining the vision of a producer with the presence of a performer....
Review: LITTLE WOMEN, Salisbury Playhouse

Review: LITTLE WOMEN, Salisbury Playhouse

by Cheryl Markosky — September 8, 2025
Will lovers of Louisa May Alcott's semi-autobiographical novel Little Women, published more than 150 years ago, be content with Anne-Marie Casey's stage adaptation first performed in 2022 and now running at Salisbury Playhouse?...
Review: THE LION, THE WITCH AND THE WARDROBE, Sadler’s Wells

Review: THE LION, THE WITCH AND THE WARDROBE, Sadler’s Wells

by Matthew Paluch — August 22, 2025
If it ain't broke, don't fix it - but by all means develop it into a one-show-does-all situation, which is very much the case for The Lion, The Witch and The Wardrobe currently showing at Sadler’s Wells. The production is geared towards a younger audience, however anyone who goes won't be able to ...
Review: AS YOU LIKE IT, Starring Harriet Walter, Theatre Royal Bath

Review: AS YOU LIKE IT, Starring Harriet Walter, Theatre Royal Bath

by Cheryl Markosky — August 22, 2025
What did our critic think of AS YOU LIKE IT, STARRING HARRIET WALTER, THEATRE ROYAL BATH at Theatre Royal Bath?...
Review: FAT HAM, Swan Theatre

Review: FAT HAM, Swan Theatre

by Kat Mokrynski — August 26, 2025
What if, instead of being based in a castle in Denmark in the late Middle Ages, Hamlet was set at a backyard barbecue in the United States in modern times? That’s exactly what audiences witness in James Iijames’s Pulitzer Prize-winning Fat Ham, which follows Juicy (Olisa Odele), a young, queer b...
Review: HEDDA, Starring Lily Allen, Theatre Royal Bath

Review: HEDDA, Starring Lily Allen, Theatre Royal Bath

by Cheryl Markosky — August 15, 2025
Anyone who thinks Lily Allen's simply an upstart pop star plonked onstage to pull in the punters and rake in the cash, well, you can think again. She's delightfully dangerous and destructive – so much so you can't take your eyes off her – in Matthew Dunster's new cheeky version of Ibsen's Hedda ...
Album Review: LIVE IN LONDON, Marisha Wallace

Album Review: LIVE IN LONDON, Marisha Wallace

by Clementine Scott — August 14, 2025
Marisha Wallace, Broadway’s current Sally Bowles, has had a career in New York and London marked by starring roles in musicals about women surviving tough circumstances. As we find out in her debut live recording, Live in London, her own life hasn’t been much different....
Review: THE TWO GENTLEMEN OF VERONA, The Other Place, Stratford upon Avon

Review: THE TWO GENTLEMEN OF VERONA, The Other Place, Stratford upon Avon

by Debbie Gilpin — August 13, 2025
Joanna Bowman brings Shakespearean Italy to The Other Place at the RSC with her new production of his first play, The Two Gentlemen of Verona. At a pacy 90 minutes (without an interval) and set in the round, the play is reimagined for the present day with a talented cast of actor-musicians - an idea...
Review: GREASE, Kilworth House Theatre

Review: GREASE, Kilworth House Theatre

by Laura Lott — August 7, 2025
There's something inherently magical about outdoor theatre, especially when the theatre is in such beautiful surroundings as Kilworth House's. Watching Rydell High's disco ball throw tiny swirling lights across the theatre's tented roof as the cast hand-jive beneath it and night falls outside, it's ...
Review: ANNE BOLEYN: THE MUSICAL, Hever Castle

Review: ANNE BOLEYN: THE MUSICAL, Hever Castle

by Amber-Rae Stobbs — August 7, 2025
There are only a few names that, when spoken, hold such a weight that you feel almost as if you cannot carry them. Anne Boleyn, dare I say, is one of the most pivotal. Her story is one that is either at the forefront of your mind, or it should be. And bearing witness to it, in the home where she was...
Review: DON'T ROCK THE BOAT, The Mill At Sonning

Review: DON'T ROCK THE BOAT, The Mill At Sonning

by Mica Blackwell — July 21, 2025
Don’t Rock the Boat tries to be a wild ride down the Thames as the title suggests, but it only lightly bumps into its chaos. The cast make a valiant effort with the material and its set beautifully fits the Mill at Sonning, but its outdated nature makes me question who this play is for in 2025....
Review: MARY POPPINS, Birmingham Hippodrome

Review: MARY POPPINS, Birmingham Hippodrome

by Laura Lott — July 21, 2025
What did our critic think of MARY POPPINS at Birmingham Hippodrome?...
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